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This collection of essays explores the rich intellectual heritage of Russian Formalism and the Prague School of Linguistics to illuminate their influence on the field of biblical studies and apply their constructive and creative potential for advancing linguistic theory, discourse analysis, and literary interpretation of the texts of the Old and New Testaments in their original languages
Spanish popular culture is one of the richest in the world. The absence of an efficient ruling class has allowed the people to stamp their personality on all major aspects of the country's life. This book describes the peculiar Spanish feeling for death and tragedy in popular religious practices, music and the bullfight; the fiesta sense of life, so foreign to the work ethic of other Western countries; the oral tradition that has managed to survive into the post-industrial age with its creative use of slang, proverbs and obscenity; popular literature, the press, radio, television and the movies. Students and scholars will appreciate the first comprehensive treatment of Spanish popular culture in a single volume. The author has done first-hand research in all the major regions of Spain and has compiled a list of major archives and resource centers. An extensive bibliography on the major fields of popular Spanish culture is included at the end of each chapter.
Entries include personal data, address, career, professional organizations, awards and honors, writings/illustrations, sidelights, and critical sources.
"Cortazar's masterpiece ... The first great novel of Spanish America" (The Times Literary Supplement) • Winner of the National Book Award for Translation in 1967, translated by Gregory Rabassa Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can truly count, and an attendant in an insane asylum. Hopscotch is the dazzling, freewheeling account of Oliveira's astonishing adventures.