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2000 Census of Population and Housing. On cover: United States Census 2000. Provides information on land and water measurements and population density. Also documents geographic changes over the past decade.
A GRIPPING HISTORICAL THRILLER SET IN INVERNESS IN THE WAKE OF THE 1746 BATTLE OF CULLODEN. 'This slice of historical fiction takes you on a wild ride' THE TIMES After Culloden, Iain MacGillivray was left for dead on Drummossie Moor. Wounded, his face brutally slashed, he survived only by pretending to be dead as the Redcoats patrolled the corpses of his Jacobite comrades. Six years later, with the clan chiefs routed and the Highlands subsumed into the British state, Iain lives a quiet life, working as a bookseller in Inverness. One day, after helping several of his regular customers, he notices a stranger lurking in the upper gallery of his shop, poring over his collection. But the man refuses to say what he's searching for and only leaves when Iain closes for the night. The next morning Iain opens up shop and finds the stranger dead, his throat cut, and the murder weapon laid out in front of him - a sword with a white cockade on its hilt, the emblem of the Jacobites. With no sign of the killer, Iain wonders whether the stranger discovered what he was looking for - and whether he paid for it with his life. He soon finds himself embroiled in a web of deceit and a series of old scores to be settled in the ashes of war. ****************** PRAISE FOR THE BOOKSELLER OF INVERNESS 'Fresh and intriguing . . . Her best yet' ANDREW TAYLOR 'Everything you could ask for from a historical thriller' ANTONIA HODGSON 'An intricately wrought, compulsively page-turning tale' CRAIG RUSSELL 'A first rate historical thriller' 5* READER REVIEW 'From the moment I began reading I was hooked' 5* READER REVIEW 'Hugely entertaining . . . fast paced, twisting and turning' 5* READER REVIEW
Lost Inverness, using many images which have never before been published, explores the lost architectural heritage of the capital of the Highlands. The list of vanished buildings and streets is a long one. The medieval town was gutted by our mid-Victorian ancestors in a frenzy of redevelopment, without a trace of sentimentality, and in the process many fine public buildings were created. Sadly, the post-war 'improvements' in the town centre, especially in the 1960s, have left an embarrassing legacy of architectural blight. Fortunately many fascinating old photographs and drawings survive, allowing us to celebrate much of what has been lost. This book draws on the resources of Highland archives, libraries and museums to create a memorable record of a missing urban landscape, from the speculative sites of Pictish forts and Macbeth's castle, to Queen Mary's house and the old suspension bridge below Inverness Castle, itself blown up by the Jacobites in 1746 and replaced by the 1830s prison and courthouse. This book will appeal to all who know the city of Inverness, whether as natives or visitors, and to exiles everywhere, as it revives memories of shops, offices and public buildings now replaced by a homogenised streetscape.
Examines the roots of white supremacy and mass incarceration from the vantage point of history Why, asks Pem Davidson Buck, is punishment so central to the functioning of the United States, a country proclaiming “liberty and justice for all”? The Punishment Monopoly challenges our everyday understanding of American history, focusing on the constructions of race, class, and gender upon which the United States was built, and which still support racial capitalism and the carceral state. After all, Buck writes, “a state, to be a state, has to punish ... bottom line, that is what a state and the force it controls is for.” Using stories of her European ancestors, who arrived in colonial Virginia in the seventeenth and eighteenth centuries, and following their descendants into the early nineteenth century, Buck shows how struggles over the right to punish, backed by the growing power of the state governed by a white elite, made possible the dispossession of Africans, Native Americans, and poor whites. Those struggles led to the creation of the low-wage working classes that capitalism requires, locked in by a metastasizing white supremacy that Buck’s ancestors, with many others, defined as white, helped establish and manipulate. Examining those foundational struggles illuminates some of the most contentious issues of the twenty-first century: the exploitation and detention of immigrants; mass incarceration as a central institution; Islamophobia; white privilege; judicial and extra-judicial killings of people of color and some poor whites. The Punishment Monopoly makes it clear that none of these injustices was accidental or inevitable; that shifting our state-sanctioned understandings of history is a step toward liberating us from its control of the present.