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Legends start from fact, but they are kept alive through faith. Th-is book will prove fascinating reading for everyone interested in American folklore and history.
A band of orphan avengers. A cursed stone. A horde of zombie outlaws. This is Keech Blackwood’s new life after Bad Whiskey Nelson descends upon the Home for Lost Causes and burns it to the ground. With his home destroyed and his family lost, Keech will have to use the lessons he learned from Pa Abner to hunt down the powerful Char Stone. Luckily, he has the help of a ragtag team of orphans. Together, they’ll travel through treacherous forests, fight off the risen dead, and discover that they share mysterious bonds as they search for the legendary stone. Now it’s a race against the clock, because if Bad Whiskey finds the stone first...all is lost. But Keech and the other orphans won’t hesitate. Because they’re more than just heroes. They’re Lost Causes. Praise for Legends of the Lost Causes A Junior Library Guild selection "This is a fun and exciting story, written with the utmost respect for the Osage culture." —Wah-Zha-Zhi Cultural Center
For several hundred years, the West had been the land of dreams, an extraordinary region of hope, expansion and opportunity where European countries—and then the young USA itself—sent their finest explorers to plant seeds in a seemingly untapped, open landscape. This spirit captured the popular imagination in the Wild West, those raucous 30 years between the end of the Civil War and the beginning of a new century. Within these pages, readers will explore true tales of rebels and heroes such as General George Custer, Buffalo Bill, Billy the Kid, Jesse James, Annie Oakley, and Sitting Bull, among others. The Wild West was the American Dream on steroids. It was an age of gunfights and gold rushes, cowboys and Comanches, with the likes of Buffalo Bill, Jesse James and Billy the Kid making their names. It forged extraordinary legends and even bigger lies, with everything fueled by dime novels written back East that encouraged folks to grab their share of a promise that was difficult for this hard land to keep. This book looks at all these mythical characters, the start of the railroad across the nation, the cost it all dealt to the Native Americans whose land was lost, and the way Hollywood still keeps the dream alive. As historian Richard White says, “People could go west and no matter their failures elsewhere, they had an opportunity to remake themselves. It’s a symbol for a kind of individualism that actually doesn’t exist in the West, but mythically it does.”
Nobody loves a good story like Justin's dad. He's a famous writer and story collector. That's how Justin and his sister, Marissa, ended up in Brovania. Their dad is searching for an ancient manuscript called "The Lost Legend."Justin and Marissa want to help. But instead of finding "The Lost Legend," they get lost. And the woods of Brovania are filled with the strangest creatures. Like hundreds of squealing mice. Silver-colored dogs. And terrifying Vikings from long ago..
Reveals an ancient race of Little People, the catalyst for the emergence of the first known civilizations • Traces the common roots of key words and holy symbols, including the scarlet biretta of Catholic cardinals, back to the Little People • Explains how the mounds of North America and Ireland were not burial sites but the homes of the Little People • Includes the Tuatha De Danaan, the Hindu Sri Vede, the dwarf gods of Mexico and Peru, the Menehune of Hawaii, the Nunnehi of the Cherokee as well as African Pygmies and the Semang of Malaysia All cultures haves stories of the First People, the “Old Ones,” our prehistoric forebears who survived the Great Flood and initiated the first sacred traditions. From the squat “gods” of Mexico and Peru to the fairy kingdom of Europe to the blond pygmies of Madagascar, on every continent of the world they are remembered as masters of stone carving, agriculture, navigation, writing, and shamanic healing--and as a “hobbit” people, no taller than 31/2 feet in height yet perfectly proportioned. Linking the high civilizations of the Pleistocene to the Golden Age of the Great Little People, Susan Martinez reveals how this lost race was forced from their original home on the continent of Pan (known in myth as Mu or Lemuria) during the Great Flood of global legend. Following the mother language of Pan, Martinez uncovers the original unity of humankind in the common roots of key words and holy symbols, including the scarlet biretta of Catholic cardinals, and shows how the Small Sacred Workers influenced the primitive tribes that they encountered in the post-flood diaspora, leading to the rise of civilization. Examining the North American mound-culture sites, including the diminutive adult remains found there, she explains that these stately mounds were not burial sites but the sanctuaries and homes of the Little People. Drawing on the intriguing worldwide evidence of pygmy tunnels, dwarf villages, elf arrows, and tiny coffins, Martinez reveals the Little People as the real missing link of prehistory, later sanctified and remembered as gods rather than the mortals they were.
