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"With auction prices of Tiffany lamps soaring, collectors are turning to Tiffany's highly desirable art glass, or Favrile glass. These luminescent vessels seize--and continue to hold--the imagination. Author Paul Doros explores the full range of remarkably diverse and innovative styles and forms that Tiffany Studios produced. Former Curator of Glass at the Chrysler Museum of Art, Doros spent twenty-five years studying and researching the subject. His definitive account is accompanied by David Schlegel's masterly photography, which captures the exquisite delicacy of the "Flowerform" vases, the dramatically dripping golden flow of the "Lava" vases, the dazzling iridescence of the "Cypriote" vases, and much more. A must for all lovers of Tiffany, art glass, and the decorative arts"--
Louis Comfort Tiffany was highly skilled in jewellery design, ceramics, enamels, and metalwork but he is best known for his beautiful stained-glass designs. Using opalescent glass in a variety of colours and textures, he created a stunning range of jewel-like Art Nouveau works that influenced much of American modern art. This sumptuous new book features page after page of astounding work, showing Tiffany's skill as a colourist and a craftsman, with works that still inspire artists and audiences today.
The first volume to explore the vast assortment of church decorations and memorials produced by the Tiffany Studios.
Three classic books on Louis C. Tiffanys brilliant Art Nouveau works are combined here in one volume. Louis C. Tiffany Rebel in Glass*, Louis C. Tiffanys Glass- Bronzes-Lamps*, and Louis C. Tiffanys Art Glass* by Robert Koch are presented with original text and photographs and additional pieces for this edition. Windows, lamps, vases, and more are included. Every art student, museum professional, historian, antique dealer, and art collector will be dazzled by the variety and exquisite craftsmanship displayed here.
60 lovely, royalty-free designs from authentic landscape and memorial windows, panels, transoms, skylights, glass screens, more. Also practical for other craft and coloring activities.
Laurelton Hall, Louis Comfort Tiffany's (American, 1848-1933) extraordinary country estate in Oyster Bay, New York, completed in 1905, was the epitome of Tiffany's achievement and in many ways defined this multifaceted artist. Tiffany designed every aspect of the project inside and out, creating a total aesthetic environment. This publication accompanies an exhibition that reveals Tiffany's most personal art, bringing into focus this remarkable artist who lavished as much care and creativity on the design and furnishing of his home and gardens as he did on all the wide-ranging media in which he worked. Although the house tragically burned to the ground in 1957, many of its surviving architectural elements and interior characteristics are included in this volume. Also featured are Tiffany's personal collections of his own work-breathtaking stained-glass windows, paintings, glass and ceramic vases-as well as the artist's collections of Japanese, Chinese, and Native American works of art. -- Metropolitan Museum of Art website.
"Includes over 200 colors plates, windows, paintings, lamps, vases, and other works"--Cover.
The authors present the first volume to focus exclusively on Tiffany's renowned ecclesiastical windows and the ideas and stories behind them.
A stunning stained glass window becomes a lens through which to view the career of Louis Comfort Tiffany and intersecting arcs of art and design in America. The story of the Parakeets stained glass window - from national and international recognition to years of obscurity, followed by a return to the limelight - parallels the public reception of the art of its maker, Louis Comfort Tiffany, who had one of the most recognized names in American art at the turn of the twentieth century. It is a story of artistic ambition and experimentation, of nationalist pride and promotion, and of the capricious nature of public opinion and the art market. A careful study of the fabrication, imagery, and life of the window offers an intimate look into the legacy of Tiffany, as well as the nineteenth-century revival of the lesser-known medium of stained glass, which some argue was the United States' first major contribution to the international art world.