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Uma Girish’s Losing Amma, Finding Home is a heart-rending narrative of losing a parent, living through the pain and transforming it to discover one true-calling and life’s purpose. This is a breathtaking inspirational and personal memoir that will ring true with every reader! When Uma arrives to start life in a Chicago suburb with her husband, 14-year-old daughter and her dreams in the spring of 2008, she has no clue of the cosmic wheels in motion. Barely four weeks later, her 68-year-old mother, in India, is diagnosed with Stage 4 breast cancer. Eight months later, she passes away. Losing her mother plunges Uma into the deepest despair, but more importantly, awakens a sudden clarity and knowing that ‘there has to be more to life than this’. As she begins to navigate a new country and culture, she is also called on to navigate the lonely terrain of grief. Life begins to open doors and Uma finds comfort, connection and purpose in working with seniors at a retirement community. Every relationship that she forms with the seniors opens her heart a little wider as she seeks answers to the only questions that matter. Who am I? Why am I here? What am I meant to do with this life? Interweaving two cultures through a textured narrative, Uma uncovers the truths of her inner journey as she transforms – one event, one person at a time.
"Readers will be captivated by this beautifully written novel about young people who must use their instincts and grit to survive. Padma infuses her story with hope and bravery that will inspire readers."--Aisha Saeed, author of the New York Times Bestseller Amal Unbound Four determined homeless children make a life for themselves in Padma Venkatraman's stirring middle-grade debut. Life is harsh on the teeming streets of Chennai, India, so when runaway sisters Viji and Rukku arrive, their prospects look grim. Very quickly, eleven-year-old Viji discovers how vulnerable they are in this uncaring, dangerous world. Fortunately, the girls find shelter--and friendship--on an abandoned bridge that's also the hideout of Muthi and Arul, two homeless boys, and the four of them soon form a family of sorts. And while making their living scavenging the city's trash heaps is the pits, the kids find plenty to take pride in, too. After all, they are now the bosses of themselves and no longer dependent on untrustworthy adults. But when illness strikes, Viji must decide whether to risk seeking help from strangers or to keep holding on to their fragile, hard-fought freedom.
“This book is a powerful tool to help you access this deeper realm of consciousness and put it to work enriching your life . . . immediately.” —August Gold, author of The Prayer Chest #1 Bestseller in New Age & Spirituality, Graphology, Parapsychology, Handwriting Analysis, Creativity, and Journaling Janet Conner is a writer, poet, and spiritual field guide, but first and always a deep spiritual soul explorer. Since she discovered how to activate a divine Voice by slipping into the theta brain wave state (border between the conscious and the subconscious) while writing, Janet has dedicated herself to exploring and sharing what it means to live at the vibrant intersection of the visible and the invisible. After hitting rock bottom while escaping domestic abuse, Janet’s inner voice told her to start writing. As she wrote, she gained clarity and strength, and felt an incredible connection to the divine. Today, research scientists are providing peeks into consciousness and how it works. Their findings give clues about what is happening in our bodies, minds, and spirits as we roll pen across paper. Writing Down Your Soul explores this research and instructs how to access the power and beauty of our deepest selves. If you want to engage in a vibrant conversation with the wisdom that dwells just below your conscious awareness, write. Write every day, at approximately the same time, with passion, honesty, and the intention of speaking with and listening to the voice within. “If you think this book is not for you because you are a writer and don’t need another writing book, think again!” —Sherry Richert Belul, author of Say it Now
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
A National Book Foundation 5 Under 35 Honoree NBCC John Leonard First Book Prize Finalist Aspen Words Literary Prize Finalist Named a Best Book of the Year by Vogue, NPR, Elle, Esquire, Buzzfeed, San Francisco Chronicle, Cosmopolitan, The Huffington Post, The A.V. Club, The Root, Harper’s Bazaar, Paste, Bustle, Kirkus Reviews, Electric Literature, LitHub, New York Post, Los Angeles Review of Books, and Bust “The debut novel of the year.” —Vogue “Like so many stories of the black diaspora, What We Lose is an examination of haunting.” —Doreen St. Félix, The New Yorker “Raw and ravishing, this novel pulses with vulnerability and shimmering anger.” —Nicole Dennis-Benn, O, the Oprah Magazine “Stunning. . . . Powerfully moving and beautifully wrought, What We Lose reflects on family, love, loss, race, womanhood, and the places we feel home.” —Buzzfeed “Remember this name: Zinzi Clemmons. Long may she thrill us with exquisite works like What We Lose. . . . The book is a remarkable journey.” —Essence From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age—a deeply felt meditation on race, sex, family, and country Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.
