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Smith, a University of Oxford athlete, witnesses strange things. Edward, a student in Egyptology, collects ancient artefacts, a mummy as well. Not only does he collect them, but Smith suspects that Edward is trying to reanimate the mummy. His suspicions grow bigger when he sees the mummy disappear and then reappear. Will Smith confront Edward and what will follow after that? Is it actually possible to reanimate an artefact or it is simply fruit of imagination? Who will make it out alive – Smith, Edward, or the mummy? "Lot No. 249" holds the answers. Sir Arthur Conan Doyle (1859-1930) was born in Scotland and studied medicine at the University of Edinburgh. After his studies, he worked as a ship’s surgeon on various boats. During the Second Boer War, he was an army doctor in South Africa. When he came back to the United Kingdom, he opened his own practice and started writing crime books. He is best known for his thrilling stories about the adventures of Sherlock Holmes. He published four novels and more than 50 short-stories starring the detective and Dr Watson, and they play an important role in the history of crime fiction. Other than the Sherlock Holmes series, Doyle wrote around thirty more books, in genres such as science-fiction, fantasy, historical novels, but also poetry, plays, and non-fiction.
Of the dealings of Edward Bellingham with William Monkhouse Lee, and of the cause of the great terror of Abercrombie Smith, it may be that no absolute and final judgment will ever be delivered. It is true that we have the full and clear narrative of Smith himself, and such corroboration as he could look for from Thomas Styles the servant, from the Reverend Plumptree Peterson, Fellow of Old's, and from such other people as chanced to gain some passing glance at this or that incident in a singular chain of events. Yet, in the main, the story must rest upon Smith alone, and the most will think that it is more likely that one brain, however outwardly sane, has some subtle warp in its texture, some strange flaw in its workings, than that the path of Nature has been overstepped in open day in so famed a centre of learning and light as the University of Oxford.
One of The Atlantic’s Great American Novels of the Past 100 Years “The comedy crackles, the puns pop, the satire explodes.”—The New York Times “The work of a virtuoso with prose . . . His intricate symbolic order [is] akin to that of Joyce’s Ulysses.”—Chicago Tribune “A puzzle, an intrigue, a literary and historical tour de force.”—San Francsisco Examiner The highly original satire about Oedipa Maas, a woman who finds herself enmeshed in a worldwide conspiracy. When her ex-lover, wealthy real-estate tycoon Pierce Inverarity, dies and designates her the coexecutor of his estate, California housewife Oedipa Maas is thrust into a paranoid mystery of metaphors, symbols, and the United States Postal Service. Traveling across Southern California, she meets some extremely interesting characters, and attains a not inconsiderable amount of self-knowledge.
Liza begins to doubt her feelings for Annie after someone finds out about their relationship, and realizes, after starting college, that her denial of love for Annie was a mistake. Reprint.
Beginning in childbirth and entered like a multiple dwelling in motion, Women and Men embraces and anatomizes the 1970s in New York - from experiments in the chaotic relations between the sexes to the flux of the city itself. Yet through an intricate overlay of scenes, voices, fact, and myth, this expanding fiction finds its way also across continents and into earlier and future times and indeed the Earth, to reveal connections between the most disparate lives and systems of feeling and power. At its breathing heart, it plots the fuguelike and fieldlike densities of late-twentieth-century life. McElroy rests a global vision on two people, apartment-house neighbors who never quite meet. Except, that is, in the population of others whose histories cross theirs believers and skeptics; lovers, friends, and hermits; children, parents, grandparents, avatars, and, apparently, angels. For Women and Men shows how the families through which we pass let one person's experience belong to that of many, so that we throw light on each other as if these kinships were refracted lives so real as to be reincarnate. A mirror of manners, the book is also a meditation on the languages, rich, ludicrous, exact, and also American, in which we try to grasp the world we're in. Along the kindred axes of separation and intimacy Women and Men extends the great line of twentieth-century innovative fiction.
Sir Arthur Conan Doyle, the creator of detective Sherlock Holmes, is the father of crime fiction. First published in 1892 in Harpers, the story tells of an Oxford college student who, through the use of Egyptian magic, manages to reanimate an ancient Egyptian mummy. Many of the horror stories of monsters and ghouls, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
While Sir Arthur Conan Doyle is most widely known today for his logical skeptic, Sherlock Holmes, horror aficionados recognize him as the inventor of the malevolent mummy, the writer of one of English literature's best ghost stories, and an early dabbler in Lovecraftian weird fiction. Indeed, Doyle is to the mummy what Stoker is to the vampire, and his tales of pickaxe-wielding serial killers, haunted torture instruments, specters in the sunless North Pole, seductive werewolves, gelatinous monsters in the skies above us, and seances gone awry are just as chilling as Holmes adventures are thrilling. Among its lushly illustrated stories, this annotated collection of Doyle's very best horror stories includes his two famous mummy stories (which were merged to form the plot of the 1932 Boris Karloff film), his aviation spine-tingler "The Horror of the Heights" (which presages Lovecraft beautifully), and his most elegant ghost story, "The Captain of the Polestar," not to mention three of Sherlock Holmes' most terrifying cases. Richly painted with a broad brush, Doyle's supernatural fiction spans a myriad of delightful tropes -- zombies, psychopaths, torture chambers, werewolves, vampires, reincarnations, haunted antiques, rampaging elementals, and more than one old fashioned English ghost -- so whether you are a fan of the Great Detective or tales of the great beyond, you are sure to be pleased. TALES INCLUDED in this ANNOTATED EDITION: The Captain of the Polestar - The Bully of Brocas Court - The Leather Funnel - The Brown Hand - The Speckled Band - The Devil's Foot - The Terror of Blue John Gap - The Sussex Vampire - A Pastoral Horror - The Silver Hatchet - The Striped Chest - John Barrington Cowles - The Horror of the Heights - Lot No. 249 - De Profundis - The Ring of Thoth - Through the Veil - Playing With Fire - How it Happened
While Sir Arthur Conan Doyle is most widely known today for his logical skeptic, Sherlock Holmes, horror aficionados recognize him as the inventor of the malevolent mummy, the writer of one of English literature's best ghost stories, and an early dabbler in Lovecraftian weird fiction. Indeed, Doyle is to the mummy what Stoker is to the vampire, and his tales of pickaxe-wielding serial killers, haunted torture instruments, specters in the sunless North Pole, seductive werewolves, gelatinous monsters in the skies above us, and seances gone awry are just as chilling as Holmes adventures are thrilling. Among its lushly illustrated stories, this annotated collection of Doyle's very best horror stories includes his two famous mummy stories (which were merged to form the plot of the 1932 Boris Karloff film), his aviation spine-tingler "The Horror of the Heights" (which presages Lovecraft beautifully), and his most elegant ghost story, "The Captain of the Polestar," not to mention two of Sherlock Holmes' most terrifying cases. Richly painted with a broad brush, Doyle's supernatural fiction spans a myriad of delightful tropes -- zombies, psychopaths, torture chambers, werewolves, vampires, reincarnations, haunted antiques, rampaging elementals, and more than one old fashioned English ghost -- so whether you are a fan of the Great Detective or tales of the great beyond, you are sure to be pleased.