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A stunning graphic novel from the award-winning creators of Jane, the Fox and Me. In this powerful new graphic novel from Fanny Britt and Isabelle Arsenault, we meet Louis, a young boy who shuttles between his alcoholic dad and his worried mom, and who, with the help of his best friend, tries to summon up the courage to speak to his true love, Billie. Louis’s dad cries — Louis knows this because he spies on him. His dad misses the happy times when their family was together, just as Louis does. But as it is, he and his little brother, Truffle, have to travel back and forth between their dad’s country house and their mom’s city apartment, where she tries to hide her own tears. Thankfully, Louis has Truffle for company. Truffle loves James Brown lyrics, and when he isn’t singing, he’s asking endless questions. Louis also has his friend Boris, with whom he spots ghost cop cars and spies on the “silent queen,” the love of his life, Billie. When Louis and Truffle go to their dad’s for two weeks during the summer, their father seems to have stopped drinking. And when Truffle has a close call from a bee sting, their mother turns up and the reunited foursome spend several wonderful days in New York — until they reach the end of the road, again. A beautifully illustrated, true-to-life portrayal of just how complex family relationships can be, seen through the eyes of a wise, sensitive boy who manages to find his own way forward. Key Text Features speech bubbles Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-LITERACY.RL.5.4 Determine the meaning of words and phrases as they are used in a text, including figurative language such as metaphors and similes.
Describes Diaz's daring undercover effort to stop New York City kingpin Leroy "Nicky" Barnes, describing his infiltration of the dangerous drug operation and sharing details from other front-page cases
'Undercover lays bare the deceit, betrayal and cold-blooded violation practised again and again by undercover police officers - troubling, timely and brilliantly executed.' Henry Porter The gripping stories of a group of police spies - written by the award-winning investigative journalists who exposed the Mark Kennedy scandal - and the uncovering of forty years of state espionage. This was an undercover operation so secret that some of our most senior police officers had no idea it existed. The job of the clandestine unit was to monitor British 'subversives' - environmental activists, anti-racist groups, animal rights campaigners. Police stole the identities of dead people to create fake passports, driving licences and bank accounts. They then went deep undercover for years, inventing whole new lives so that they could live incognito among the people they were spying on. They used sex, intimate relationships and drugs to build their credibility. They betrayed friends, deceived lovers, even fathered children. And their operations continue today. Undercover reveals the truth about secret police operations - the emotional turmoil, the psychological challenges and the human cost of a lifetime of deception - and asks whether such tactics can ever be justified.
A New York Times Best Illustrated Book Hélène has been inexplicably ostracized by the girls who were once her friends. Her school life is full of whispers and lies - Hélène weighs 216; she smells like BO. Her loving mother is too tired to be any help. Fortunately, Hélène has one consolation, Charlotte Brontë's Jane Eyre. Hélène identifies strongly with Jane's tribulations, and when she is lost in the pages of this wonderful book, she is able to ignore her tormentors. But when Hélène is humiliated on a class trip in front of her entire grade, she needs more than a fictional character to see herself as a person deserving of laughter and friendship. Leaving the outcasts' tent one night, Hélène encounters a fox, a beautiful creature with whom she shares a moment of connection. But when Suzanne Lipsky frightens the fox away, insisting that it must be rabid, Hélène's despair becomes even more pronounced: now she believes that only a diseased and dangerous creature would ever voluntarily approach her. But then a new girl joins the outcasts' circle, Géraldine, who does not even appear to notice that she is in danger of becoming an outcast herself. And before long Hélène realizes that the less time she spends worrying about what the other girls say is wrong with her, the more able she is to believe that there is nothing wrong at all. This emotionally honest and visually stunning graphic novel reveals the casual brutality of which children are capable, but also assures readers that redemption can be found through connecting with another, whether the other is a friend, a fictional character or even, amazingly, a fox.
In her provocative book, Brooke Kroeger argues for a reconsideration of the place of oft-maligned journalistic practices. While it may seem paradoxical, much of the valuable journalism in the past century and a half has emerged from undercover investigations that employed subterfuge or deception to expose wrong. Kroeger asserts that undercover work is not a separate world, but rather it embodies a central discipline of good reporting—the ability to extract significant information or to create indelible, real-time descriptions of hard-to-penetrate institutions or social situations that deserve the public’s attention. Together with a companion website that gathers some of the best investigative work of the past century, Undercover Reporting serves as a rallying call for an endangered aspect of the journalistic endeavor.
The story of Fire & Brimstone continues with the introduction of Nathaniel, a seemingly happily married man and brother-in-law to Chris, but he’s struggling to keep up this performance of happiness while he falls back into an entirely different performance—as a drag queen. In Fire & Brimstone, Laurinda D. Brown began the turbulent love story of two women struggling with finding comfort in each other and in themselves while teetering on the verge of self-destruction. Chris Desmereaux and Gayle Evans: Two women, two mothers, two lovers testing the boundaries of 21st century morality, torn between different ideas of right and wrong. Now in Undercover, the author expands the story, introducing Nathaniel, the monogamous lover of Patrick, a high roller at the Memphis nightclub where Nathaniel transforms himself into a female diva before a standing-room-only crowd until Patrick breaks his heart. Devastated by his lover's rejection, Nathaniel leaves his flamboyant former life behind and reinvents himself yet again. This time it's Nathaniel, the committed family man—a loving husband to his wife, devoted father to his three children, and brother-in-law to Chris. Patrick is a distant, still-seductive memory, until financial woes force Nathaniel to return to his old fast-money way of life. This fateful decision culminates in exposure—and Nathaniel's subsequent downward spiral. Domestic crises abound as Nathaniel struggles with painful issues surrounding his sexual identity, and he must face the ultimate truth about himself in a harrowing climax. Undercover is a powerhouse novel by a gifted storyteller.
This thrilling story memorializes one of the most dangerous--and successful--series of undercover operations conducted by the Bureau of Alcohol, Tobacco, Firearms and Explosives. Written by the special agent who took these operations from disrupting small time fencing schemes to infiltrating major criminal organizations, this book is the first story of these secretive operations. During the operation's run from 2006 to 2014, Lou Valoze's fictitious businesses allowed his team of undercover agents to take thousands of weapons out of circulation and millions of dollars of drugs off the street. Through these covert "storefront" operations, the author developed a unique investigative blueprint for removing guns from the hands of violent felons and drug dealers. This book also explores the dark reality of living a double life and how it becomes difficult to tell the difference between the good guys and bad guys.
"Iain Murray has put his finger on the turning point that sent western culture down the path to immorality. It is a persuasive explanation that we need to hear" - Pastor John MacArthur.
Banks has told his story in a raw and honest autobiography. It is the best true crime book published in Australia in a decade.' -John Silvester, Crime Reporter for The Age Undercover was like guerrilla warfare; to understand your enemy, you had to walk amongst them, to become them. The trick was to keep an eye on that important line between who you were and who you were pretending to be. This is the true story of Keith Banks, one of Queensland's most decorated police officers, and his journey into the world of drugs as an undercover operative in the 1980s. In an era of corruption, often alone and with no backup, he and other undercover cops quickly learned to blend into the drug scene, smoking dope and drinking with targets, buying drugs and then having dealers arrested. Very quickly, the lines between his identity as a police officer and the life he pretended to be part of became blurred. This is a raw and confronting story of undercover cops who all became casualties of that era, some more than others, when not everyone with a badge could be trusted.