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«Las décadas de corrupción, engaños, injusticia y desigualdad se van acumulando en el haber de las democracias occidentales. Los cambios no llegan y, si lo hacen, parecen ser a peor. Por suerte, los Nuevos Bolcheviques, una misteriosa agrupación de estudiantes, tienen la solución que hace falta: una revolución desde la base que no deje rastro del sistema imperante. Pero los gobernantes no se dejarán derrocar tan fácilmente. Pondrán en juego todos los medios que tienen a su disposición, aun si esto desemboca en un conflicto civil de dimensiones épicas. Aunque esto salpique al resto del mundo. Acompaña a Osvaldo, un profesor de universidad que, sin pretenderlo, termina teniendo un papel capital en los planes de los Nuevos Bolcheviques. Lo opuesto a un héroe que, de buenas a primeras, se va arrastrado a una revolución en la que no quería creer. Una obra de la que estarían orgullosos Darío Fo, Bertolt Brecht y los hermanos Coen. Los Nuevos Bolcheviques te transporta en un caótico e iluminador viaje no exento de filosofía y sentido del humor. Toda una epopeya de nuestra época».
Why did the 1917 American Red Cross Mission to Russia include more financiers than medical doctors? Rather than caring for the victims of war and revolution, its members seemed more intent on negotiating contracts with the Kerensky government, and subsequently the Bolshevik regime. In a courageous investigation, Antony Sutton establishes tangible historical links between US capitalists and Russian communists. Drawing on State Department files, personal papers of key Wall Street figures, biographies and conventional histories, Sutton reveals: The role of Morgan banking executives in funnelling illegal Bolshevik gold into the US; the co-option of the American Red Cross by powerful Wall Street forces; the intervention by Wall Street sources to free the Marxist revolutionary Leon Trotsky, whose aim was to topple the Russian government; the deals made by major corporations to capture the huge Russian market a decade and a half before the US recognized the Soviet regime; the secret sponsoring of Communism by leading businessmen, who publicly championed free enterprise. Wall Street and the Bolshevik Revolution traces the foundations of Western funding of the Soviet Union. Dispassionately, and with overwhelming documentation, the author details a crucial phase in the establishment of Communist Russia. This classic study - first published in 1974 and part of a key trilogy - is reproduced here in its original form. (The other volumes in the series include Wall Street and the Rise of Hitler and a study of Franklin D. Roosevelt’s 1933 Presidential election in the United States.)
‘The contribution made by American capitalism to German war preparations can only be described as phenomenal. It was certainly crucial to German military capabilities... Not only was an influential sector of American business aware of the nature of Naziism, but for its own purposes aided Naziism wherever possible (and profitable) - with full knowledge that the probable outcome would be war involving Europe and the United States.’ Penetrating a cloak of falsehood, deception and duplicity, Professor Antony C. Sutton reveals one of the most remarkable but unreported facts of the Second World War: that key Wall Street banks and American businesses supported Hitler’s rise to power by financing and trading with Nazi Germany. Carefully tracing this closely guarded secret through original documents and eyewitness accounts, Sutton comes to the unsavoury conclusion that the catastrophic Second World War was extremely profitable for a select group of financial insiders. He presents a thoroughly documented account of the role played by J.P. Morgan, T.W. Lamont, the Rockefeller interests, General Electric Company, Standard Oil, National City Bank, Chase and Manhattan banks, Kuhn, Loeb and Company, General Motors, the Ford Motor Company, and scores of others in helping to prepare the bloodiest, most destructive war in history. This classic study, first published in 1976 - the third volume of a trilogy - is reproduced here in its original form. (The other volumes in the series study the 1917 Lenin-Trotsky Revolution in Russia and the 1933 election of Franklin D. Roosevelt in the United States.)
