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An enticing collection of tales told in the fabulist and metafiction traditions, Lost Cantos of the Ouroboros Caves embraces a cyclical movement of renewal, like the ancient ouroboros motif itself, in which artfully rendered answers always give rise to perplexing new questions. Maggie Schein's stories introduce medicine men, monks, immortals, witches, seekers, and souls in various stages of their cycles in and out of lived life, as well as the occasional talking animal, all searching for meaning and for connections to one another through storytelling. Each fable is a meditation on love, death, growth, pain, identity, self, spirit, cruelty, beauty, and the natural order, as seen from the perspectives of the primal, the celestial, or the spiritual. Rooted in the archetypes of mythology and philosophy, Schein's lost cantos are stories about the events that make up our lives and our deaths. She makes deft use of familiar forms and universal symbols to explore anew through narrative those questions and experiences that have always vexed us about our confounding existence and the speculative possibilities that abound within and beyond the moral coil. Schein's tales ask us to reconsider what it means to live and to die, to be simultaneously a creature of magic and the mundane, of the extraordinary and the all-too-ordinary. The result is a delicate but potent collection of alluring fables for the modern reader, recalling classical stories and myths of days long past and asking once more the questions that continue to haunt us. This expanded edition adds three new fables not included in the original edition as well as new illustrations for all eleven stories from artist Jonathan Hannah.
Young South Carolinians offer their perspectives on and visions for the future of the state "All of you who contributed to this book write much better than I did in high school." That remarkable observation was made by Pat Conroy in the foreword to the first collection of student writing generated by the South Carolina High School Writing Contest, and it embodies the contest's goals: to encourage young people to write, to think deeply and creatively, to express themselves, and thereby to recognize and cultivate their abilities. This second volume of Writing South Carolina features the insightful and inspiring entries of each of the twenty-nine winners and finalists: high school juniors and seniors who were challenged to share, using any genre, their ideas for making South Carolina a better place to live. Through essays, poems, and stories, students used their imaginations to celebrate South Carolina and to envision a state that might be improved by addressing civic and social ills, such as domestic violence, racism, drugs, poverty, and educational inequality. Despite being raised in the age of texts and tweets, these young writers offer their unique perspectives—often revealing, thought-provoking, troubling, and exhilarating—in language that is uniquely their own and often eloquent and passionate. Marjory Wentworth, who provides a foreword to this collection, is South Carolina's poet laureate and has served as a judge for the competition with Pat Conroy.
Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
You’ve heard their voices before, but never like this: from three-time HWA Bram Stoker Award winner Linda D. Addison and multiple Rhysling Award nominee Stephen M. Wilson comes Dark Duet. Two different voices, in harmony, creating verse that sings and moves on the page, taking the reader through time and space on an infinite symphony of self-exploration. Come dance with them and you may find your own song.
Janis Ian provides insight into her personal and professional life, discussing her relationships with other musicians, songs, difficult marriage, hiatus from music, health, and other related topics.
As we all know, there is a kind of lazy pleasure in useless and out-of-the-way erudition-The compilation and translation of this volume have given us a great deal of such pleasure; we hope the reader will share some of the fun we felt when ransacking the
An insightful look at the life and work of the extraordinary popular Southern writer. Pat Conroy’s novels and memoirs have indelibly shaped the image of the South in the American imagination. His writing has rendered the physical landscape of the South Carolina lowcountry familiar to legions of readers, and has staked out a more complex geography as well—one defined by domestic trauma, racial anxiety, religious uncertainty, and cultural ambivalence. In Understanding Pat Conroy, Catherine Seltzer engages in a sustained consideration of Conroy and his work. The study begins with a sketch of Conroy’s biography, which, while fascinating in its own right, is employed here to illuminate many of the motifs and characters that define his work and to locate him within southern literary tradition. Seltzer then explores each of Conroy’s major works, tracing the evolution of the themes within and among each of his novels, including The Great Santini, The Lords of Discipline, The Prince of Tides, Beach Music, and South of Broad, and his memoirs, among them The Water Is Wide and My Losing Season. Seltzer’s insightful close readings of Conroy’s work are supplemented by interviews and archival material, shedding new light on the often-complex dynamics between text and context in Conroy’s oeuvre. More broadly, Understanding Pat Conroy explores the ways that Conroy delights in troubling the boundaries that circumscribe the literary establishment—and links his work to existing debates about the contemporary American canon.
First in the classic gothic trilogy. “A masterpiece . . . a moody, melancholy comedy with an underlying wit and profundity that cannot be denied.” —Speculiction The basis for the 2000 BBC series Now in development by Showtime As the novel opens, Titus, heir to Lord Sepulchrave, has just been born. He stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle. Meanwhile, far away and in the kitchen, a servant named Steerpike escapes his drudgework and begins an auspicious ascent to power. Inside of Gormenghast, all events are predetermined by complex rituals, the origins of which are lost in time. The castle is peopled by dark characters in half-lit corridors. Dreamlike and macabre, Peake’s extraordinary novel is one of the most astonishing and fantastic works in modern fiction. Praise the Gormenghast Trilogy “Mervyn Peake is a finer poet than Edgar Allan Poe, and he is therefore able to maintain his world of fantasy brilliantly through three novels. It is a very, very great work.” —Robertson Davies, New York Times-bestselling author “A sumptuous, poetic epic . . . considered by some to have an equal or even greater degree of importance to the development of modern fantasy as Tolkien’s The Lord of the Rings.” —SFF180 “Mervyn Peake’s gothic masterpiece, the Gormenghast trilogy, begins with the superlative Titus Groan, a darkly humorous, stunningly complex tale of the first two years in the life of the heir to an ancient, rambling castle . . . This true classic is a feast of words unlike anything else in the world of fantasy. Those who explore Gormenghast castle will be richly rewarded.” —SFF Book Reviews