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The rugged beauty of the Mount St. Helens wilderness is being haunted by a killer. Hikers, loggers, and local residents are dying in horrible, mysterious ways, and lawmen Bud O'Brien and Charlie Redtail are forced to think it just might be a monster ... maybe Bigfoot itself. Enter Cryptozoologist Dr. Ian McDermott, Ph.D., who struggles with his own personal demons as he uncovers the impossible and ugly truth behind it all - an evil more malevolent than anyone ever imagined. Loup-Garou is the first in the Ian McDermott, Paranormal Investigator series. Atmospheric, often beautiful, and always intensely scary investigations into what we were told as children were only myths and legends. The hunt is on.
Sheriff Bud O'Brien and Sheriff's Deputy Charlie Redtail of the tiny, normally quiet Pacific Northwest township of Harmony Falls, located near Mt. Saint Helens, find themselves facing more than they bargained for when it comes to a string of disturbing occurrences that may or may not pertain to local superstition. Pressure is mounting for them to solve the recent high-profile mystery of two missing hikers and identify what or who was actually responsible for the vicious attack on a local logger, who insists his assailant was none other than Big Foot! After exhausting all conventional methods, Sheriff Bud reluctantly has hired the services of so-called rare animal expert, Dr. Ian McDermott, Ph.D., a cryptozoologist, who at one time had attained some notoriety in his unconventional field, to hopefully aid with his stalled investigations. The hunt is on!
Terror strikes a small, tight-knit mountain community. Was it a homicidal manic? Bigfoot? Or something even more malevolent.... Terror strikes a small, tight-knit mountain community near Mt. Saint Helens. It begins with a string of horrific occurrences that echo local superstition, including missing hikers and a vicious attack on a local logger–who insists his assailant was none other than Bigfoot. After exhausting all conventional law enforcement methods, the sheriff reluctantly hires the services of Dr. Ian McDermott, Ph.D., a former cryptozoologist who at one time had attained some notoriety in his unconventional field. More questions and mysterious events surface as tensions mount. Homicidal maniac? Bigfoot? Or perhaps something lycanthropically malevolent…more maniacally evil than anyone could possibly imagine.
Rogues, published in France under the title Voyous, comprises two major lectures that Derrida delivered in 2002 investigating the foundations of the sovereignty of the nation-state. The term "État voyou" is the French equivalent of "rogue state," and it is this outlaw designation of certain countries by the leading global powers that Derrida rigorously and exhaustively examines. Derrida examines the history of the concept of sovereignty, engaging with the work of Bodin, Hobbes, Rousseau, Schmitt, and others. Against this background, he delineates his understanding of "democracy to come," which he distinguishes clearly from any kind of regulating ideal or teleological horizon. The idea that democracy will always remain in the future is not a temporal notion. Rather, the phrase would name the coming of the unforeseeable other, the structure of an event beyond calculation and program. Derrida thus aligns this understanding of democracy with the logic he has worked out elsewhere. But it is not just political philosophy that is brought under deconstructive scrutiny here: Derrida provides unflinching and hard-hitting assessments of current political realities, and these essays are highly engaged with events of the post-9/11 world.
