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Brothers divided by WWII reunite on a mission of justice in the chaos of early Cold War Europe in this historical espionage thriller. Occupied Munich, 1946: Irina, a Cossack refugee, confesses to murdering a GI, but American captain Harry Kaspar doesn’t buy it. As Harry scours the devastated city for the truth, it leads him to his long-lost German brother, Max, who returned to Hitler’s Germany before the war. Max has a questionable past, and he needs Harry for the cause that could redeem him: rescuing Irina’s stranded clan of Cossacks. Disowned by the Allies, they are now being hunted by Soviet death squads—the cold-blooded upshot of a callous postwar policy. As a harsh winter brews and the Cold War looms, Harry and Max embark on a desperate rescue mission along the German-Czech border. As a mysterious figure shadows them, everyone is suspect—even those who have pledged to help. But before the Kaspar brothers can save the innocent victims of peace, grave secrets threaten to damn them all.
The authors in ‘Lost Kingdom’ grapple with both the catastrophe of mass animal extinction, in which the panoply of earthly life is in the accelerating process of disappearing, and with the mass death of industrial animal agriculture. Both forms of anthropogenic violence against animals cast the Anthropocene as an era of criminality and loss driven by boundless human exceptionalism, forcing a reckoning with and an urgent reimagining of human-animal relations. Without the sleights of hand that would lump “humanity” into a singular Anthropos of the Anthropocene, the authors recognize the differential nature of human impacts on animal life and the biosphere as a whole, while affirming the complexity of animal worlds and their profound imbrications in human cultures, societies, and industries. Confronting the reality of the Sixth Mass Extinction and mass animal death requires forms of narrativity that draw on traditional genres and disciplines, while signaling a radical break with modern temporalities and norms. Chapters in this volume reflect this challenge, while embodying the interdisciplinary nature of inquiry into non-human animality at the edge of the abyss—historiography, cultural anthropology, post-colonial studies, literary criticism, critical animal studies, ethics, religious studies, Anthropocene studies, and extinction studies entwine to illuminate what is arguably the greatest crisis, for all creatures, in the past 65 million years.
The book The Lost Kingdom of Moyon (Bujuur): Iruwng (King) Kuurkam Ngoruw Moyon & The People of Manipur is not to produce a new history of Moyon, Who were earlier known as Bujuur, but rather to tell the true and authentical historical account of the Moyon people through the ages and centuries how their creator led them during their past lives. It also deals concerning kingship, and introduce the kingdom of God.
Two women connected by the same musical soul. Two composers transposed across time into each other’s world by the mysterious forces of a priceless 18th Century cello. In the final instalment of the Song for a Lost Kingdom trilogy, Adeena Stuart and Katharine Carnegie search for the music that neither can complete on their own. Finding themselves living three centuries apart and each assuming the identity of the other, Adeena and Katharine must overcome their own unique challenges, all the while hiding the truth of who they really are from those around them. Adeena is pregnant in Scotland following the slaughter at the Battle of Culloden in April 1746. Her husband James Drummond and his brother John Drummond, are being hunted as Jacobite traitors by the revengeful butchers of King George’s Hanoverian army. Sentenced to cruel deaths, they escape to Ireland only to find even greater danger in the ruthless cunning of Henry ‘Hangman’ Hawley who will stop at nothing to extinguish any further rebellion against English dominance over Ireland and Scotland. Adeena’s one comfort is the Duncan Cello and her music that inspires all who hear her perform. The cello is her companion through battles, fires, storms and floods. It is perhaps the only thing she can truly rely on. Katharine meanwhile awakes in the year 2019, confused by even the simplest technologies and overwhelmed by the strange customs of the modern world. Pregnant from an unknown father, and uncertain about whether true love lies in the past or present, she finds respite in her music and the only thing familiar about this strange place – the Duncan Cello, now a prize artifact of the National Gallery of Canada. Adeena and Katharine find a way to compose a score that reflects their turmoil in both their lives – ‘The Heart Beats in Time.’ Together they will see the story through to the final bars. Song for a Lost Kingdom, Book III is a novel of music, history, and love that finds a way to conquer the barriers of time. Curl up with a copy and lose yourself in this fast-paced adventure that will keep you hooked until the final page. ----- Comments from advance readers: “The story is so smoothly flowing, everything seems to rise and fall so seamlessly from one character to another. The characters are so full and alive, I couldn't help but become enveloped..." - Nevine R. “I just wanted to drop you a line, to tell you that SFLK III is awesome!!! I absolutely love how you brought both of the women to their different times, and how they are transitioning.” - Tina L “I absolutely LOVE SFLK Book III - The Heart Beats In Time.” Gail H. “This is so far the best book you've written yet. It's suspenseful and inventive.” Linda F. “Oh my god Steve, if this were a movie, I’d have been watching it with my hands over my eyes, peeking through my fingers, afraid to see what’s coming but needing to know anyway. The tension level is incredible!” - Dianne C.
