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Louis H. Sullivan (1856?1924) was a prominent practitioner in the Chicago school of architecture. Recognized as the ?father of the American skyscraper, ? Sullivan believed that ornamentation should arise naturally (or ?organically, ? as Frank Lloyd Wright, who worked for and revered Sullivan, would later say) from the larger design. After creating a number of high-profile big-city structures, Sullivan turned his skills toward small midwestern towns, where he designed several ?jewel box? banks, so called for their compact size, simplicity, and use of stained-glass windows. One of these, Merchants National Bank in Grinnell, Iowa, serves as a shining example of the organic ornamentation characterizing Sullivan's exquisite and functional style.
Shows and describes the eight banks designed by influential Chicago architect, Louis Sullivan, and discusses his approach to design.
The architectural historians Twombly (CUNY, New York) and Menocal (U. Wisconsin, Madison) highlight the social implications of Sullivan's theories of architecture based on nature. The two lengthy essays, which are well illustrated with bandw photographs, are followed by Sullivan's previously unpublished "Study on Inspiration." The remainder of this sumptuous volume (slightly oversize: 8.75x10.5") features a complete catalog of Sullivan's drawings, reproduced in good quality bandw. Annotation copyrighted by Book News, Inc., Portland, OR
"The first definitive biography of the now-famous architect, Hugh Morrison's Louis Sullivan: Prophet of Modern Architecture is still the best introduction to his work. This reissue provides Morrison's original text and illustrations in a larger, more modern format. It also offers an assessment of Morrison's ground-breaking research, in Timothy J. Samuelson's Introduction, and, most important, an authoritative revision of the chronological List of Buildings, including corrections of the data in light of six decades of research. Working from Morrison's original notes, Samuelson has restored a number of photographic images intended for the original edition and has replaced some photographs with alternate images that more accurately represent the buildings. He has also added a selected bibliography of important works about Sullivan"--Page 4 of cover
Sullivanesque offers a visual and historical tour of a unique but often overlooked facet of modern American architecture derived from Louis Sullivan.Highly regarded in architecture for inspiring the Chicago School and the Prairie School, Sullivan was an unwilling instigator of the method of facade composition--later influenced by Frank Lloyd Wright, William Gray Purcell, and George G. Elmslie--that came to be known as Sullivanesque. Decorative enhancements with botanical and animal themes, Sullivan's distinctive ornamentation mitigated the hard geometries of the large buildings he designed, coinciding with his "form follows function" aesthetic.Sullivan's designs offered solutions to problems presented by new types and scales of buildings. Widely popular, they were also widely copied, and the style proliferated due to a number of Chicago-based interests, including the Radford Architectural Company and several decorative plaster and terra-cotta companies. Stock replicas of Sullivan's designs manufactured by the Midland Terra Cotta Company and others gave distinction and focus to utilitarian buildings in Chicago's commercial strips and other confined areas, such as the downtown districts of smaller towns. Mass-produced Sullivanesque terra cotta endured as a result of its combined economic and aesthetic appeal, blending the sophistication of high architectural art with the pragmatic functionality of building design.Masterfully framed by the author's photographs of Sullivanesque buildings in Chicago and throughout the Midwest, Ronald E. Schmitt's in-depth exploration of the Sullivanesque tells the story of its evolution from Sullivan's intellectual and aesthetic foundations to its place as a form of commercial vernacular. The book also includes an inventory of Sullivanesque buildings.Honorable Mention recipient of the 2002 PSP Awards for Excellence in Professional/Scholarly Publishing
Louis Henry Sullivan traces his life and oeuvre. It addresses his most famous buildings - including the Auditorium Building in Chicago, the Wainwright Building in Saint Louis, the Guaranty Building in Buffalo, and the National Farmers Bank in Owatonna, Minnesota - and reveals many of his lesser-known projects to be underappreciated masterpieces. For the first time, Sullivan's work, which has often been misappropriated, is explored in its historical and theoretical context.
This thoroughly illustrated classic study traces the history of the world-famous Chicago school of architecture from its beginnings with the functional innovations of William Le Baron Jenney and others to their imaginative development by Louis Sullivan and Frank Lloyd Wright. The Chicago School of Architecture places the Chicago school in its historical setting, showing it at once to be the culmination of an iron and concrete construction and the chief pioneer in the evolution of modern architecture. It also assesses the achievements of the school in terms of the economic, social, and cultural growth of Chicago at the turn of the century, and it shows the ultimate meaning of the Chicago work for contemporary architecture. "A major contribution [by] one of the world's master-historians of building technique."—Reyner Banham, Arts Magazine "A rich, organized record of the distinguished architecture with which Chicago lives and influences the world."—Ruth Moore, Chicago Sun-Times
A reprint of the definitive 1918 edition, this bold, thought-provoking volume by one of America's most influential architects features dialogs, or "chats," about architecture, art, education, and life in general. 17 illustrations.