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When it was published in 1932, this revolutionary first fiction redefined the art of the novel with its black humor, its nihilism, and its irreverent, explosive writing style, and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one can detect a gentle core of idealism.
The first English-language biography in more than two decades of the French writer, one of the great novelists of the twentieth century. Louis-Ferdinand Céline was one of the most innovative novelists of the twentieth century, and his influence both in his native France and beyond remains huge. This book sheds light on Céline’s groundbreaking novels, which drew extensively on his complex life: he rose from humble beginnings to worldwide literary fame, then dramatically fell from grace only to return, belatedly, to the limelight. Céline’s subversive writing remains fresh and urgent today, despite his controversial political views and inflammatory pamphlets that threatened to ruin his reputation. The first English-language biography of Céline in more than two decades, this book explores new material and reminds us why the author belongs in the pantheon of modern greats.
In Guignol's Band, first published in France in 1943, Céline explores the horror of a disordered world.
A desperate man frantically flees France in the closing months of World War II.
The most blackly humorous and disenchanted voice in all of French literature. London Review of Books
This book is neither an apology nor a defense, it's a critical biography of the late French novelist.
Coming just after his masterpieces Journey to the End of the Night and Death on the Installment Plan, Mea Culpa is Céline's scathing denunciation of Soviet communism, written after a personal visit to that "worker's paradise" in the 1930s. In his inimitable, blistering style, Céline strips bare not only the communist experiment but also all other modern systems, showing them for what they are: illusions destined to fail because they are based on false ideas about the nature of Man. At a time when many other writers and intellectuals were fawning over the Soviet Union and the ideas of Marx and Lenin, Céline was quick to see them for what they really were, and Mea Culpa now stands as a prescient and accurate statement about the true nature of communism in the modern world. Also included in this volume is The Life and Work of Semmelweis, Céline's first book. This meditation on the heroic and tragic physician who pioneered antisepsis in medicine gives us a key to understanding Céline's vision of life and all of his subsequent work. Written in a more conventional style than his later books, Céline's genius for trenchant observation is nonetheless fully apparent.
So begins the imaginary interview that comprises this novel. Professor Y, the interviewing academic, asks questions that allow Céline, a character in his own book, the chance to rail against convention and defend his idiosyncratic methods. In the course of their outrageous interplay, Céline comes closer to defining and justifying his poetics than in any of his other novels. But this is more than just an interview. As the book moves forward, Professor Y reveals his real identity and the characters travel through the streets of Paris toward a bizarre climax that parodies the author, the critic, and, most of all, the establishment.
In Germany near the end of World War II, 1,400 members of the Vichy France government hide in a labyrinthine castle and attempt to postpone the postwar reckoning.