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This seventeenth installment in the complete collection of Henry James's known and extant letters records James's ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, engage timely political and economic issues, and maximize his income.
The Cambridge Edition of the Complete Fiction of Henry James provides, for the first time, a scholarly edition of a major writer whose work continues to be read, quoted, adapted and studied. The nine tales in this volume, published between 1884 and 1888, include 'The Aspern Papers', set in Venice and featuring a devious scholar attempting to steal the letters of an American poet from his former lover, and 'The Liar,' on the world of painters and their models. These tales exemplify James's continuing interest in the art of short fiction during a period which saw him responding to the stimulations of French naturalism and successfully reworking the international theme that had made him famous at the end of the 1870s. Extensive explanatory notes enable modern readers to understand the tales' historical, cultural and literary references.
Sometimes overshadowed by his work as a novelist, Henry James’s short fiction is an astonishing achievement, a triumph of inventiveness and restless curiosity. This Library of America volume (the third of five volumes devoted to his short fiction) includes among its seventeen stories some of James’s greatest masterpieces. “The Aspern Papers” is a stunning novella about emotional ruthlessness in the service of literary scholarship. “The Pupil” is a densely suggestive account of the moral perplexities underlying the relationship between an impoverished tutor and a young invalid. “The Lesson of the Master” is an intricate study of ambition, disappointment, and the demands of a life devoted to art. “Brooksmith” is a moving portrait of a house servant and “Sir Edmund Orme” is an enthralling ghost story. In “The Liar,” a painter attempts to force a former love to admit that her present husband is a pathological liar; in “The Patagonia,” a young man cavalierly flirts with a young woman en route to her wedding in England, with disastrous consequences. More than half the stories within this volume are available in no other edition. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Legend has tended to preserve Henry James as "The Master" that Joseph Conrad called him, a rather long-winded Olympian given to great utterances on the art of fiction and the writing of profound psychological studies. The real-life figure revealed in these letters is more terse, and even astringent, a professional writer, an eager observer of life, a man who delighted in meeting people and who made an art of friendship, but who did not hesitate to descend into the marketplace of letters and get the best possible price for his wares.Leon Edel designed this selection to show the kinds of letters James wrote--to his family, his contemporaries, to would-be writers--letters injected with irony and obdurate truth. Here are letters to Conrad, Wells, Galsworthy, Henry Adams, Howells, Edith Wharton, Fanny Kemble--to great Victorians as well as those who bridged that era and the modern one.
This meticulously edited Henry James collection includes his complete novels and short stories, as well as literary essays, plays, travel sketches and reports of the great author. The life of Henry James is revealed in different biographies, and in his three autobiographical books._x000D_ Content:_x000D_ Novels:_x000D_ Watch and Ward_x000D_ Roderick Hudson_x000D_ The American_x000D_ The Europeans_x000D_ Confidence_x000D_ Washington Square_x000D_ The Portrait of a Lady_x000D_ The Bostonians_x000D_ The Princess Casamassima_x000D_ The Reverberator_x000D_ The Tragic Muse _x000D_ The Other House_x000D_ The Spoils of Poynton_x000D_ What Maisie Knew_x000D_ The Awkward Age_x000D_ The Sacred Fount_x000D_ The Wings of the Dove_x000D_ The Ambassadors_x000D_ The Golden Bowl_x000D_ The Outcry_x000D_ The Ivory Tower_x000D_ The Sense of the Past_x000D_ Short Stories_x000D_ A Passionate Pilgrim_x000D_ The Last of the Valerii_x000D_ Eugene Pickering_x000D_ The Madonna of the Future_x000D_ The Romance of Certain Old Clothes_x000D_ Madame de Mauves_x000D_ Tales of Three Cities_x000D_ The Impressions of a Cousin_x000D_ Lady Barberina_x000D_ A New England Winter_x000D_ Stories Revived_x000D_ The Author of 'Beltraffio'_x000D_ Pandora_x000D_ The Path of Duty_x000D_ A Light Man_x000D_ A Day of Days_x000D_ Georgina's Reasons_x000D_ A Landscape-Painter_x000D_ Théodolinde _x000D_ Poor Richard_x000D_ Master Eustace_x000D_ A Most Extraordinary Case_x000D_ A London Life_x000D_ The Patagonia_x000D_ The Liar_x000D_ Mrs. Temperly_x000D_ The Real Thing _x000D_ Sir Dominick Ferrand_x000D_ Nona Vincent_x000D_ The Chaperon_x000D_ Greville Fane_x000D_ The Siege of London_x000D_ An International Episode_x000D_ The Pension Beaurepas_x000D_ A Bundle of Letters_x000D_ The Point of View_x000D_ Terminations_x000D_ Embarrassments_x000D_ The Two Magics_x000D_ The Soft Side_x000D_ The Finer Grain_x000D_ Other Stories_x000D_ Plays:_x000D_ Daisy Miller_x000D_ Pyramus and Thisbe_x000D_ Still Waters_x000D_ A Change of Heart_x000D_ The Album_x000D_ Disengaged_x000D_ Tenants_x000D_ The Reprobate_x000D_ Guy Domville_x000D_ The Outcry_x000D_ The High Bid_x000D_ Summersoft_x000D_ Travel Writings:_x000D_ A Little Tour in France_x000D_ English Hours_x000D_ Italian Hours_x000D_ The American Scene_x000D_ Transatlantic Sketches_x000D_ Portraits of Places_x000D_ Essays:_x000D_ Notes on Novelists_x000D_ Views and Reviews_x000D_ Within the Rim and Other Essays_x000D_ French Poets and Novelists_x000D_ Partial Portraits_x000D_ Essays in London and Elsewhere_x000D_ Notes and Reviews_x000D_ Picture and Text_x000D_ Biographies:_x000D_ Hawthorne_x000D_ William Wetmore Story and His Friends_x000D_ Rupert Brooke_x000D_ Autobiographies:_x000D_ A Small Boy and Others_x000D_ Notes of a Son and Brother_x000D_ The Middle Years