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This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
This analysis of the provincial reality of absolutism argues that the relationship between the regional aristocracy and the crown was a key factor in influencing the traditional social system of seventeenth century France.
The Affair of the Poisons was the greatest court scandal of the seventeenth century. From 1679 to 1682 the French crown investigated more than 400 people&—including Louis XIV&’s official mistress and members of the highest-ranking circles at court&—for sensational crimes. In Strange Revelations, Lynn Mollenauer brings this bizarre story to life, exposing a criminal magical underworld thriving in the heart of the Sun King&’s capital. The macabre details of the Affair of the Poisons read like a gothic novel. In the fall of 1678, Nicolas de la Reynie, head of the Paris police, uncovered a plot to poison Louis XIV. La Reynie&’s subsequent investigation unveiled a loosely knit community of sorceresses, magicians, and renegade priests who offered for sale an array of services and products ranging from abortions to love magic to poisons known as &“inheritance powders.&” It was the inheritance powders (usually made from powdered toads steeped in arsenic) that lent the Affair of the Poisons its name. The purchasers of the powders gave the affair its notoriety, for the scandal extended into the most exalted ranks of the French court. Mollenauer adroitly uses the Affair of the Poisons to uncover the hidden forms of power that men and women of all social classes invoked to achieve their goals. While the exercise of state power during the ancien r&égime was quintessentially visible&—ritually displayed through public ceremonies&—the affair exposes the simultaneous presence of other imagined and real sources of power available to the Sun King&’s subjects: magic, poison, and the manipulation of sexual passions. Highly entertaining yet deeply researched, Strange Revelations will appeal to anyone interested in the history of court society, gender, magic, or crime in early modern Europe.
The dual themes of this volume are the characteristics of patronage relationships and their political uses in early modern France. The first essays provide an overview of the scholarly literature and suggest that the obligatory reciprocity of the patron-client exchange was a defining characteristic. The third and fourth essays compare patronage relationships with kinship and friendship, while the following two focus on the patronage role of noblewomen. Professor Kettering then looks at the role of brokerage in state formation in early modern France, comparing this with other early modern societies. In the final section she explores the role of patronage in the religious wars of the late 16th century and in the civil war of the Fronde a half century later, and the ways in which it was affected by the changing lifestyles of the great nobles during the late 17th century.
The arts, particularly music, are viewed in this work as an integral part of evolving royal absolutism during the reign of Louis XIV. Drawing extensively on archival documents and musical scores, the author views the historical association of music and monarchy as a continuous development beginning with the Valois and climaxing in Louis XIV’s reign. The king is pictured as a rational, calculating man whose luxurious life style was politically motivated, and who undertook the centralization of the arts to assure French artistic preeminence. Elaborate, costly musical productions were also used to distract the nobility, to demonstrate French affluence to foreign powers, and to embellish the royal image.
Diane Margolf looks at the Paris Chambre de l’Edit in this well-researched study about the special royal law court that adjudicated disputes between French Huguenots and the Catholics. Using archival records of the court’s criminal cases, Margolf analyzes the connections to three major issues in early modern French and European history: religious conflict and coexistence, the growing claims of the French crown to define and maintain order, and competing concepts of community and identity in the French state and society. Based on previously unexplored archival materials, Margolf examines the court through a cultural lens and offers portraits of ordinary men and women who were litigants before the court, and the magistrates who heard their cases.
With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.