More than just a love story, “Her Lost Prints” has a profound significance. With this narrative, Abhimanyu Madhvan pays a heartfelt tribute to his deceased and unloved wife, Hasrat Pran. The story includes various facets including motherhood and a troubled marriage. The story revolves around Hasrat and her child. Abhimanyu lives in a shade of remorse and guilt over parting a mother with her autistic and mute child. Abhimanyu and Hasrat’s intoxicated and unfinished love story is depicted in a perfect blend of fiction and intense drama.
Home at Last explains specific landmarks that we encounter during the journey toward enlightenment, based on the author's direct experience. The book also lets readers know what they can expect when confronting the mysterious, awakened inner force called kundalini. It explains how our outlook and goals change radically as kundalini directs our day-to-day life. Part spiritual memoir, part meditation handbook, Chiruvolu's writings are clear and accessible yet contain profound spiritual insights covering: * The nature of prana, or vital life force; how to increase its presence in our system; and the process of transmitting pranic energy from teacher to student. * Detailed information on the important roles of diet, exercise, and training the mind in preparation for the journey of realization. * The physical and psychological challenges one can expect during the extended process of awakening. * Possible impediments to raising the energy, and how to transcend them. * How to adapt to living and working with this powerful new energy in the context of everyday life.
The Indian Independence Act of 1947 granted India freedom from British rule, signaling the formal end of the British Raj in the subcontinent. This freedom, though, came at a price: partition, the division of the country into India and Pakistan, and the communal riots that followed. These riots resulted in the deaths of an estimated 1 million Hindus and Muslims and the displacement of about 20 million persons on both sides of the border. This watershed socioeconomic–geopolitical moment cast an enduring shadow on India’s relationship with neighboring Pakistan. Presenting a perspective of the middle-class refugees who were forced from their homes, jobs, and lives with the withdrawal of British rule in India, Home, Uprooted delves into the lives of forty-five Partition refugees and their descendants to show how this epochal event continues to shape their lives. Exploring the oral histories of three generations of refugees from India’s Partition—ten Hindu and Sikh families in Delhi, Home, Uprooted melds oral histories with a fresh perspective on current literature to unravel the emergent conceptual nexus of home, travel, and identity in the stories of the participants. Author Devika Chawla argues that the ways in which her participants imagine, recollect, memorialize, or “abandon” home in their everyday narratives give us unique insights into how refugee identities are constituted. These stories reveal how migrations are enacted and what home—in its sense, absence, and presence—can mean for displaced populations. Written in an accessible and experimental style that blends biography, autobiography, essay, and performative writing, Home, Uprooted folds in field narratives with Chawla’s own family history, which was also shaped by the Partition event and her self-propelled migration to North America. In contemplating and living their stories of home, she attempts to show how her own ancestral legacies of Partition displacement bear relief. Home—how we experience it and what it says about the “selves” we come to occupy—is a crucial question of our contemporary moment. Home, Uprooted delivers a unique and poignant perspective on this timely question. This compilation of stories offers an iteration of how diasporic migrations might be enacted and what “home” means to displaced populations.
In a nation deprived of good sports literature, Forgive Me Amma comes as a breath of fresh air. Written in the author's unique style, the book takes the reader to the thick of action, be it on the lush green astro turf, or in the middle of an enthusiastic crowd, or at the highly charged press conferences. Precise, objective and highly readable, the book succeeds in not only presenting the enigmatic legend Dhanraj Pillay in all his fame and fury, but also documents the tumultuous journey of Indian hockey during the times he played.
Finding Neema is the singular story of an autistic boy of Nepali?Tibetan ethnicity, brought up by the author and her Indian husband. It recounts the couple?s unplanned adoption of Neema, the son of their maid, Poonam; their efforts to have his autism diagnosed and treated; and Neema?s emergence into adulthood as a valuable, though still dependent, human being. Delving into Neema?s tormented early life and background, the book touches upon some of the more lurid aspects of developing world poverty and introduces us to an assorted cast of characters ? some appealing and some appalling, but all of them colourful. Important too are the insights into autism which emerge from the writing. Autism has become a burning issue of our times on account of its burgeoning incidence, and of the many controversies surrounding it, but there is very little writing on the subject outside the boundaries of the developed world. Narrating Neema?s story with compassion, frankness and humour and interweaving it with reminiscences of her own unusual marriage and life, Juliet Reynolds fills that gap.