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“El poeta de amor más recordado de la poesía amorosa en lengua española murió a los treinta y cuatro años sin saber que iba a ser uno de los más admirados, conmemorados, citados, amados y reconocidos sin interrupción por las generaciones que habían de sucederle. Muchos españoles que no conocen a Espronceda o a Galdós, al duque de Rivas o a Larra, saben de Bécquer porque el poeta sevillano llega a la gente, está en la memoria colectiva, entra en el habla común y se citan sus versos. Lo recordamos como emblema del sentimiento amoroso, como referente para los textos literarios delicados y penetrantes, como símbolo del enamorado sincero, como portador de una expresión excelsa que se aloja en las profundidades del hombre. Otros grandes poetas de amor como Garcilaso de la Vega, Francisco de Quevedo, Lope de Vega, Pedro Salinas o incluso Pablo Neruda son admirados, es verdad, pero no llegan a todo tipo de lectores, a todas las clases sociales, a todas las ideologías, a todos los gustos, a todas las sensibilidades.” Rafael del Moral
Translated by Jesse Lee Kercheval Eight years before Sylvia Plath published Ariel, the Uruguayan poet Idea Vilariño released Poemas de Amor, a collection of confessional, passionate poetry dedicated to the novelist Juan Carlos Onetti. Both of her own merit and as part of the Uruguayan writers group the Generation of ’45—which included Onetti, Mario Benedetti, Amanda Berenguer, and Ida Vitale—Vilariño is an essential South American poet, and part of a long tradition of Uruguayan women poets. Vilariño and Onetti’s love affair is one of the most famous in South American literature. Poemas de Amor is an intense book, full of poems about sexuality and what it means to be a woman, and stands as a testament to both the necessity and the impossibility of love. This translation brings these highly personal poems to English speaking audiences for the first time side-by-side with the original Spanish language versions.
Few writers of any age have described the pleasures and torments of erotic love with such unsentimental directness and sensual precision as Pablo Neruda. In this poetry, too, he is at his most accessible, the language of his odes and lyrics refined to the point at which it achieves what one critic has called 'the naturalness of song.' This short selection draws on work from throughout his writing career, from the famous early collection, Twenty Love Songs and a Song of Despair of 1924 to key works of his maturity like Elemental Odes from 1954 and the autobiographical Memorial de Isla Negra. These ten poems formed the subtext for the well-known film Il Postino which was based on an apocryphal episode in the life of the Chilean poet and Nobel Laureate. They reveal why many believe that Neruda was the finest love poet of the century.
LIBRO DE POESÍA SELECTA CONTEMPORÁNEA, QUE ABARCA LOS MAS VARIADOS TEMAS, QUE NO SON OTRA COSA QUE LAS MISMAS VIVENCIAS HUMANAS.
A NEW YORKER BEST BOOK OF THE YEAR A WALL STREET JOURNAL TOP 10 BOOK OF THE YEAR ONE OF NPR’S “BOOKS WE LOVE” “A tender and funny story about love, family and the peculiar position of being a stepparent…[Chilean Poet] broadens the author’s scope and quite likely his international reputation.” —Los Angeles Times “Zambra [is] one of the most brilliant Latin American writers of his generation.” —The New York Review of Books “Zambra's books have long shown him to be a writer who, at the sentence level, is in a world all his own.” —Juan Vidal, NPR.org A writer of “startling talent” (The New York Times Book Review), Alejandro Zambra returns with his most substantial work yet: a story of fathers and sons, ambition and failure, and what it means to make a family After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry. When, at eighteen, Vicente meets Pru, an American journalist literally and figuratively lost in Santiago, he encourages her to write about Chilean poets—not the famous, dead kind, your Nerudas or Mistrals or Bolaños, but rather the living, striving, everyday ones. Pru’s research leads her into this eccentric community—another kind of family, dysfunctional but ultimately loving. Will it also lead Vicente and Gonzalo back to each other? In Chilean Poet, Alejandro Zambra chronicles with enormous tenderness and insight the small moments—sexy, absurd, painful, sweet, profound—that make up our personal histories. Exploring how we choose our families and how we betray them, and what it means to be a man in relationships—a partner, father, stepfather, teacher, lover, writer, and friend—it is a bold and brilliant new work by one of the most important writers of our time.
The third book in the Magdalene Line Trilogy takes Maureen to Florence, where she begins training in the secret teachings of The Order of the Holy Sepulcher. Under the guidance of her new teacher, Destino, she discovers the fascinating story of Lorenzo de Medici - the godfather of the Renaissance and the greatest patron of the arts in history. But Lorenzo's obsession was not with culture alone. Instead, he worked carefully to create a body of work which would preserve a series of ancient secrets - secrets too powerful and dangerous to be committed to writing. But Maureen's most explosive discovery affects the person closest to her, as she realizes that her lover, Berenger, shares an extraordinary legacy with Lorenzo de Medici. Both men were born under the auspices of a prophecy found in the early writing of the Bloodline - the prophecy of the Poet Prince. But as Berenger and Maureen explore the daunting task of filling Lorenzo's place in the 21st Century, they find themselves the subject of an ancient vendetta hell-bent on destroying the heresy and ending Maureen's life in the process.
From Nobel Laureate Pablo Neruda comes Intimacies--a beautiful companion to On the Blue Shore of Silence--showcasing some of Neruda's most extraordinary love poems, and once again married with Mary Heebner's earthy, evocative paintings. The poems in this collection remind us that love is woven through all life, and that amorous love is only but the tip of such a powerful emotion. This collection presents Neruda at the height of his powers, with some of the most vibrant verses of the twentieth century. --HarperCollins Publishers.