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Set amidst lush, rolling hills, Louisa County was once home to religious dissenters, emancipationists and some of Virginias first families. Its epicenter was Louisa Courthouse, where all the countys residents managed their business affairs. From Patrick Henrys seminal speech for Louisa against tyranny, to a county chief justice too fat to ride horseback, Louisa has a rich and fascinating heritage. Historian and longtime Louisa County resident Pattie G.P. Cooke chronicles the countys coming of age as part of the new United States of America, retaining its small, tightly knit communities while embracing inevitable progress.
In her fourth full-length book, White Blood: A Lyric of Virginia, Kiki Petrosino turns her gaze to Virginia, where she digs into her genealogical and intellectual roots, while contemplating the knotty legacies of slavery and discrimination in the Upper South. From a stunning double crown sonnet, to erasure poetry contained within DNA testing results, the poems in this collection are as wide-ranging in form as they are bountiful in wordplay and truth. In her poem 'The Shop at Monticello,' she writes: 'I’m a black body in this Commonwealth, which turned black bodies/ into money. Now, I have money to spend on little trinkets to remind me/ of this fact. I’m a money machine & my body constitutes the common wealth.' Speaking to history, loss, and injustice with wisdom, innovation, and a scientific determination to find the poetic truth, White Blood plants Petrosino’s name ever more firmly in the contemporary canon.
When Huston Diehl began teaching a fourth-grade class in a "Negro" elementary school in rural Louisa County, Virginia, the school’s white superintendent assured her that he didn't expect her to teach "those children" anything. She soon discovered how these low expectations, widely shared by the white community, impeded her students' ability to learn. With its overcrowded classrooms, poorly trained teachers, empty bookshelves, and meager supplies, her segregated school was vastly inferior to the county's white elementary schools, and the message it sent her students was clear: "dream not of other worlds." In her often lyrical memoir, Diehl reveals how, in the intimacy of the classroom, her students reached out to her, a young white northerner, and shared their fears, anxieties, and personal beliefs. Repeatedly surprised and challenged by her students, Diehl questions her long-standing middle-class assumptions and confronts her own prejudices. In doing so, she eloquently reflects on what the students taught her about the hurt of bigotry and the humiliation of poverty as well as dignity, courage, and resiliency. Set in the waning days of the Jim Crow South, Dream Not of Other Worlds chronicles an important moment in American history. Diehl examines the history of black education in the South and narrates the dramatic struggle to integrate Virginia's public schools. Meeting with some of her former students and colleagues and visiting the school where she once taught, she considers what has--and has not--changed after more than thirty years of integrated schooling. This provocative book raises many issues that are of urgent concern today: the continuing social consequences of segregated schools, the role of public education in American society, and the challenges of educating minority and poor children.
The personal property tax lists for the year 1787.
Filled with local stories and anecdotes and containing an impressive range of photographs-from snapshots of veterans of the War Between the States to high school class pictures from the 1950s; from early images of the resort area to photographs documenting recent changes to Louisa-this new book will earn a lasting place on area bookshelves and will be handed down from generation to generation for years to come. Louisa and Louisa County will be enjoyed by older folk as a trip down memory lane, and appreciated by younger generations as a glimpse of an era when life was harder, but perhaps simpler. Also a valuable source of information for newcomers to the area, this powerful work serves to remind us of the importance of understanding our past and preserving our heritage in our march toward the twenty-first century.
The cautionary true crime shocker of Virginia’s Elizabeth Hall, and one of the most sensational trials of an accused murderess since Lizzie Borden. On an April morning in 1914, Victor Hall was murdered in his store at Green Springs Depot. It was only hours after his competitor’s business had been torched. The Louisa County sheriff, state investigator, and railroad detectives suspected Hall's rival, one of a dozen men with viable motives. Then gossip spread that Victor’s wife, Elizabeth, had poisoned her first husband. Coupled with more sordid rumors, the unfounded accusations became irresistibly salacious headlines, whipping the state of Virginia into a frenzy for seven months. Friends and neighbors perjured themselves to become part of the front-page story. And as Hall’s own Pinkerton detective turned against her in the same mad rush to judgment, the widow found herself trapped in a nightmare that was just beginning. A century later, J.K. Brandau, husband of Elizabeth Hall’s great-granddaughter, finally unearths the timely and tragic story in which truth didn’t stand a chance against the most public, lurid, and sensational lies.