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A novel of searing intelligence and startling originality, Lost in Translation heralds the debut of a unique new voice on the literary landscape. Nicole Mones creates an unforgettable story of love and desire, of family ties and human conflict, and of one woman's struggle to lose herself in a foreign land--only to discover her home, her heart, herself. At dawn in Beijing, Alice Mannegan pedals a bicycle through the deserted streets. An American by birth, a translator by profession, she spends her nights in Beijing's smoke-filled bars, and the Chinese men she so desires never misunderstand her intentions. All around her rushes the air of China, the scent of history and change, of a world where she has come to escape her father's love and her own pain. It is a world in which, each night as she slips from her hotel, she hopes to lose herself forever. For Alice, it began with a phone call from an American archaeologist seeking a translator. And it ended in an intoxicating journey of the heart--one that would plunge her into a nation's past, and into some of the most rarely glimpsed regions of China. Hired by an archaeologist searching for the bones of Peking Man, Alice joins an expedition that penetrates a vast, uncharted land and brings Professor Lin Shiyang into her life. As they draw closer to unearthing the secret of Peking Man, as the group's every move is followed, their every whisper recorded, Alice and Lin find shelter in each other, slowly putting to rest the ghosts of their pasts. What happens between them becomes one of the most breathtakingly erotic love stories in recent fiction. Indeed, Lost in Translation is a novel about love--between a nation and its past, between a man and a memory, between a father and a daughter. Its powerful impact confirms the extraordinary gifts of a master storyteller, Nicole Mones.
From the author of Eating the Sun, an artistic collection of more than 50 drawings featuring unique, funny, and poignant foreign words that have no direct translation into English Did you know that the Japanese language has a word to express the way sunlight filters through the leaves of trees? Or that there’s a Finnish word for the distance a reindeer can travel before needing to rest? Lost in Translation brings to life more than fifty words that don’t have direct English translations with charming illustrations of their tender, poignant, and humorous definitions. Often these words provide insight into the cultures they come from, such as the Brazilian Portuguese word for running your fingers through a lover’s hair, the Italian word for being moved to tears by a story, or the Swedish word for a third cup of coffee. In this clever and beautifully rendered exploration of the subtleties of communication, you’ll find new ways to express yourself while getting lost in the artistry of imperfect translation.
The late poet and memoirist Czeslaw Milosz wrote, "I am enchanted. This book is graceful and profound." Since its publication in 1989, many other readers across the world have been enchanted by Lost in Translation: A Life in a New Language, a classic of exile and immigrant literature, as well as a girl’s coming-of-age memoir. Lost in Translationmoves from Hoffman's childhood in Cracow, Poland to her adolescence in Vancouver, British Columbia to her university years in Texas and Massachusetts to New York City, where she becomes a writer and an editor at the New York Times Book Review. Its multi-layered narrative encompasses many themes: the defining power of language; the costs and benefits of changing cultures, the construction of personal identity, and the profound consequences, for a generation of post-war Jews like Hoffman, of Nazism and Communism. Lost in Translation is, as Publisher's Weekly wrote, "a penetrating, lyrical memoir that casts a wide net," challenges its reader to reconsider their own language, autobiography, cultures, and childhoods. Lost in Translation was first published in the United States in 1989. Hoffman’s subsequent books of literary non-fiction include Exit into History, Shtetl, After Such Knowledge, Time and two novels, The Secret and Appassionata. "Nothing, after all, has been lost; poetry this time has been made in and by translation." — Peter Conrad, The New York Times "Handsomely written and judiciously reflective, it is testimony to the human capacity not merely to adapt but to reinvent: to find new lives for ourselves without forfeiting the dignity and meaning of our old ones." — Jonathan Yardley, Washington Post "As a childhood memoir, Lost in Translation has the colors and nuance of Nabokov'sSpeak, Memory. As an account of a young mind wandering into great books, it recalls Sartre's Words. … As an anthropology of Eastern European émigré life, American academe and the Upper West Side of Manhattan, it's every bit as deep and wicked as anything by Cynthia Ozick. … A brilliant, polyphonic book that is itself an act of faith, a Bach Fugue." — John Leonard, Harper’s Magazine
Revised 2016 Edition: Despite the sensational nature of its subject, Lost in Translation: Rediscovering the Hebrew Roots of our Faith is written in simple, clear, rational language that relies 100 percent on the Bible as the ultimate authority. The book's authors clear away centuries of confusion surrounding subjects that are seldom addressed in modern sermons and Bible studies. Using the ancient Hebrew language and culture, the authors clarify many of the Bible's so-called "mysteries" and help the reader rediscover many of the foundational truths that have been "lost in translation." Topics include: - Who is the Bride of Messiah? - Is there a difference between covenant and testament? - Israel: Who are they really? - What is the difference between devils, demons, and nephilim? Join us on an exciting adventure to rediscover the treasures still buried within the pages of The Book that reveal the pathway to the heart of God. "A must-read for the church! Providing foundational insights which lead to a greater understanding of God's master plan, this book will open your eyes to scriptural distortions due to the centuries of Greek influence on the church." - Corey Berti, Senior Pastor, Silver Valley Worship Center, ID "I've been a believer for 12 years, and I've read numerous scriptures that didn't make sense. The authors do a tremendous job of explaining the importance of understanding our Hebrew roots which provide context and clarity to the overall theme of God's message. It's like watching TV in black and white and then suddenly seeing it in color. The truth hasn't changed, but it's meaning becomes more vivid." - Jason Carr
In a nuanced exploration of how Western cinema has represented East Asia as a space of radical indecipherability, Homay King traces the long-standing association of the Orient with the enigmatic. The fantasy of an inscrutable East, she argues, is not merely a side note to film history, but rather a kernel of otherness that has shaped Hollywood cinema at its core. Through close readings of The Lady from Shanghai, Chinatown, Blade Runner, Lost in Translation, and other films, she develops a theory of the “Shanghai gesture,” a trope whereby orientalist curios and décor become saturated with mystery. These objects and signs come to bear the burden of explanation for riddles that escape the Western protagonist or cannot be otherwise resolved by the plot. Turning to visual texts from outside Hollywood which actively grapple with the association of the East and the unintelligible—such as Michelangelo Antonioni’s Chung Kuo: Cina, Wim Wenders’s Notebook on Cities and Clothes, and Sophie Calle’s Exquisite Pain—King suggests alternatives to the paranoid logic of the Shanghai gesture. She argues for the development of a process of cultural “de-translation” aimed at both untangling the psychic enigmas prompting the initial desire to separate the familiar from the foreign, and heightening attentiveness to the internal alterities underlying Western subjectivity.
