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An incisive and provocative work on male-female relationships explores the complex relationship of fathers and daughters and of older men and younger females in history, life, art, and culture.
The story of Lot and his daughters in the Hebrew Testament was written to tell the people of that time what God would do to them if they sinned. After the story of what happened in the cave after Sodom was destroyed, Lot’s story abruptly ends and a New Testament Epistle calls him “a righteous man.” Needless to say this story is not told in Sunday School lessons! But there is a greater story to tell about the lives of these people and how they played out against the background of famine, abductions, earthquakes, distruction, and family dynamics. Lot and his daughters were in the lineage of Jesus. Ruth was a Moabite who married Boaz. Their son was Obed, whose son was Jesse, whose son was King David, and the generations continued to the birth of Jesus We cannot ignore this exciting and powerful lineage any longer!
This character driven three act drama explores Christian dogma and its historical repression of homosexuals. Using the Biblical story of Lot and his family who are forced to flee Sodom as a metaphor, the play is the story of two young women who fall in love with each other during the summer of 1944. Gertie and Susanna are left behind in eastern Kentucky when Gertie's brother, Susanna's new husband, leaves the mountains of Appalachia to serve his country. Set in a region where it is difficult to be gay/lesbian today and was almost impossible sixty years ago, Lot's Daughters dramatizes ideas of sexuality in a historical context.
While the expectations and circumstances of women’s lives in ancient Israel have received considerable attention in recent scholarship, to date little attention has been focused on the role of daughters in Hebrew narrative‒‒that is, of yet unmarried female members of the household, who are not yet mothers. Kimberly D. Russaw argues that daughters are more than foils for the males (fathers, brothers, etc.) in biblical narratives and that they often use particular tactics to navigate antagonistic systems of power in their worlds. Institutions and power structures favor the patriarch, sons inherit such privileges and benefits, and wives and mothers are ascribed special status because they ensure the patrilineal legacy by birthing sons; but daughters do not receive such social favor or standing. Instead of privileging daughters, systems and institutions control their bodies, restrict their access, and constrict their movement. Combining philological data, social-science models, and cross-cultural comparisons, Russaw examines the systems that constrict biblical daughters in their worlds and the strategies they employ when hostile social forces threaten their well-being.
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
Two classic science fiction stories about a California family fleeing a nuclear holocaust, written in an era when a dystopian future seemed inevitable. An atomic bomb has struck Los Angeles, and the streets are filled with cars fleeing the city. But Mr. Jimmon knows that things will be different for his family. He has meticulously prepared for such an event, and now that it has arrived, he carries out his plan almost gleefully. The Jimmons get in their station wagon, filled with supplies, and head for the predetermined base. From the backseat, his children are complaining. In denial about the world’s precarious future, they would prefer to find their friends and wait out the crisis in the comfort of their home. But in reality, there is no guarantee of escape—or survival. Savage, unromantic, and unflinchingly honest, these two dark tales by “one of the best American writers,” describe what could really happen at the end of the world, and what it takes to get there (Ray Bradbury). This ebook features an introduction by Michael Swanwick and an illustrated biography of Ward Moore including rare images from the author’s estate.
This exploration of Genesis 38 in "The Testament of Judah," "Targum Neofiti," and "Genesis Rabbah" shows how new meanings emerge through encounters between the biblical text and later Jewish communities.
Virtually every scholar on both sides of the same-sex discussion eventually addresses the account of Sodom found in Genesis 19. However, in recent years, scholars have tended to downplay the importance of this chapter in relation to this debate. This book challenges this trend and seeks to demonstrate how the account of Sodom plays a key role in our understanding of a God-ordained sexual ethic, especially in light of Genesis as Torah--instruction for both ancient Israel and for the Church.
In this marvelous anthology of 24 stories about women in the Bible, Rabbi Jill Hammer draws from the ancient tradition of Midrash -- creative interpretation that elaborates upon the sparse details of the biblical text -- and brings to life the inner world and experiences of these unforget-table characters. The stories reintroduce Lilith, Sarah, Leah, Miriam, and many other notable women of the Bible as the author weaves together the rabbinic legends and her own vivid imagination. Hammer's commentary includes a list of biblical texts and an explanation of how each story came to be written and why. Praised for its originality and expressiveness, this book gives biblical women the honor they deserve -- an honor due them as prophets, rulers, and teachers. Book jacket.
This book explores the Hebrew Bible for evidence of comedy and further asks how reading the Hebrew Bible through a comic "lens" might positively inform feminist interpretation. The exploration is conducted with a number of Hebrew Bible narratives, all of which prominently involve female characters.