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When it comes to both the technical and aesthetic considerations of using textiles in interior design, this book gives working professionals what they need to know. You'll receive expert guidance to the process of textile specifications, selection, installation and maintenance, as well as an understanding of the properties of fabric types and a historical context of styles. Sustainable design and code issues are also considered. More than 500 illustrations and photographs elucidate key ideas. This survey of textiles for interior design is divided into three main parts: Fabrics: The interior design textile industry and marketplace. A study of fibers, yarns, constructions, and finishes. Codes and "green" design. Applications: Textile specifications and coordination of upholstery and wall coverings, window treatments, linens and accessories, and rugs and carpeting. Period Style: Oriental styles, Renaissance and Formal styles, Medieval, Colonial, Country and Provence styles, Regional and Ethnic styles, and Modern styles. Order your copy today!
The Majorelle Gardens of Marrakech were laid out in the 1920s by Louis Majorelle, the French decorator, architect and painter renowned for his participation in both the art nouveau and art deco movements. He gave his name to the shade of blue lavishly used to paint the house and ornament the garden decoration. The site has been restored and replanted by the designer Yves Saint Laurent and his partner Pierre Berge in the vibrant primary colours of the original, to which they have added their personal touch. This manual explores the Gardens through photographs and text, and includes garden maps, plant lists and practical information on visiting times and best seasons.
Rarely has a subject been served by a book of this stature. Five years in the making, it covers all aspects of Art Nouveau in France in 624 authoritative pages and 740 illustrations. Arwas traces the evolution of the movement as it developed, primarily in Nancy and Paris, with the help of carefully chosen illustrations, many never published before. Ranging from the 1900 Paris exhibition to paintings, graphics and posters and such collecting fields as furniture, jewellery, ceramics, book bindings and sculpture, the informative, witty text ranges over architecture, haute couture, and the role of women in Art Nouveau with a particular look at such theatrical icons as Sarah Bernhardt, Loïe Fuller and the Grandes Horizontales. Destined to become the standard book on the subject, both content and design will appeal widely to the connoisseur, the specialist and the collector, as well as to the novice who will be introduced to the magical wonders of the style.
Art Nouveau gives a name to the decorative and architectural style developed in the 1880s and 1890s in the West. Born in reaction to the Industrial Revolution and to the creative vacuum it left behind, Art Nouveau was at the heart of a “renaissance” in the decorative arts. The primary objective of the movement was the creation of a new aesthetic of nature through a return to the study of natural subjects. In order to achieve this, artists such as Gustav Klimt, Koloman Moser, Antoni Gaudí, Jan Toorop, and William Morris favoured innovation in technique and novelty of forms. After its triumph at the Paris Universal Exposition in 1900, the trend continued and has inspired many artists ever since. Art Deco, the successor of Art Nouveau, appeared after World War II.
This rich history of marquetry is presented in cintext by one of its most ardent and taslented proponents - Silas Kopf. A distinguished cabinetmaker for more than thirty years, Kopf identifies the origins and influences of numerous decorative arts and architectural elements taht have and continue to have an impact on his own work. AUTHOR: Forword by Glenn Adamson, Head of Graduate Studies abd Deputy Head of Research, Victoria ALbert Museum, London. 320 colour illustrations
First published in 1998. Design reform in the fields of architecture and the decorative or applied arts became objectified through writings published during the period of 1885 to 1910. This investigation includes, but is not limited to, Art Nouveau in France and Belgium, and the arts and crafts movement in England and the United States. Even though the similar processes of creativity and shared goals of Art Nouveau and the arts and crafts movement have long been recognized, attempts to explore their origins and their points of interrelation with the broader scope of art history have been largely unsuccessful—until now.
DIVAbsorbing, exceptionally detailed study examines early trends, posters, and book illustrations, stylistic influences in architecture; furniture, jewelry, and other applied arts; plus perceptive discussions of artists associated with the movement. /div
This updated edition features designs from 1800 up to present day, and features the biggest names in furniture design, art, architecture and craft.