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En esta segunda aproximación a los saberes artísticos de la modernidad, Manuel Lavaniegos reflexiona sobre el surgimiento del arte denominado "abstracto" o "no figurativo", que emerge a comienzos del siglo xx, tomando como objeto de análisis la pintura y los escritos artísticos de Wassily Kandinsky (1866-1944), uno de los pioneros fundamentales en la creación abstraccionista como cauce clave en la transformación de la sensibilidad y el pensamiento contemporáneos. La relevancia que poseen las pinturas e ideas de Kandinsky, con su vocación antirrealista, no mimética, no son tratados en general sino circunscritos al análisis específico de cinco famosos cuadros, empezando por la controvertida Primera acuarela abstracta, fechada en 1910. La perspectiva hermenéu-tico/simbólica puesta en juego por el autor parte e intenta mostrar que "la abstracción en el arte es más complicada que la utilizada por la ciencia" (Sigfried Giedion).
En esta primera aproximación a los saberes artísticos de la modernidad, Carmen Pardo analiza las metamorfosis experimentadas por la sensibilidad contemporánea a raíz del nacimiento de las formas de reproductibilidad técnica de la fotografía y el fonógrafo; desde sus inicios hasta la fecha, las implicaciones estéticas y éticas de tales fenómenos sobre el sensorium individual y social continúan vigentes, con plena virulencia, como lo muestran las instalaciones y videos de Christian Marclay. Por, su parte, Jorge Juanes examina, con hondura, la obra pictórica de Paul Klee, sin duda un pionero fundamental de las vanguardias artísticas modernas -al lado de Kandinsky y Malévich-; nos lo muestra como un maestro micrológico de los formatos pequeños, un genio en la movilidad diseñadora de la línea y en los usos rítmicos y las escalas del color, como el creador de singulares universos plástico/poéticos, abiertos a hacia la máxima potencia libertaria en la génesis de las formas.
This is the first in-depth guide to global community psychology research and practice, history and development, theories and innovations, presented in one field-defining volume. This book will serve to promote international collaboration, enhance theory utilization and development, identify biases and barriers in the field, accrue critical mass for a discipline that is often marginalized, and to minimize the pervasive US-centric view of the field.
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
This book explores the concept of 'cognitive injustice': the failure to recognise the different ways of knowing by which people across the globe run their lives and provide meaning to their existence. Boaventura de Sousa Santos shows why global social justice is not possible without global cognitive justice. Santos argues that Western domination has profoundly marginalised knowledge and wisdom that had been in existence in the global South. She contends that today it is imperative to recover and valorize the epistemological diversity of the world. Epistemologies of the South outlines a new kind of bottom-up cosmopolitanism, in which conviviality, solidarity and life triumph against the logic of market-ridden greed and individualism.
Recent controversies between analytic and historic-sociological approaches to the philosophy of science have not diminished its significance; in fact, it seems to me that the pragmatic component in Nagel's have not diminished its significance; in fact, it seems to me that the pragmatic component in Nagel's thinking may be helpful for efforts to develop a rapprochement between the contending schools. -- Carl G Hempel
Over the past years the field of synergetics has been mushrooming. An ever increasing number of scientific papers are published on the subject, and numerous conferences all over the world are devoted to it. Depending on the particular aspects of synergetics being treated, these conferences can have such varied titles as "Nonequilibrium Nonlinear Statistical Physics," "Self-Organization," "Chaos and Order," and others. Many professors and students have expressed the view that the present book provides a good introduction to this new field. This is also reflected by the fact that it has been translated into Russian, Japanese, Chinese, German, and other languages, and that the second edition has also sold out. I am taking the third edition as an opportunity to cover some important recent developments and to make the book still more readable. First, I have largely revised the section on self-organization in continuously extended media and entirely rewritten the section on the Benard instability. Sec ond, because the methods of synergetics are penetrating such fields as eco nomics, I have included an economic model on the transition from full employ ment to underemployment in which I use the concept of nonequilibrium phase transitions developed elsewhere in the book. Third, because a great many papers are currently devoted to the fascinating problem of chaotic motion, I have added a section on discrete maps. These maps are widely used in such problems, and can reveal period-doubling bifurcations, intermittency, and chaos.