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From the Chatham Islands/ Rekohu to London, from 1835 to the 21st century, this quietly powerful and compelling novel confronts the complexity of being Moriori, Maori and Pakeha. In the 1880s, Mere yearns for independence. Iraia wants the same but, as the descendant of a slave, such things are hardly conceivable. One summer, they notice their friendship has changed, but if they are ever to experience freedom they will need to leave their home in the Queen Charlotte Sounds. A hundred years later, Lula and Bigs are born. The birth is literally one in a million, as their mother, Tui, likes to say. When Tui dies, they learn there is much she kept secret and they, too, will need to travel beyond their world, to an island they barely knew existed. Neither Mere and Iraia nor Lula and Bigs are aware that someone else is part of their journeys. He does not watch over them so much as through them, feeling their loss and confusion as if it were his own.
Lost World of Rēkohu explores the extraordinary fossil record of one of the most remote regions of the planet--the Chatham Islands. Once the home of the mysterious Moriori people, this archipelago approximately 850km east of mainland New Zealand preserves a rock archive from a dynamic time in Earth's history when the southern continents were land-locked together near the South Pole 100 million years ago. Isolated for 83 million years, we now know since the dawn of the new millennium that this ancient region was heavily forested with both avian and non-avian dinosaurs, and the warm waters hosted the largest sea monsters--marine reptiles--that ever lived. This diversity of life on land and in the sea tells a tale never told before in Zealandia, the Moriori's magical land of the 'Misty Skies'.
James Poneke is a young Maori orphan, raised by missionaries, with a burning desire to travel and explore the world. When an English artist on a tour of New Zealand invites James to return home with him, the boy eagerly accepts and agrees to become a living exhibit at the artist's London show. By day, James dresses in full tribal outfit, being stared at, prodded and examined by paying visitors. By night, he is free to explore the city, but anything can happen to a young New Zealander on the savage streets of Victorian London and James is unprepared for the wonders, dangers and unearthed secrets that await. The Imaginary Lives of James Poneke is an unforgettable work of historical fiction in the spirit of Sarah Waters and Sarah Perry.
The first comprehensive book on the bird of the Chatham Islands, written by 2 Dept. of Conservation experts. All 68 breeding species are illustrated with colour photos and distribution maps. Includes such iconic species as black robin, Chatham Islands taiko and albatross.
'A book to be treasured for the access it gives us to a little-known corner of the New Zealand experience.' Tipene O'Regan, Evening Post This award-winning, trail-blazing book by Michael King restored the Moriori of the Chatham Islands to their rightful place in New Zealand, Pacific and world history. This revised edition contains material that has come to light since first publication. 'King has set the record straight in a richly readable and often moving account of a long ignored sideshow to the history of our country.' Gordon McLauchlan, National Business Review 'It is authoritative but it is also popular history in the best sense, and that is precisely what is needed to clear away the brambles of racial prejudice and historical error which have all but overwhelmed the subject in the past.' Atholl Anderson, Otago Daily Times 'This book decisively strips away all the muddle . . . a clear, thoroughly readable and honest history of the Moriori.' Judith Binney, Sunday Star 'A timely book which must be read so that we will all know more about ourselves and about us as a nation.' Hirini Moko Mead, Dominion
History in a Post-Truth World: Theory and Praxis explores one of the most significant paradigm shifts in public discourse. A post-truth environment that appeals primarily to emotion, elevates personal belief, and devalues expert opinion has important implications far beyond Brexit or the election of Donald Trump, and has a profound impact on how history is produced and consumed. Post-truth history is not merely a synonym for lies. This book argues that indifference to historicity by both the purveyor and the recipient, contempt for expert opinion that contradicts it, and ideological motivation are its key characteristics. Taking a multidisciplinary approach, this work explores some of the following questions: What exactly is post-truth history? Does it represent a new phenomenon? Does the historian have a special role to play in preserving public memory from ‘alternative facts’? Do academics more generally have an obligation to combat fake news and fake history both in universities and on social media? How has a ‘post-truth culture’ impacted professional and popular historical discourse? Looking at theoretical dimensions and case studies from around the world, this book explores the violent potential of post-truth history and calls on readers to resist.
The collected essays in this volume address contemporary issues regarding the relationship between Indigenous groups and archaeologists, including the challenges of dialogue, colonialism, the difficulties of working within legislative and institutional frameworks, and NAGPRA and similar legislation. The disciplines of archaeology and cultural heritage management are international in scope and many countries continue to experience the impact of colonialism. In response to these common experiences, both archaeology and indigenous political movements involve international networks through which information quickly moves around the globe. This volume reflects these dynamic dialectics between the past and the present and between the international and the local, demonstrating that archaeology is a historical science always linked to contemporary cultural concerns.