Northumbria was one of the great kingdoms of Britain in the Dark Ages, enduring longer than the Roman Empire. Yet it has been all but forgotten. This book puts Northumbria back in its rightful place, at the heart of British history. From the impregnable fastness of Bamburgh Castle, the kings of Northumbria ruled a vast area, and held sway as High Kings of Britain. From the tidal island of Lindisfarne, extraordinary saints and learned scholars brought Christianity and civilization to the rest of the country. Now, thanks to the ongoing work of a dedicated team of archaeologists this story is slowly being brought to light. The excavations at Bamburgh Castle have revealed a society of unsuspected sophistication and elegance, capable of creating swords and jewellery unparalleled before or since, and works of art and devotion that still fill the beholder with wonder.
Experience the first three books in Alicia Michaels’ series of young adult fairy tale retellings, The Lost Kingdom of Fallada Volume 1 box set. Save $1 when you download this 3-in-1 collection, containing modern spins on the tales of Little Red Riding Hood, Rose Red, and The Princess and the Frog. Three lost princesses take their place in the kingdom of Fallada once they learn of a prophecy foretelling their prosperous reign. First, however, they must defeat a vain, evil queen bent on having the kingdom for herself. With the Brothers Grimm and a Faerie General on their side, three young girls will find the strength to step into their destinies. In the process, they will find love … but with war brewing on the horizon and the forces of evil working against him, living happily ever after will not be easy. Book One: Daughter of the Red Dawn Book Two: Child of the Sacred Earth Book Three: Rise of the Tide
“A book for anyone who loves Shakespeare . . . One of the most scandalous and potentially revolutionary theories about the authorship of these immortal works.” —Mark Rylance, First Artistic Director of Shakespeare’s Globe Theatre It is perhaps the greatest story never told: the truth behind the most enduring works of literature in the English language, perhaps in any language. Who was William Shakespeare? Critically acclaimed historian Charles Beauclerk has spent more than two decades researching the authorship question, and if the plays were discovered today, he argues, we would see them for what they are—shocking political works written by a court insider, someone with the monarch’s indulgence, shielded from repression in an unstable time of armada and reformation. But the author’s identity was quickly swept under the rug after his death. The official history—of an uneducated merchant writing in near obscurity, and of a virginal queen married to her country—dominated for centuries. Shakespeare’s Lost Kingdom delves deep into the conflicts and personalities of Elizabethan England, as well as the plays themselves, to tell the true story of the “Soul of the Age.” “Beauclerk’s learned, deep scholarship, compelling research, engaging style and convincing interpretation won me completely. He has made me view the whole Elizabethan world afresh. The plays glow with new life, exciting and real, infused with the soul of a man too long denied his inheritance.” —Sir Derek Jacobi
Whether it was planter patriarchs struggling to maintain authority, or Jewish families coerced by Christian evangelicalism, or wives and mothers left behind to care for slaves and children, the Civil War took a terrible toll. From the bustling sidewalks of Richmond to the parched plains of the Texas frontier, from the rich Alabama black belt to the Tennessee woodlands, no corner of the South went unscathed. Through the prism of the southern family, this volume of twelve original essays provides fresh insights into this watershed in American history.
"With rigorous original scholarship and creative narration, Lisa Brooks recovers a complex picture of war, captivity, and Native resistance during the "First Indian War" (later named King Philip's War) by relaying the stories of Weetamoo, a female Wampanoag leader, and James Printer, a Nipmuc scholar, whose stories converge in the captivity of Mary Rowlandson. Through both a narrow focus on Weetamoo, Printer, and their network of relations, and a far broader scope that includes vast Indigenous geographies, Brooks leads us to a new understanding of the history of colonial New England and of American origins. In reading seventeenth-century sources alongside an analysis of the landscape and interpretations informed by tribal history, Brooks's pathbreaking scholarship is grounded not just in extensive archival research but also in the land and communities of Native New England."--Jacket flap.
The Green Halo is a highly readable introduction to the vast field of contemporary ecological thought. It is a basic education in environmental philosophy and a welcome propadeutic for understanding the most crucial problem facing humankind in the coming century: How can humans live on this earth so that they do not destroy the preconditions for their own existence?