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Even if there be monsters, there is none so fierce as that which resides in man’s own heart. Enchanting Regency-Era Gothic Romance Intertwined with Inspiration from Mary Shelley's Frankenstein Travel writer Amelia Balfour’s dream of touring Egypt is halted when she receives news of a revolutionary new surgery for her grotesquely disfigured brother. This could change everything, and it does. . .in the worst possible way. Surgeon Graham Lambert has suspicions about the doctor he’s gone into practice with, but he can’t stop him from operating on Amelia’s brother. Will he be too late to prevent the man’s death? Or to reveal his true feelings for Amelia before she sails to Cairo?
Two horror films were nominated for the Academy Award for Best Picture in 2018, and one of them—The Shape of Water—won. Since 1990, the production of horror films has risen exponentially worldwide, and in 2013, horror films earned an estimated $400 million in ticket sales. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. Lost in the Dark: A World History of Horror Film is a straightforward history written for the general reader and student that can serve as a comprehensive reference work. The volume provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories. Starting with silent-era horror films and ending with 2020’s The Invisible Man, Lost in the Dark looks at decades of horror movies. Author Brad Weismann covers such topics as the roots of horror in literature and art, monster movies, B-movies, the destruction of the American censorship system, international horror, torture porn, zombies, horror comedies, horror in the new millennium, and critical reception of modern horror. A sweeping survey that doesn’t scrimp on details, Lost in the Dark is sure to satisfy both the curious and the completist.
Allie Kim’s fatal allergy to sunlight, XP, still confines her to the night. Now that she’s lost her best friend, Juliet, to an apparent suicide, the night has never felt darker—even with Rob at her side. Allie knows why Juliet killed herself: to escape the clutches of Garrett Tabor, whom Allie saw committing an unspeakable crime. Garrett is untouchable; the Tabors founded the world-famous XP clinic that keeps Allie and Rob alive and their small Minnesota town on the map. Allie can’t rest until Garrett is brought to justice. But her obsession jeopardizes everything she holds dear. Not even Parkour can distract her; nothing reminds her more that Juliet is gone. When Rob introduces Allie to the wildly dangerous sport of nighttime deep diving, Allie assumes he’s only trying to derail her investigation . . . until they uncover the terrible secret Garrett Tabor has hidden under Lake Superior.
Stu gets lost in the woods as night is falling. He knows he's near a quarry where a teenager and his dog had fallen and drowned years before. A dog appears and clearly wants Stu to follow him. Stu starts to follow the dog, but he hears a voice calling the dog. Stu yells to the voice and heads toward it. The voice keeps calling for the dog, and Stu is getting closer to it. Then he hears the voice screaming in fear. He finds himself on the edge of the quarry and hears a splash below. The dog leaps over the edge to save the teen. After another splash there are no more sounds.
With Bright Darkness, Angus Finney provides an exploration of the golden age of the supernatural horror film, placing the genre in the context of the film industry as a whole.
Powers of Darkness is an incredible literary discovery: In 1900, Icelandic publisher and writer Valdimar à?smundsson set out to translate Bram Stoker’s world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, “Powers of Darkness†?), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into à?smundsson’s story.In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that à?smundsson hadn’t merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally re-worked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stoker’s Dracula. Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now.Powers of Darkness presents the first ever translation into English of Stoker and à?smundsson’s Makt Myrkranna. With marginal annotations by de Roos providing readers with fascinating historical, cultural, and literary context; a foreword by Dacre Stoker, Bram Stoker’s great-grandnephew and bestselling author; and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.
This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark Cityexpands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.
Like the yearning, doomed young clones in Ishiguro's Never Let Me Go, three teenagers with XP (a life-threatening allergy to sunlight) are a species unto themselves. As seen through the eyes of 16-year-old Allie Kim, they roam the silent streets, looking for adventure, while others sleep. When Allie's best friend introduces the trio to Parkour, the stunt-sport of running and climbing off forest cliffs and tall buildings (risky in daylight and potentially deadly by darkness), they feel truly alive, equal to the "daytimers." On a random summer night, while scaling a building like any other, the three happen to peer into an empty apartment and glimpse an older man with what looks like a dead girl. A game of cat-and-mouse ensues that escalates through the underground world of hospital confinement, off-the-grid sports, and forbidden love. Allie, who can never see the light of day, discovers she's the lone key to stopping a human monster.
In Lost in Transition, Christian Smith and his collaborators draw on 230 in-depth interviews with a broad cross-section of emerging adults (ages 18-23) to investigate the difficulties young people face today, the underlying causes of those difficulties, and the consequences both for individuals and for American society as a whole. --From publisher description.
Presents a history of England from the departure of Roman forces in 450 A.D. to the Norman invasion of 1066, focusing on the gold and silver artifacts of the Staffordshire Hoard found in 2009 to highlight the events and art of the period.