El autor es Carlo Emanuele Ruspoli. Roma, 1949. Es doctor arquitecto y autor de numerosos títulos técnicos y catálogos, así como de proyectos de edificación e industriales. Ensayista de artículos de índole técnica y cultural en varias revistas, asimismo colabora con la Real Academia Matritense de Heráldica y Genealogía. En mayo de 2011 editó con dicha Real Academia su primer libro de historia Retratos, anécdotas y secretos de los linajes Borja, Téllez-Girón, Marescotti y Ruspoli. Ha escrito además libros de historia, antropología, anécdotas de vida profesional y genealogía. Además ha publicado varias novelas históricas como: El Confaloniero, El Profeso, Asesinato en el Letrán, Muerte de Profesos, El Profeso en Tíbet y está preparando una nueva novela de la serie que se titulará El Profeso y el diablo. Su larga trayectoria profesional y su inquietud como viajador le ha permitido viajar a casi todos los lugares mencionados en este libro.
This is the first in-depth analysis of the works of the Galician-Spanish expatriate writer Sofía Casanova (1861-1958), a transnational poet, novelist, journalist, playwright, campaigner, translator, historian and intellectual, and one of the first Spanish women to support herself as a professional writer. Casanova, born in Galicia in rural northwest Spain, married a Pole and spent over seventy years traveling between Spain and Poland. A challenging writer and thinker who witnessed the First World War, the Russian Revolution and the rise of Franco at first hand, moved in the highest political and intellectual circles on both sides of Europe and blazed a trail as one of Spain's first female foreign correspondents, her remarkable achievements were gradually sidelined at home in increasingly reactionary Spain until, by the time of her death, she was remembered only as a perfectly patriotic wife and mother and icon of Francoist femininity. This study addresses the scandalous disappearance of Casanova and her female contemporaries from accounts of the emergence of the modern Spanish nation. Arguing that women's perceived silence during this critical period in the formation of modern Iberian identities has significant repercussions even today, it takes her works as a case study for modeling a radical rethinking of the way we teach and research the crucial years around the turn of the twentieth century. The first study of Casanova's radical and compelling, but now forgotten, early narrative, it explores the Galician, Polish and Spanish context of her work, arguing that her transnational career demonstrates the inadequacies of existing models of national literary history. At the same time, recognizing Casanova's innovative and strategic use of literary genres and techniques traditionally denominated as "feminine" (and therefore excluded from discussions of "serious" national literature), it provides a model for re-evaluating the vast cultural store of popular and sentimental literature as a key part of the debates about the transition to modernity, in Spain and beyond.
From the accliamed authority on Russia and the Russian Revolution—the final volume in his magisterial history of the Russian Revolution, covering the period from the outbreak of the Civil War in 1918 to Lenin's death in 1924 "Offers a penetrating analysis of the making of the Soviet system.... [It is] a passionate book whose outstanding scholarship is rooted in universal values like truth, honor, responsibility and the sacredness of human life." —Philadelphia Inquirer "Timely.... The work is enriched in intriguing ways by the author's access to the once-secret archives of the Soviet Union." —Los Angeles Times
En esta obra póstuma, Carlos Monsiváis, con su estilo y erudición únicos, recorre un siglo de la vida cultural de México, si bien, como él mismo confiesa, ésta es una tarea inacabable a la que además se suma la brevedad de la obra, que le obliga a cerrar su crónica en la década de 1980, dejando fuera los movimientos y creadores de los dos últimos decenios del siglo XX. Su recorrido parte de la época del modernismo y pasa por todas las manifestaciones culturales que se desarrollan a lo largo de las siguientes décadas, como la narrativa de la Revolución, el muralismo, la cultura en los años veinte, los Contemporáneos, la poesía de la generación del 50 hasta llegar al año de la ruptura que representa 1968 y las manifestaciones culturales que de él se desprenden.
The Britannica Enciclopedia Moderna covers all fields of knowledge, including arts, geography, philosophy, science, sports, and much more. Users will enjoy a quick reference of 24,000 entries and 2.5 million words. More then 4,800 images, graphs, and tables further enlighten students and clarify subject matter. The simple A-Z organization and clear descriptions will appeal to both Spanish speakers and students of Spanish.
Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.