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This classic book serves as a starting point for any serious discussion of welfare reform. Losing Ground argues that the ambitious social programs of the1960s and 1970s actually made matters worse for its supposed beneficiaries, the poor and minorities. Charles Murray startled readers by recommending that we abolish welfare reform, but his position launched a debate culminating in President Clinton's proposal “to end welfare as we know it.”
Current discussion of the environmental crisis often centers on the pollution problems of the industrial world. The author calls for massive tree-planting campaigns, agricultural reforms to benefit peasant farmers, and a slowdown in world population growth. He predicts that, unless there is a major shift in global political priorities, a third of mankind will become mired in hopeless destitution, a tragedy with ominous implications for world order.
This book calls attention to the emerging issues involved in building on the edge of environmentally vulnerable places, explores why we do this, and proposes ways to mitigate its impact. The challenge of public policy is to acknowledge-and challenge-the conflicts inherent in modern planning philosophy, in the service of sensible environmental regulation.
What is it like to lose your front porch to the ocean? To watch saltwater destroy your favorite fishing holes? To see playgrounds and churches subside and succumb to brackish and rising water? The residents of coastal Louisiana know. For them hurricanes are but exclamation points in an incessant loss of coastal land now estimated to occur at a rate of at least twenty-four square miles per year. In Losing Ground, coastal Louisianans communicate the significance of place and environment. During interviews taken just before the 2005 hurricanes, they send out a plea to alleviate the damage. They speak with an urgency that exemplifies a fear of losing not just property and familiar surroundings, but their identity as well. People along Louisiana's southeastern coast hold a deep attachment to place, and this shows in the urgency of the narratives David M. Burley collects here. The meanings that residents attribute to coastal land loss reflect a tenuous and uprooted sense of self. The process of coastal land loss and all of its social components, from the familial to the political, impacts these residents' concepts of history and the future. Burley updates many of his subjects' narratives to reveal what has happened in the wake of the back-to-back disasters of Hurricanes Katrina and Rita.
Traces the history of the environmental movement from its beginnings as private clubs, to the activism of the 1960s and 1970s, to the corporate sellout of the 1990s. Unveils the stories behind American environmentalism's undeniable triumphs and its quite unnecessary failures.
The Ruth narrative opens with a climate crisis – a famine pushed a family to migrate – and addresses some of the critical concerns for refugees: food, security, home, land, inheritance. Around those concerns, Losing Ground: Reading Ruth in the Pacific offers a collection of bible studies from the Pacific that interweave the climate pandemic with the interests and wisdoms of Pasifika natives. Weaving Ruth’s story together with the stories of those who, as Pacific islanders on the frontline of a climate catastrophe, are forced to leave their homes because of rising sea levels, Pasifika bible scholar Jione Havea offers a powerful and potent contribution which refuses to pretend scripture can be read separately from the every day realities of a climate emergency.
"Fans have waited two years for another of Aird's Calleshire County police procedurals, and if you like golf, this well-crafted whodunit was especially worth the wait....Full of poetical, biblical and Shakespearian references, this fun read delivers a denouement that finishes the game well under par. Nicely played." –Publishers Weekly on Hole in One "Trust mystery writer Catherine Aird to add her own special twists and lots of biting wit to murder...the settings are classic, the characters delightfully quirky, and the words of wisdom many." –Boston Herald on Amendment of Life The dramatic theft of an 18th Century painting is discovered just moments before the old manor house from which it was stolen – and is uniquely depicted in the background of the portrait -- is set on fire. Making matters more grisly even is the pile of bones that is sighted in the blazing inferno moments before the roof collapses. What started as simple, if surprising, theft has quickly escalated to arson and, possibly murder, and now Detective Inspector Sloan and Detective Constable Crosby have to piece together, a puzzle which has its roots deep in Berebury's history. Although Tolmie Park, the property on which the manor house sits, has had a somewhat checkered and mysterious past there are those in the community who would fight to preserve it. There are also a number of factions within the area who have differing plans to develop the property, shrouding the fire in further suspicion. It is up D.C.I. C.D. Sloan to sift through this assortment of characters and, finally, illuminate the truth.
The Ruth narrative opens with a climate crisis – a famine pushed a family to migrate – and addresses some of the critical concerns for refugees: food, security, home, land, inheritance. Around those concerns, Losing Ground: Reading Ruth in the Pacific​​ offers a collection of bible studies from the Pacific that interweave the climate pandemic with the interests and wisdoms of Pasifika natives. Weaving Ruth's story together with the stories of those who, as Pacific islanders on the frontline of a climate catastrophe, are forced to leave their homes because of rising sea levels, Pasifika bible scholar Jione Havea offers a powerful and potent contribution which refuses to pretend scripture can be read separately from the every day realities of a climate emergency.
NATIONAL BOOK AWARD NOMINEE • A wildly original, cross-country novel that subverts a long tradition of family narratives and casts new light on the mythologies—national, individual, and collective—that drive and define us. On the day of their estranged father’s wedding, half sisters Cheyenne and Livy set off to claim their inheritance. It’s been years since the two have seen each other. Cheyenne is newly back in Seattle, crashing with Livy after a failed marriage and a series of personal and professional dead ends. Livy works refinishing boats, her resentment against her freeloading sister growing as she tamps down dreams of fishing off the coast of Alaska. But the promise of a shot at financial security brings the two together to claim what’s theirs. Except, instead of money, what their father gives them is information—a name—which forces them to come to grips with a long-held family secret. In the face of their new reality, the sisters and their adopted brother each set out on journeys that will test their faith in one another, as well as their definitions of freedom. Moving from Seattle’s underground to the docks of the Far North, from the hideaways of the southern swamps to the storied reaches of the Great Offshore Grounds, Vanessa Veselka spins a tale with boundless verve, linguistic vitality, and undeniable tenderness.