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An innocent rant about her boss went viral. Now, all that's stopping her from getting caught is the blur over her face... and a $10K ransom she can't afford. Henry Sloane is the epitome of Manhattan. Born into a wealthy family, he's only known success. So when an online video creates waves on social media and damages the integrity of his business, he'll stop at nothing to find the person trying to bring down his empire. In his quest for the truth, he finds an unlikely adversary in his new employee, Hannah. But when Henry catches Hannah in a lie, he must consider that she might be like all the other women he's ever dated. A liar. Hannah O'Keefe is used to working hard for what she needs. Raw talent and perseverance may have helped her succeed at school, but they didn't prepare her for the politics that come into play in the real world. When she lands a three-month contract at Evans, Roth and Sloane, she must learn to fit in with high society, even if it means fabricating lies about her life outside of work. After a video goes viral that could cost Hannah her job, she's offered an opportunity to make things right. It just means lying to the CEO and hoping he doesn't find out the answers to all his questions are right in front of him. As Hannah and Henry grow closer, her web of lies starts to unravel. Hannah is faced with losing more than just her job, she might also lose Manhattan.
Tommy has boomeranged back to his parents residence and a dead end job after too many years in college. As he looks squarely at his fourth decade of life his smartphone convinces him the time has come for a change. A gift from his grandfather provides the means, so he embarks on the path of blues artists and beatniks before him--and hits the road. He immediately meets a damsel in hitchhiking distress who says her name is Mona. Her presence persuades him that the bright lights and dark clubs of Chicago might be his kind of town.So on a summer Saturday night they settle into a fancy hotel overlooking the beaches of Lake Michigan.On Sunday...Mona disappears.But she leaves behind more than a sweet memory that involves Tommy in the sort of cash flow problems he never imagined. While trying to sort out how to stay on the right side of the law and get back on the road, he meets a young criminologist who helps him, a DJ who doesn't, and a librarian who teaches him about the city, women, and the art of the makeover.After being lied to, punched, and witnessing a drive-by shooting--he is desperate to help Mona.If he can find her.
Donation.
One by one members of the Montgomery family have died in tragic accidents. Photographer Sarah Montgomery is the last surviving member of the aeronautics dynasty. After the death of her beloved grandfather, she accepts the fact that her husband never loved her and initiates divorce proceeding. On the way home from the lawyer’s office, Sarah is hit by a cab. Days later she awakens in the hospital and has no idea who she is. Industrialist Trent Caldwell harbors guilt over his wife’s death. A passenger in the cab that struck Sarah, he now feels responsible for her injuries. When no one steps forth to identify the woman in the hospital, he arranges for Mrs. Kearn, his housekeeper, to care for her in his home. Seeing in Sarah someone who just might draw Trent out of the darkness he’s succumbed to since his wife’s death, Mrs. Kearn sets about playing matchmaker. But the Montgomery family deaths weren’t accidents. Someone harbors a deadly secret and using skills perfected as a youthful IRA operative, has systematically eliminated the family out of a need for revenge. Realizing Sarah’s true identity, the assassin now has one more kill to make in order to fulfill a promise made long ago. Keywords: vengeful, urban, amnesia, billionaire, second chance, murder, love triangle
An actor, recently divorced, at loose ends in New York; a woman, no less lonely, perhaps even more desperate than the man: they meet by chance in an all-night diner and are drawn to each other on the spot. Roaming the city streets, hitting its late-night dives, dropping another coin into yet another jukebox, these two lost souls struggle to understand what it is that has brought them, almost in spite of themselves, together. They are driven—from moment to moment, from bedroom to bedroom—to improvise the most unexpected of love stories, a tale of suspense where risk alone offers salvation. Georges Simenon was the most popular and prolific of the twentieth century’s great novelists. Three Bedrooms in Manhattan—closely based on the story of his own meeting with his second wife—is his most passionate and revealing work.
By the first quarter of the 20th century, Manhattan had well over 400 miles of streetcar trackage, an investment of several million dollars. Less than 50 years later, the rail system had completely vanished. Manhattans Lost Streetcars chronicles the finance, political pressures, and advancing technology behind Gothams streetcar networks from 1890 to 1935. The story ends with the dismantling of the system. Manhattans Lost Streetcars recalls a bygone era when public rail transportation was aboveground and New Yorkers rode the Metropolitan Street Railway, the Green Lines, the Manhattan Bridge Three Cent Line, and the Brooklyn & North River line, among others. It features images of the independent rail companies and the individual lines that made up a vast public transportation network in Manhattan.
