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Following the incredible success of Sara Blaedel's #1 international bestsellers The Forgotten Girls and The Killing Forest, Louise Rick--head of the police department's elite Special Search Agency charged with missing persons cases--returns in Sara's latest twist-filled suspense novel . . . A housewife is the target of a shocking, methodical killing. Shot with a hunting rifle through her kitchen window, the woman is dead before she hits the ground. Though murdered in England, it turns out that the woman, Sofie Parker, is actually a Danish citizen who's been on the Missing Persons list for almost two decades--so Louise Rick is called on to the case. Then, in an unexpected twist, the police discover that Sofie had been reported missing eighteen years ago by none other than Eik, Louise Rick's police colleague and lover. Impulsive as ever, Eik rushes to England, and ends up in jail on suspicion of Sofie's murder. Completely blindsided by Eik's connection to the case, Louise is thoroughly unsettled and sick with worry, yet she must set aside her own emotional turmoil if she hopes to find the killer in what will become her most controversial case yet... "Crime-writer superstar Sara Blaedel's great skill is in weaving a heartbreaking social history into an edge-of-your-chair thriller while at the same time creating a detective who's as emotionally rich and real as a close friend." -- Oprah.com "One of the best I've come across." -- Michael Connelly "Sara Blaedel is a force to be reckoned with. She's a remarkable crime writer who time and again delivers a solid, engaging story that any reader in the world can enjoy." -- Karin Slaughter "Leads to...that gray territory where compassion can become a crime and kindness can lead to coldblooded murder." -- New York Times Book Review
The Lost Woman is a brave and elegantly written memoir. When Sydney Smith was nine, she thought about killing herself because of her mother’s cruelty. By the time Sydney was twenty, she believed there were cameras behind every mirror in the house, that her mother could read her mind. How to escape? How to survive?
Pulitzer Prize finalist: “A soaring literary epic about the forces that have driven us to the 9/11 age . . . relentlessly captivating” (Ron Charles, The Washington Post). When humanitarian lawyer Tom Harrington travels to Haiti to investigate the murder of a beautiful photojournalist, he is confronted with a dangerous landscape riddled with poverty, corruption, and voodoo. It’s the late 1990s, a time of brutal guerrilla warfare and civilian kidnappings. The journalist, whom he knew years before as Jackie Scott, had a bigger investment in Haiti than it seemed. To make sense of her death, Tom must plunge back into his complicated ties to Jackie—and her mysterious past. Shacochis traces Jackie’s shadowy family history from the outlaw terrain of World War II Dubrovnik to 1980s Istanbul. Caught between her first love and her domineering father—an elite Cold War spy pressuring her to follow in his footsteps—seventeen-year-old Jackie hatches a desperate escape plan. But getting out also puts her on the path that turns her into the soulless woman Tom fears as much as desires. Set over fifty years and in four war-torn countries, The Woman Who Lost Her Soul is National Book Award winner Bob Shacochis’s masterpiece and a magnum opus. It brings to life an intricate portrait of catastrophic events that led up to the war on terror and the America we are today.
Elizabeth "Lizzie" Petrie has it all. She's rich, beautiful, intelligent, and successful. None of this matters to her mom. Les-Bi-An. That's all her mom sees.Even though Lizzie insists her mom's antagonism does not bother her, Lizzie distances herself from her entire family. When her brother, Peter, calls her out of the blue to announce he's getting married, Lizzie's entire life changes drastically. Peter's fiancée wants to bring the lesbian outcast back into the family. Will this desire cause Lizzie to lose everything dear to her?Sarah, Lizzie's girlfriend, is ecstatic about this change in Lizzie's personal life. Sarah, the hopeless romantic, wants it all, including settling down with the fiercely independent Lizzie.Can Lizzie be tamed? And can she survive her family and all of their secrets?
New York Times Bestseller "Dark and twisty, with white-knuckle tension and jaw-dropping surprises." —Riley Sager, New York Times bestselling author of Home Before Dark In this smart and chilling thriller, master of suspense Mary Kubica, author of Just the Nicest Couple, takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried. People don't just disappear without a trace… Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold. Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they'll find… Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... Look for these other edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie When the Lights Go Out The Other Mrs. Just The Nicest Couple She's Not Sorry
Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.
The English literary canon is haunted by the figure of the lost woman writer. In our own age, she has been a powerful stimulus for the rediscovery of works written by women. But as Jennifer Summit argues, "the lost woman writer" also served as an evocative symbol during the very formation of an English literary tradition from the fourteenth through the sixteenth centuries. Lost Property traces the representation of women writers from Margery Kempe and Christine de Pizan to Elizabeth I and Mary Queen of Scots, exploring how the woman writer became a focal point for emerging theories of literature and authorship in English precisely because of her perceived alienation from tradition. Through original archival research and readings of key literary texts, Summit writes a new history of the woman writer that reflects the impact of such developments as the introduction of printing, the Reformation, and the rise of the English court as a literary center. A major rethinking of the place of women writers in the histories of books, authorship, and canon-formation, Lost Property demonstrates that, rather than being an unimaginable anomaly, the idea of the woman writer played a key role in the invention of English literature.
Lillie Crawford is dying. Her mind slowly succumbing to the ruthlessness of Alzheimer's, Lillie's remaining time on Earth is predicted to be a slow and difficult journey. But if you ask Norah, her mother's death could not come soon enough. Haunted by memories of the years of abuse she suffered at Lillie's hand, the last thing Norah wants to do is go home and take care of the one person she hates most in the world. Yet, Norah finds herself with no other choice and no place left to go, as she returns to the town she tried so desperately to leave behind. Taking care of a woman who cannot stand the sight of her, Norah is forced to reckon with her past as old nightmares and buried secrets are resurrected. Will learning the truth to her past save Norah, or be the final nail in her coffin?
'Luminous, elegant, haunting, - I read it straight through' Philippe Sands, Author of East West Street The enthralling story of a man's search for the truth about his family's past The last time Lien saw her parents was in the Hague when she was collected at the door by a stranger and taken to a city far away to be hidden from the Nazis. She was raised by her foster family as one of their own, but a falling out well after the war meant they were no longer in touch. What was her side of the story, Bart van Es - a grandson of the couple who looked after Lien - wondered? What really happened during the war, and after? So began an investigation that would consume and transform both Bart van Es's life and Lien's. Lien was now in her 80s and living in Amsterdam. Reluctantly, she agreed to meet him, and eventually they struck up a remarkable friendship. The Cut Out Girl braids together a powerful recreation of Lien's intensely harrowing childhood story with the present-day account of Bart's efforts to piece that story together. And it embraces the wider picture, too, for Holland was more cooperative in rounding up its Jews for the Nazis than any other Western European country; that is part of Lien's story too. This is an astonishing, moving reckoning with a young girl's struggle for survival during war. It is a story about the powerful love and challenges of foster families, and about the ways our most painful experiences - so crucial in defining us - can also be redefined. 'Remarkable, deeply moving' Penelope Lively 'An awe-inspiring account of the tragedies and triumphs within the world of the Holocaust's "hide-away" children, and of the families who sheltered them' Georgia Hunter 'A complex and uplifting tale' Kirkus