Download Free Lost In The American City Book in PDF and EPUB Free Download. You can read online Lost In The American City and write the review.

Set in the nation's capital, a collection of stories about African Americans living in Washington, D.C., introduces characters who struggle daily with loss--of family, of friends, of memories, and of themselves. Repritn. 15,000 first printing.
A New York Times Book Review Editors’ Choice The fascinating, forgotten story of the 1970s attempt to build a city dedicated to racial equality in the heart of “Klan Country” In 1969, with America’s cities in turmoil and racial tensions high, civil rights leader Floyd McKissick announced an audacious plan: he would build a new city in rural North Carolina, open to all but intended primarily to benefit Black people. Named Soul City, the community secured funding from the Nixon administration, planning help from Harvard and the University of North Carolina, and endorsements from the New York Times and the Today show. Before long, the brand-new settlement – built on a former slave plantation – had roads, houses, a health care center, and an industrial plant. By the year 2000, projections said, Soul City would have fifty thousand residents. But the utopian vision was not to be. The race-baiting Jesse Helms, newly elected as senator from North Carolina, swore to stop government spending on the project. Meanwhile, the liberal Raleigh News & Observer mistakenly claimed fraud and corruption in the construction effort. Battered from the left and the right, Soul City was shut down after just a decade. Today, it is a ghost town – and its industrial plant, erected to promote Black economic freedom, has been converted into a prison. In a gripping, poignant narrative, acclaimed author Thomas Healy resurrects this forgotten saga of race, capitalism, and the struggle for equality. Was it an impossible dream from the beginning? Or a brilliant idea thwarted by prejudice and ignorance? And how might America be different today if Soul City had been allowed to succeed?
"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.
The New Yorker’s legendary Paris correspondent explores life and love in the Jazz Age in this novel inspired by her days in Greenwich Village. From the 1920s to the 1970s, Janet Flanner kept Americans abreast of the goings-on in Paris with a biweekly New Yorker column written under the name Genêt. But before she became one of the country’s most famous expats, she lived among the artists and writers of the Algonquin Round Table. Flanner shares a vivid depiction of the New York she knew in this tale of a young woman’s self-discovery. Having left Ohio in search of liberation, Delia Poole struggles to find her place in the big city. After getting work as a costume designer for musical revues, she and her dear friend Nancy are finally finding happiness on their own terms. But nothing is simple. From her adoring suitor, Paul, to her widowed mother’s decision to move to New York, Delia must grapple with expectations, responsibilities, and her own uncertainty. The Cubical City is Janet Flanner’s only published novel. Though homosexuality is never overtly expressed, it is considered by literary scholars to be one of the first examples of modernist lesbian literature.
In Lost in the American City , Jeremy Tambling looks at European reactions to America and American cities in the nineteenth-century. Dickens visited America in 1842 and his American Notes and Martin Chuzzlewit set the agenda for future discussions of America. Lost in the American City looks at the Dickens legacy through Henry James in The American Scene , through H.G. Wells in The Future in America , and through Kafka, whose novel America (or The Man Who Was Never Heard of Again ) tried to re-write Dickens. Lost in the American City explores the changes in American nineteenth century urban culture which made America so different and so impossible to map for the European, and which made American modernity so unreadable and challenging.
William Madison Wood was a gifted and successful Portuguese-American industrialist in the late nineteenth and early twentieth century. His rags-to-riches story is the fulfillment of the American Dream: • His accomplishments in textile manufacturing were known throughout the world. • His dedication to American patriotism and his extreme investment in the work of wool manufacturing gave rise to accomplishments that were acknowledged worldwide. • His wealth, position, and power of influence rivaled those of other great leaders of the Gilded Age. But this great man became lost to history. Why? His work-driven philosophy of life, his obsessive drive to acquire and develop, his internal struggle with grief and anguish, his lost ethnic background, his need to rule alone, and his tragic and socially unacceptable manner of death were all part of the identity and life story of William Madison Wood. Bob Fournier unpacks Wood’s story with finesse, showing how this esteemed man fell prey to the material trappings of a life of excessive labor, power, and wealth, and the inability to temper these forces for well-being. While Wood was a man true to his era, his life story offers much to consider in today’s world. The characters may have changed, but many of the issues remain the same—race, ethnicity, autocracy, abuse of power, and immigration. Fournier enables William Wood to speak from the grave in a way he was unable to speak in life about himself, his relationships with others, and his relationship with the world.
In American Mojo: Lost and Found, Peter D. Kiernan, award-winning author of New York Times bestseller Becoming China’s Bitch, focuses on America’s greatest challenge—and opportunity—restoring the middle class to its full promise and potential. Our educated, skilled and motivated middle class was the cornerstone of America’s postwar economic might, but the country’s dynamic core has struggled and changed dramatically through the last three decades. Kiernan’s extensively researched story, told through individual histories, shows how the middle class flourished under unique circumstances following World War II; and details how our middle class has been rocked and shaped by events abroad as much as at home. By excluding too many Americans, the middle class we reverently recall was fractured from the beginning. What emerges through his storytelling is a picture of middle class decline and opportunity that is fuller, more moving and profound, and ultimately more useful in terms of charting a path forward than other examinations. His unique global perspective is a vital ingredient in charting the way ahead. This new frontier thesis shows that middle class greatness is again within our grasp—if we take some powerful medicine and seize the global opportunity. America possesses the skills and talent the world needs. Americans must embrace what brought our middle class to prominence in the first place—our American Mojo—before it is too late and other countries steal the march. All that is at stake is the soul of our nation.
People of African descent were some of Galveston's earliest residents, and although they came to the island enslaved, they retained mastery of their culinary traditions. As Galveston's port prospered and became the "Wall Street of the South," better job opportunities were available for African Americans who lived in Galveston and for those who migrated to the island city after emancipation, with owner-operated restaurants being one of the most popular enterprises. Staples like Fease's Jambalaya Café, Rose's Confectionery and the Squeeze Inn anchored the island community and elevated its cuisine. From Gus Allen's business savvy to Eliza Gipson's oxtail artistry, the Galveston Historical Foundation's African American Heritage Committee has gathered together the stories and recipes that preserve this culinary history for the enjoyment and enrichment of generations, and kitchens, to come.
What is the relationship between the road movie, American experimental filmmaking and the body?