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An enormous number of churches and other religious structures have been built in Louisiana over the past 250 years, many of which still stand. Today, in New Orleans alone, there are more than 850 churches representing more than seventy denominations. The state's religious buildings encompass not only a wide range of faiths but also a striking diversity of architectural forms. In Religious Architecture in Louisiana, author Robert W. Heck and photographer Otis B. Wheeler provide the first photographic survey of this rich architectural heritage. Their goal has been not to document every religious building in the state (a nearly impossible task) but to isolate prime examples of the historically and architecturally significant. Robert W. Heck presents a brief history of Louisiana's religious architecture. He describes the dominating influence of Catholicism during the eighteenth century, during which time the original Church of St. Louis was built on the site of the present Cathedral of St. Louis, King of France, in New Orleans. He then discusses the burgeoning construction that accompanied the expansion of religious freedom following the Louisiana Purchase in 1803 as Protestants and Jews erected their own places of worship. The author also considers the various architectural influences that have marked Louisiana's religious buildings, from the Colonial style of the eighteenth century, to the Classical Revival and Gothic Revival styles that predominated during the middle part of the nineteenth century, to the Eclectic style that gained currency after the Civil War and persisted until about 1930. The great part of the book is devoted to 162 religious buildings located throughout the state. In addition to presenting photographs of the structures, each place of worship is identified by name, address, date of construction (when known), and architectural style. For each building the author also provides comments on design, construction materials, and structural and decorative details. To enhance the usefulness of the book, a glossary of architectural terms and an appendix that lists those religious buildings in the state included in the National Register of Historic Places is included as well as another appendix that lists known early religious structures that are no longer standing. Religious Architecture in Louisiana will prove a valuable resource for architects, religious congregations, historic preservationists, and religious and architectural historians.
Cradled in the crescent of the Mississippi River and circumscribed by wetlands, New Orleans has faced numerous challenges since its founding as a French colonial outpost in 1718. For three centuries, the city has proved resilient in the face of natural disasters and human activities, and its resulting urban fabric is the product of social, political, commercial, economic, and cultural circumstances that have defined how local residents have interacted with their surroundings.
Introduction to architectural styles that have shaped Louisiana's landscapes.
A gumbo of French, Spanish, and American influences, the architecture of New Orleans has always reflected the city's strong Catholic roots. Indeed, St. Louis Cathedral across from Jackson Square stands as perhaps the most widely recognized face of New Orleans. The cathedral, though, is just one of many stunning churches that beautifully reflect the city's long and diverse Catholic heritage. Splendors of Faith showcases thirteen of these historic churches of exceptional architectural and artistic beauty, revealing scenic treasures that lie mostly beyond the well-worn tourist paths. The earliest of the thirteen, St. Louis Cathedral, traces its origin to 1727. The most recent, Immaculate Conception, was built in 1930 but modeled after its mid-nineteenth-century predecessor. The eleven other churches are Blessed Francis Xavier Seelos, Holy Name of Jesus, Mater Dolorosa, Our Lady of the Rosary, St. Anthony of Padua, St. Francis of Assisi, St. Joseph, St. Mary's Assumption, St. Patrick, St. Peter Claver, and St. Stephen. In image and word, photographer Frank J. Methe and historian Charles E. Nolan capture the splendor of these places of worship. Methe provides sumptuously detailed color photographs of the churches and their interior décor. Nolan offers enlightening commentary about each edifice, its congregation, and the rich variety of art forms assembled over the years: architecture, stained glass, statuary, mosaics, paintings, and more. New Orleans Catholics and their churches experienced dramatic change after Hurricane Katrina and the levee breaks. The buildings featured here, some of which suffered major damage in 2005, continue to serve as places of worship, bearing witness to a vibrant cultural component in one of the country's most beloved cities. Splendors of Faith takes readers inside these landmark churches and reveals their aesthetic and historical significance as never before.
The only New Deal program to continue into the 1990s, the Historic American Buildings Survey has through the years drawn attention to the historical and artistic significance of buildings that contemporary taste might otherwise have ignored. Louisiana Buildings, 1720-1940 makes easily available the fruit of HABS's important and enduring efforts to record Louisiana's architectural heritage. In the 1930s, the Louisiana HABS team concentrated on public edifices and grand plantation complexes threatened by destruction. Later records of HABS include still other habitations of the common man as well as industrial structures. The project has yielded not only graphic and written documentation of the buildings, many no longer standing, but also new insights into the history of the state's architecture. An invaluable part of Louisiana Buildings, 1720-1940 is the alphabetical listing of HABS structures in Louisiana both by familiar name and by parish. The listing by parish gives the location, the date of construction, the architect when known, and the current status of each building. It also presents drawings or photographs of many of the structures, over 300 pictures in all. There are, besides, nine chapters by leading architectural historians, who cover all aspects of Louisiana architecture: its Creole beginnings in the south of the state; the Appalachian folk style in the north; and developments on the plantation, in the seventeenth-century urban setting, and in the modern era. Those chapters form an essential frame of reference for the data in the HABS listings and call attention to many other structures that are a part of the history of building in the Pelican State. Anyone interested in the state's architecture or history will find Louisiana Buildings indispensable.
French priest Joseph M. Paret (1807-1872) served in the missions of Louisiana from 1847 to 1869 as pastor of the Little Red Church, located upstream from New Orleans on the east bank of the Mississippi River. During his somewhat lonely tenure, Paret sketched landscapes, architecture, and interiors, capturing everyday life in prosperous St. Charles Parish. In 1987, fifty-three watercolors were discovered -- still bound in their original sketchbook -- among his personal effects. Plantations by the River contains twenty-eight of these paintings created in or about the year 1859. Paret's insightful artwork provides a visual social history of the antebellum creole culture of south Louisiana and documents properties in addition to structures and furnishings of the period. The book features full-size reproductions of Paret's paintings, which have been restored to their original vibrancy. The value of Paret's detailed folk art lies in the accuracy of his depiction of the region he lived in. He faithfully renders parishioners attending church, men pulling driftwood from the Mississippi River, and the edifices and flora gracing local plantations Ormond and Good Hope, among many others. The text is presented in both English and French; and as a supplement to the art, an appendix of excerpts from Mon Journal d'Amerique -- a collection of correspondence between Paret and his family -- is included. The beautiful, brightly colored paintings of Plantations by the River are a rare discovery and provide a unique view of rural Louisiana life before the onset of the Civil War.
Dig deep into the origins of building. The ground, now often used as a passive foundation for going higher, is rife with possibilities. Bjarne Mastenbroek investigates the relationship architecture has, had, and will have, with site and nature. Dissecting structures from the past millennia, this nearly 1,400 page global survey, designed by...