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East Lothian, a unitary authority area including the old county of Haddingtonshire, is one of Scotland's most historic places - John Knox was born in Haddington in the early years of the sixteenth century; important links were forged with the Low Coutries as a result of trade; and because of its location between Edinburgh and the border with England, the area was razed frequently by English troops. Significant battles were fought within its boundaries, most notably at Dunbar in 1560 and Prestonpans in 1745. It is also a land of huge contrasts, with sandy beaches, majestic sea cliffs, rolling farmland and barren moor, geographical features which have heavily influenced the life and industry of its inhabitants over the centuries.In this beautifully illustrated book, featuring over 100 old photographs, maps and prints, Craig Statham explores an enormous range of lost buildings which have been central to all aspects of the history of the county over a period of thousands of years, but which now no longer exist, lie in ruins or are no longer used for their original function. Grouped by theme, the book includes all types of lost buildings, from castles, mansion houses, streets and even whole villages to hospitals, factories, churches, schools, hotels and even swimming pools.
Scotland lost more than 450 houses of "architectural pretension" between 1900 and 1980. This study is an attempt to document the losses of Scottish Country Houses by showing how much has been lost, especially since WWII, with the aim of underlining the importance of the efforts being made to preserve, maintain, and use those that remain.
Blood on the Thistle is an examination of the life and times of a remarkable Scottish family, the Cranstons of Haddington, East Lothian. It focuses on a period from about 1880, when the young, hard-working parents, Alec and Lizzie Cranston, arrived in Haddington, through to 1920, when the family they had produced, torn apart by the effects of the Great War, broke up as its surviving members pursued separate lives around the globe.Out of seven sons who served in the First World War, four died and two more were horrifically wounded; only one, the youngest, returned home physically unscathed. This book explores the effects of this extreme sacrifice on the sons themselves as well as the loved ones they left behind, particularly their mother, Lizzie, who mourned them for the rest of her days.This is the tale of how a once proud and aspirational Scottish family was devastated by war, and how the effects continued to ripple through time and generations. Until, a century later, the threads of this remarkable family finally begin to be drawn together again, in a book that is at once a superb documentary account and a moving tribute to a generation.
Told with consummate skill by the writer of the bestselling, award-winning A Civil Action, The Lost Painting is a remarkable synthesis of history and detective story. An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries. The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn’t alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances. Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others–no one knows the precise number–have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy. Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ–its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle. Praise for The Lost Painting “Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful. . . . In truth, the book reads better than a thriller. . . . If you're a sucker for Rome, and for dusk . . . [you'll] enjoy Harr's more clearly reported details about life in the city.”—The New York Times Book Review “Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste—and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read.”—The Economist
This is the second of two volumes of papers selected from those given at the 12th International Conference on English Historical Linguistics. The first is New Perspectives on English Historical Linguistics (1): Syntax and Morphology. Together the volumes provide an overview of many of the issues that are currently engaging practitioners in the field. In this volume, the primary concern is with the historical study of the English lexicon and its sound and writing systems. Using research tools such as machine-readable text and lexical corpora, and intellectual tools such as corpus and cognitive linguistics, many of the papers move from a close study of a set of data to conclusions of theoretical significance, often concerning questions of classification and organisation. More broadly, whether concerned with lexicology or transmission, the papers have a social orientation, since neither lexicology nor phonology can be seen as divorced from its social setting.
Can regional identities create a more sustainable alternative to the increasingly standardised environments in which we live? Is bottom-up rather than top-down planning possible?
Encounters with a 'multicultural' Britain in the Tudor and Stuart periods written with an eye to debates about immigration and ethnicity in today's Britain.