Many Japanese once revered the wolf as Oguchi no Magami, or Large-Mouthed Pure God, but as Japan began its modern transformation wolves lost their otherworldly status and became noxious animals that needed to be killed. By 1905 they had disappeared from the country. In this spirited and absorbing narrative, Brett Walker takes a deep look at the scientific, cultural, and environmental dimensions of wolf extinction in Japan and tracks changing attitudes toward nature through Japan's long history. Grain farmers once worshiped wolves at shrines and left food offerings near their dens, beseeching the elusive canine to protect their crops from the sharp hooves and voracious appetites of wild boars and deer. Talismans and charms adorned with images of wolves protected against fire, disease, and other calamities and brought fertility to agrarian communities and to couples hoping to have children. The Ainu people believed that they were born from the union of a wolflike creature and a goddess. In the eighteenth century, wolves were seen as rabid man-killers in many parts of Japan. Highly ritualized wolf hunts were instigated to cleanse the landscape of what many considered as demons. By the nineteenth century, however, the destruction of wolves had become decidedly unceremonious, as seen on the island of Hokkaido. Through poisoning, hired hunters, and a bounty system, one of the archipelago's largest carnivores was systematically erased. The story of wolf extinction exposes the underside of Japan's modernization. Certain wolf scientists still camp out in Japan to listen for any trace of the elusive canines. The quiet they experience reminds us of the profound silence that awaits all humanity when, as the Japanese priest Kenko taught almost seven centuries ago, we "look on fellow sentient creatures without feeling compassion."
From the stately Queen Anne mansions of the West Side to the hastily constructed shanties of Cabbage Patch, Lost Butte, Montana traces the citys history through its architectural heritage. This book includes such highlights as the Grand Opera House, once graced by entertainers and cultural icons like Charlie Chaplin, Sarah Bernhardt and Mark Twain; the infamous brothels protested by reformer Carrie Nation, wielding her hatchet and sharp tongue; and the Columbia Gardens, built by copper king William Clark as a respite from the smoke and toil of the mines and later destroyed by fire. Through the stories of these structures, lost to the march of time and urban renewal, historian Richard Gibson recalls the boom and bust of Butte, once a mining metropolis and now part of the largest National Historic Landmark District.
An easy-to-use guide to American regional folklore with advice on conducting research, regional essays, and a selective annotated bibliography. American Regional Folklore begins with a chapter on library research, including how to locate a library suitable for folklore research, how to understand a library's resources, and how to construct a research strategy. Mood also gives excellent advice on researching beyond the library: locating and using community resources like historical societies, museums, fairs and festivals, storytelling groups, local colleges, newspapers and magazines, and individuals with knowledge of the field. The rest of the book is divided into eight sections, each one highlighting a separate region (the Northeast, the South and Southern Highlands, the Midwest, the Southwest, the West, the Northwest, Alaska, and Hawaii). Each regional section contains a useful overview essay, written by an expert on the folklore of that particular region, followed by a selective, annotated bibliography of books and a directory of related resources.
How much of what we know about the history of the Old West is true? In this new book, author Michael Rutter looks at the legend and lore behind such notorious figures as Billy the Kid and Calamity Jane and the stories of famous gun fights and battles, telling what really happened. Truth may be stranger than fiction, but these 12 legends stand up to scrutiny, and this book will be a must-read for all western history buffs.
From Davy Crockett, Wild Bill Hickok, and Calamity Jane to Paul Bunyan, Pecos Bill, and Frank and Jesse James, here are more than 130 colorful stories of the pioneers, cowboys, outlaws, gamblers, prospectors, and lawmen who settled the wild west, creating a uniquely American hero and an enduringly fascinating folk mythology. In this wonderfully boisterous treasury of tall tales, everyone and everything is larger than life and bragging is elevated into an art form. Many of these stories are of real people and real events; more than a few, however, grew taller and funnier as they made their rounds from wagon train to campfire to rodeo to miners' quarters. But even if it is far from established that Daniel Boone and Davy Crockett were able to kill three men with one bullet or subdue ferocious grizzly bears with their fists, they come vividly to life here as beloved characters who have become part of the fabric of the American imagination. With black-and white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library