“The fascinating and little-known tale of the Lower East Side squatters of the Eighties . . . a radical, European-inspired housing movement” (The Village Voice). Though New York’s Lower East Side today is home to high-end condos and hip restaurants, it was for decades an infamous site of blight, open-air drug dealing, and class conflict—an emblematic example of the tattered state of 1970s and ’80s Manhattan. Those decades of strife, however, also gave the Lower East Side something unusual: a radical movement that blended urban homesteading and European-style squatting in a way never before seen in the United States. Ours to Lose tells the oral history of that movement through a close look at a diverse group of Lower East Side squatters who occupied abandoned city-owned buildings in the 1980s, fought to keep them for decades, and eventually began a long, complicated process to turn their illegal occupancy into legal cooperative ownership. Amy Starecheski here not only tells a little-known New York story, she also shows how property shapes our sense of ourselves as social beings and explores the ethics of homeownership and debt in post-recession America. “There are many books about the Lower East Side and its recent transformation, yet none has included engagement or oral history with primary organizers in the way Starecheski has. Ours to Lose is a unique and substantive contribution to our understanding of a most distinct practice in the shaping of urban space.” —Metropolitiques “What is significant is that the author demonstrates how some New Yorkers addressed the housing crisis in an unconventional manner. Recommended.” —Choice
This invaluable resource offers students a comprehensive overview of the Manhattan Project and the decision to drop the atomic bomb, with more than 80 in-depth articles on a variety of topics and dozens of key primary source documents. This book provides everything readers need to know about the Manhattan Project, the U.S. program that led to the development of the atomic bomb during World War II. It begins with a detailed introduction to the project and includes an alphabetical collection of relevant entries on such topics as the Enola Gay, the first aircraft to drop an atomic bomb; Enrico Fermi, creator of the first nuclear reactor; Hiroshima, the target of the first atomic bomb; and Robert Oppenheimer, director of the Manhattan Project. Dozens of primary sources include eyewitness accounts, government memos, letters, press releases, and other important documents relevant to the establishment and success of the Manhattan Project. A set of four essays written by prominent scholars address whether the United States was justified in dropping the atomic bomb on Japan. The book also includes a comprehensive chronology that reveals key moments related to the creation of the world's first nuclear weapon as well as a bibliography of resources that points readers toward additional information on the Manhattan Project, nuclear weapons, and World War II.
"ESSENTIAL READING FOR FANS OF JANE JACOBS, JOSEPH MITCHELL, PATTI SMITH, LUC SANTE AND CHEAP PIEROGI."--VANITY FAIR An unflinching chronicle of gentrification in the twenty-first century and a love letter to lost New York by the creator of the popular and incendiary blog Vanishing New York. For generations, New York City has been a mecca for artists, writers, and other hopefuls longing to be part of its rich cultural exchange and unique social fabric. But today, modern gentrification is transforming the city from an exceptional, iconoclastic metropolis into a suburbanized luxury zone with a price tag only the one percent can afford. A Jane Jacobs for the digital age, blogger and cultural commentator Jeremiah Moss has emerged as one of the most outspoken and celebrated critics of this dramatic shift. In Vanishing New York, he reports on the city’s development in the twenty-first century, a period of "hyper-gentrification" that has resulted in the shocking transformation of beloved neighborhoods and the loss of treasured unofficial landmarks. In prose that the Village Voice has called a "mixture of snark, sorrow, poeticism, and lyric wit," Moss leads us on a colorful guided tour of the most changed parts of town—from the Lower East Side and Chelsea to Harlem and Williamsburg—lovingly eulogizing iconic institutions as they’re replaced with soulless upscale boutiques, luxury condo towers, and suburban chains. Propelled by Moss’ hard-hitting, cantankerous style, Vanishing New York is a staggering examination of contemporary "urban renewal" and its repercussions—not only for New Yorkers, but for all of America and the world.
Manhattan is the tale of a young French scholar who travels to the United States in 1965 on a Fulbright Fellowship to consult the manuscripts of beloved authors. In Yale University’s Beinecke Library, tantalized by the conversational and epistolary brilliance of a fellow researcher, she is lured into a picaresque and tragic adventure. Meanwhile, back in France, her children and no-nonsense mother await her return. A young European intellectual’s first contact with America and the city of New York are the background of this story. The experience of Manhattan haunts this labyrinth of a book as, over a period of thirty-five years, its narrator visits and revisits Central Park and a half-buried squirrel, the Statue of Liberty and a never again to be found hotel in the vicinity of Morningside Heights: a journey into memory in which everything is never the same. Traveling from library to library, France to the United States, Shakespeare to Kafka to Joyce, Manhattan deploys with gusto all the techniques for which Cixous’s fiction and essays are known: rapid juxtapositions of time and place, narrative and description, analysis and philosophical reflection. It investigates subjects Cixous has spent her life probing: reading, writing, and the “omnipotence-other” seductions of literature; a family’s flight from Nazi Germany and postcolonial Algeria; childhood, motherhood, and, not least, the strange experience of falling in love with a counterfeit genius.