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While these stories can make no claim to being great art, they are an important segment of Alcott's canon. They demonstrate that, while she was exploring new territory with some of her work, she was also working within the existing tradition of the didactic fairy tale.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - THE summer moon shone brightly down upon the sleeping earth, while far away from mortal eyes danced the Fairy folk. Fire-flies hung in bright clusters on the dewy leaves, that waved in the cool night-wind; and the flowers stood gazing, in very wonder, at the little Elves, who lay among the fern-leaves, swung in the vine-boughs, sailed on the lake in lily cups, or danced on the mossy ground, to the music of the hare-bells, who rung out their merriest peal in honor of the night. Under the shade of a wild rose sat the Queen and her little Maids of Honor, beside the silvery mushroom where the feast was spread. "Now, my friends," said she, "to while away the time till the bright moon goes down, let us each tell a tale, or relate what we have done or learned this day. I will begin with you, Sunny Lock," added she, turning to a lovely little Elf, who lay among the fragrant leaves of a primrose.
Flower Fables was the first work published by Louisa May Alcott and appeared on December 9, 1854. The book was a compilation of fanciful stories first written six years earlier for Ellen Emerson (daughter of Ralph Waldo Emerson). The book was published in an edition of 1600 and though Alcott thought it ""sold very well,"" she received only about $35 from the Boston publisher, George Briggs Old-Fashioned Girl is a novel by Louisa May Alcott. It was first serialised in the Merry's Museum magazine between July and August in 1869 and consisted of only six chapters. For the finished product, however, Alcott continued the story from the chapter ""Six Years Afterwards"" and so it ended up with nineteen chapters in all. The book revolves around Polly Milton, the old-fashioned girl who titles the story. Louisa May Alcott (November 29, 1832 - March 6, 1888) was an American novelist and poet best known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886).
Orphaned Rose Campbell finds it difficult to fit in when she goes to live with her six aunts and seven mischievous boy cousins.
Nineteenth-century American women’s culture was immersed in religious experience and female authors of the era employed representations of faith to various cultural ends. Focusing primarily on non-canonical texts, this collection explores the diversity of religious discourse in nineteenth-century women’s literature. The contributors examine fiction, political writings, poetry, and memoirs by professional authors, social activists, and women of faith, including Elizabeth Stuart Phelps, Angelina and Sarah Grimké, Louisa May Alcott, Rebecca Harding Davis, Harriet E. Wilson, Sarah Piatt, Julia Ward Howe, Julia A. J. Foote, Lucy Mack Smith, Rebecca Cox Jackson, and Fanny Newell. Embracing the complexities of lived religion in women’s culture-both its repressive and its revolutionary potential-Nineteenth-Century American Women Write Religion articulates how American women writers adopted the language of religious sentiment for their own cultural, political, or spiritual ends.
From the author of anonymous and pseudonymous tales comes a collection on nine newly discovered stories uncovered by tireless literary detective work.
A charming and magical graphic novel based on Louisa May Alcott's Little Women! Jo, Beth, Amy, and Meg March are four sisters living in Concord with their parents—Father, who's tending to soldiers fighting in the Civil War, and Marmee, who teaches the girls simple but effective witchcraft. The Marches have to keep their craft quiet, as there are many in Concord who see magic in a bad light—especially after things have begun disappearing. When Mr. Laurence, a witchfinder, moves in next door to investigate the missing objects, the girls fear for their livelihood. But he turns out to be a kind old man, and his grandson, Laurie, quickly befriends the Marches. As the cold winter blusters on, the girls continue their education, even as missing objects soon turn into missing people. Things take a turn for the worse when Jo and Laurie try investigating on their own, and a dangerous storm takes hold of Concord. There's powerful magic at play here—stronger than anything the Marches, or even Laurie, has ever seen before. Can they hope to defeat it? Or has the magic already become too strong for them to fight against?
Although the publication of Little Women in 1868 earned Louisa May Alcott tremendous popularity, for a long time she was thought of as a writer of children's stories and considered—at best—a minor figure in the American literary canon. Now, at the end of the twentieth century, Alcott's vast body of work is being celebrated alongside the greatest American writers, and this collection shows why. The Portable Louisa May Alcott samples the entire spectrum of Alcott's work: her novels, novellas, children's stories, sensationalist fiction, gothic tales, essays, letters, and journals. Presenting her more daring works, such as Moods and Behind a Mask (both reprinted in their entirety), alongside the familiar heroines of Little Women, this singular collection offers readers a rich and wide-ranging portrait of this talented, prolific, and influential writer.