Elizabeth DeLoughrey invokes the cyclical model of the continual movement and rhythm of the ocean (‘tidalectics’) to destabilize the national, ethnic, and even regional frameworks that have been the mainstays of literary study. The result is a privileging of alter/native epistemologies whereby island cultures are positioned where they should have been all along—at the forefront of the world historical process of transoceanic migration and landfall. The research, determination, and intellectual dexterity that infuse this nuanced and meticulous reading of Pacific and Caribbean literature invigorate and deepen our interest in and appreciation of island literature. —Vilsoni Hereniko, University of Hawai‘i "Elizabeth DeLoughrey brings contemporary hybridity, diaspora, and globalization theory to bear on ideas of indigeneity to show the complexities of ‘native’ identities and rights and their grounded opposition as ‘indigenous regionalism’ to free-floating globalized cosmopolitanism. Her models are instructive for all postcolonial readers in an age of transnational migrations." —Paul Sharrad, University of Wollongong, Australia Routes and Roots is the first comparative study of Caribbean and Pacific Island literatures and the first work to bring indigenous and diaspora literary studies together in a sustained dialogue. Taking the "tidalectic" between land and sea as a dynamic starting point, Elizabeth DeLoughrey foregrounds geography and history in her exploration of how island writers inscribe the complex relation between routes and roots. The first section looks at the sea as history in literatures of the Atlantic middle passage and Pacific Island voyaging, theorizing the transoceanic imaginary. The second section turns to the land to examine indigenous epistemologies in nation-building literatures. Both sections are particularly attentive to the ways in which the metaphors of routes and roots are gendered, exploring how masculine travelers are naturalized through their voyages across feminized lands and seas. This methodology of charting transoceanic migration and landfall helps elucidate how theories and people travel, positioning island cultures in the world historical process. In fact, DeLoughrey demonstrates how these tropical island cultures helped constitute the very metropoles that deemed them peripheral to modernity. Fresh in its ideas, original in its approach, Routes and Roots engages broadly with history, anthropology, and feminist, postcolonial, Caribbean, and Pacific literary and cultural studies. It productively traverses diaspora and indigenous studies in a way that will facilitate broader discussion between these often segregated disciplines.
If there's no such thing as werewolves then why are all my friends dead? A werewolf is preying upon the denizens of a small town. The only people who know what it is, who understand what is happening, are children. A group of third graders isn't exactly the most credible source of information, especially when it comes to the fantastical. They grow up being ridiculed, shunned, bullied and mistreated by their peers and the broader community. Years later it returns, but this time Thomas and his friends are prepared for it. As the body count rises and the tension mounts throughout the town, only The Freaks (as they call themselves), have come to terms with what it is. After all, they have seen it before. They have seen the blood it spilled firsthand. Nobody is above suspicion. Not even family members. Thomas and his friends cannot trust anyone, must suspect everyone. As children, they learned the truth. As grown werewolf hunters, they must use every bit of courage they have to face the monster. Nothing short of killing it will suffice. Inspired by horror stories and movies from when Werewolves were actually scary. When shifters had fangs. When monsters spilled blood and guts, and nobody cared how nice their abs were. An homage to Stephen King's Cycle of the Werewolf and movies such as An American Werewolf in London, and the Howling series, The Beast will curdle your blood with fear. A quick read, this novelette is intended to be devoured in one or two sittings. In the tradition of Edgar Alan Poe, this story should take just between one-half hour and one hour to finish. Primarily it is a reaction to the lack of good werewolf stories out there on the market today. With speculative fiction taking some very bold, yet unnecessary turns in the twenty-first century, The Beast is an attempt to seize on something purer. Sure, weredragon, alien invasion, sci-fi may be doing great and dominating today's ebook market, but there is something to be said for the kinds of stories that were popular when I was a kid; the kind with fangs, the kind that bite. "The Beast is one hell of a wild ride. One of the best horror stories I have read in a very long time. I had forgotten just how scary werewolves could actually be. An instant classic." - the author's totally biased friend.
Something evil lurks in the woods, on the outskirts of town. It lives in the shadows and strikes without warning, always with the same objective: to mutilate, kill and devour its victim. It's a monster with a cannibalistic craving for human flesh, and a sexual appetite which seemingly cannot be satiated. No victim is left alive, and the scattered remains divulge very little to the police pathologist. As the body count rises, the superintendent in charge of the investigation resorts to desperate measures. But soon, it becomes obvious that the police have woefully underestimated their suspect. A mistake which will cost them dearly. This book contains graphic sex and violence, and is not suitable for readers under the age of 18.
When John Simpson hears of a bizarre animal attack in his old hometown of High Moor, it stirs memories of a long-forgotten horror. John knows the truth. A werewolf stalks the town once more, and on the night of the next full moon, the killing will begin again. He should know. He survived a werewolf attack in 1986, during the worst year of his life. However, the consequences of his actions, the reappearance of an old flame and a dying man who will save or damn him are the least of his problems. The night of the full moon is approaching, and time is running out. But how can he hope to stop a werewolf when every full moon transforms him into a bloodthirsty monster himself?