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In this work, respected pop culture historian Anthony Slide resurrects 50 early 20th century novels with gay themes or characters and discusses them in carefully researched, engaging prose.
Searching for an introduction to the shadowy, intriguing world of early 20th century gay-themed fiction? In Lost Gay Novels, respected pop culture historian Anthony Slide resurrects fifty early 20th century American novels with gay themes or characters and discusses them in carefully researched, engaging prose. Each entry offers you a detailed discussion of plot and characters, a summary of contemporary critical reception, and biographical information on the often-obscure writer. In Lost Gay Novels, another aspect of gay life and society is, in the words the author, uncloseted, providing you with an absorbing glimpse into the world of these nearly forgotten books. Lost Gay Novels gives you an introduction to: authors who aren't usually associated with homosexuality, including John Buchan, James M. Cain, and Rex Stout the history of gay publishing in the US and abroad gay themes in novels published between 1917 and 1950with entries from nearly every year! the ways in which the popular culture of the time shaped the authors' attitudes toward homosexuality the difficulty of finding detailed biographical information on little-known authors If you're interested in gay studies or history, or even if you're just looking for a comprehensive guide to titles you've probably never heard of before, Lost Gay Novels will be a welcome addition to your collection. The introduction from author Slidecalled by the Los Angeles Times a one-man publishing phenomenonprovides you with an overview to the basics of this landmark collection. Themes found in many of the titles include death, secrecy, and living a double life, and in reading the entries you will discover just why these themes are so common. As Slide says in his introduction: The approach of the novelist toward homosexuality may not always be a positive one but the works are important to an understanding of contemporary attitudes toward gay men and gay society. Lost Gay Novels will help you further your own understanding of the dynamic relationship between literature and culture, and you will finish the book with a greater appreciation of modern American gay fiction.
Lambda Literary Award finalist In Sassafras Lowrey's gorgeous queer punk reimagining of the classic Peter Pan story, prepare to be swept overboard into a world of orphaned, abandoned, and runaway bois who have sworn allegiance and service to Pan, the fearless leader of the Lost Bois brigade and the newly corrupted Mommy Wendi who, along with the tomboy John Michael, Pan convinces to join him at Neverland. Told from the point of view of Tootles, Pan's best boi, the lost bois call the Neverland squat home, creating their own idea of family, and united in their allegiance to Pan, the boi who cannot be broken, and their refusal to join ranks with Hook and the leather pirates. Like a fever-pitched dream, Lost Boi situates a children's fantasy within a subversive alternative reality, chronicling the lost bois' search for belonging, purpose, and their struggle against the biggest battle of all: growing up. Sassafras Lowrey is a straight-edge queer punk who won the Lambda Literary Emerging Writer Award and was named to the inaugural Trans 100 list by We Be Trans. Sassafras's books, Kicked Out, Roving Pack, and Leather Ever After, have been honored by organizations ranging from the National Leather Association to the American Library Association.
"A wonder of Southern Gothic storytelling." --Southern Living (Best Southern Books of 2018) Southern Independent Booksellers Pick, July 2018 Billy Edgewater is a harbinger of doom. Estranged from his family, discharged from the Navy, and touched by a rising desperation, he sets out hitchhiking home to East Tennessee, where his father is slowly dying. On the road, separately, are Sudy and Bradshaw, brother and sister, and a one-armed con man named Roosterfish. All, in one way or another, have their pasts and futures embroiled with D.L. Harkness, a predator in all the ways there are. Hounded at every turn by scams, vigilantes, grievous loss, and unspeakable violence, Edgewater navigates the long road home, searching for a place that may be nothing but memory. Hailed as "a seemingly effortless storyteller" by the New York Times Book Review and "a writer of striking talent" by the Chicago Tribune, William Gay, with this long-awaited novel, secures his place alongside Faulkner, O'Connor, and McCarthy as one of the greatest novelists in the Southern Gothic tradition.
Examining the development of gay American fiction and providing an essential reading list, this literary survey covers 257 works--novels, novellas, a graphic story cycle and a narrative poem--in which gay and bisexual male characters play a major role. Iconic works, such as James Baldwin's Giovanni's Room and Christopher Isherwood's A Single Man, are included, along with titles not given attention by earlier surveys, such as Wallace Thurman's Infants of the Spring, Dashiel Hammett's The Maltese Falcon, Julian Green's Each in His Darkness, Ursula Zilinsky's Middle Ground and David Plante's The Ghost of Henry James. Chronological entries discuss each work's plot, significance for gay identity, and publication history, along with a brief biography of the author.
Twenty-eight modern gay authors reminisce about their favorite out of print gay novels, bringing the texts to light and telling intimate stories of their own.
In a literary voice that is both original and powerfully unsettling, William Gay tells the story of Nathan Winer, a young and headstrong Tennessee carpenter who lost his father years ago to a human evil that is greater and closer at hand than any the boy can imagine - until he learns of it first-hand. Gay's remarkable debut novel, 'The Long Home', is also the story of Amber Rose, a beautiful young woman forced to live beneath that evil who recognizes even as a child that Nathan is her first and last chance at escape. And it is the story of William Tell Oliver, a solitary old man who watches the growing evil from the dark woods and adds to his own weathered guilt by failing to do anything about it. Set in rural Tennessee in the 1940s, 'The Long Home' will bring to mind once again the greatest Southern novelists and will haunt the reader with its sense of solitude , longing, and the deliverance that is always just out of reach.
The magical, stunning conclusion to the internationally acclaimed Half Bad trilogy, the inspiration for the Netflix series The Bastard Son & The Devil Himself "An enthralling fantasy in the Harry Potter tradition."—Time magazine on Half Bad The Alliance is losing. Their most critical weapon, seventeen-year-old witch Nathan Brynn, has killed fifty-two people, and yet he's no closer to ending the tyrannical, abusive rule of the Council of Witches in England. Nor is Nathan any closer to his personal goal: getting revenge on Annalise, the girl he once loved, before she committed an unthinkable crime. There is an amulet, protected by the extremely powerful witch Ledger, which could be the tool Nathan needs to save himself and the Alliance. But the amulet is not so easily acquired. And lately Nathan has started to suffer from visions: a vision of a golden moment when he dies, and of an endless line of Hunters, impossible to overcome. Gabriel, his closest companion, encourages Nathan to run away with him, to start a peaceful life together. But even Gabriel's love may not be enough to save Nathan from this war, or from the person he has become. Set in modern-day Europe, the final book in the Half Bad trilogy is more than a story about witches. It’s a heart-poundingly visceral look at survival and exploitation, the nature of good and evil, and the risks we take for love. Now streaming on Netflix as The Bastard Son & The Devil Himself. Cover may vary.
Presents the story of Philip Benjamin, a young man haunted by images of his staid, middle-class parents and frightened by the thought of revealing his homosexual identity to them.
'Feeling Backward' weighs the cost of the contemporary move to the mainstream in lesbian and gay culture. It makes an effort to value aspects of historical gay experience that now threaten to disappear, branded as embarrassing evidence of the bad old days before Stonewall. Love argues that instead of moving on, we need to look backward.