This is the second book in a three-volume series that will cover the entire book of Revelation in awe-inspiring detail, expounding and expanding on familiar verses in God's word that have been misunderstood and misconstrued for many years. In this volume, the authors explore the first half of Revelation from the perspective they established so clearly in Volume i - that of a Hebrew God speaking through a Hebrew believer to an audience that was intimately familiar with the Hebrew language, culture, customs, and concepts that form both the literal and the metaphorical foundation for vast portions of Revelation.
Love Lost in Translation systematically examines the biblical stories and passages that are generally assumed to deal with, or comment on, homoerotic relationships: Noah and Ham, Sodom and Gomorrah, Leviticus 18:22, Deuteronomy 23:17-18, Judges 19, Romans 1:26-27, and 1 Corinthians 6:9. K. Renato Lings convincingly demonstrates that mistranslations of these texts into Greek, Latin and other languages occurred early, and that serious errors continue to be committed by translators today. This explains the painful controversy about same-sex relationships, which has rocked Christian churches for decades.
In Lost in Translation, Found in Transliteration, Alex Kerner examines London’s Spanish & Portuguese Jews’ congregation in the seventeenth and eighteenth centuries, as a community that delineated its identity not only along ethnic and religious lines, but also along the various languages spoken by its members. By zealously keeping Hebrew and Spanish for prayer and Portuguese for community administration, generations of wardens attempted to keep control over their community, alongside a tough censorial policy on book printing. Clinging to the Iberian languages worked as a bulwark against assimilation, adding language to religion as an additional identity component. As Spanish and Portuguese speaking generations were replaced with younger ones, English permeated daily and community life intensifying assimilationist trends. “His focus on books as an indicator of the importance of language in the London community is well presented, and Kerner’s clear description of the varying uses of Spanish, Portuguese, and Hebrew (and later, English) by the Sephardim in London gives a good survey of the changes in the community over the 150 years covered by the book.... Highly recommended.” - Michelle Chesner, Columbia University, in: Association of Jewish Libraries News and Reviews 1.1 (2019) "Alex Kerner’s admirable study is a valuable contribution to our knowledge of the interrelationships between language and censorship and their maintenance of community identity." - Barry Taylor, The British Library, London, in: Bulletin of Spanish Studies 96 (2019) "This volume is a significant contribution to the well-researched history of the Spanish and Portuguese Jews of London, providing a clear and nuanced in-depth analysis of the reasons for and history of its censorship policy." - Wendy Filer, King's College London, UK, in: Journal of Jewish Studies 70.2 (2019)
Lost in Translation: Misadventures in English Abroad affectionately demonstrates the very best - and worst - instances of genuine grammar-gargling from around the world.
Starting with Salman Rushdie's assertion that even though something is always lost in translation, something can always be gained, Martha Cutter examines the trope of translation in twenty English-language novels and autobiographies by contemporary ethnic American writers. She argues that these works advocate a politics of language diversity--a literary and social agenda that validates the multiplicity of ethnic cultures and tongues in the United States. Cutter studies works by Asian American, Native American, African American, and Mexican American authors. She argues that translation between cultures, languages, and dialects creates a new language that, in its diversity, constitutes the true heritage of the United States. Through the metaphor of translation, Cutter demonstrates, writers such as Maxine Hong Kingston, Sherman Alexie, Toni Morrison, and Richard Rodriguez establish a place within American society for the many languages spoken by multiethnic and multicultural individuals. Cutter concludes with an analysis of contemporary debates over language policy, such as English-only legislation, the recognition of Ebonics, and the growing acceptance of bilingualism. The focus on translation by so many multiethnic writers, she contends, offers hope in our postmodern culture for a new condition in which creatively fused languages renovate the communications of the dominant society and create new kinds of identity for multicultural individuals.