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El presente libro ofrece una visión de conjunto sobre los materiales y las técnicas del arte contemporáneo desde principios del siglo hasta nuestros días, y muestra las posibilidades que tiene la restauración de este tipo de obras. A través de ejemplos prácticos, se describen las distintas opciones que ofrece la práctica de la restauración, en sus vertientes tradicional y moderna, para conservar correctamente el arte actual y sus nuevas tendencias.
La conservación-restauración del arte contemporáneo constituye un gran reto para el profesional dedicado a estas actividades debido a que, en la actualidad, cualquier material o mezcla de sustancias pueden haberse utilizado para configurar la obra. Se emplean desde materiales más tradicionales hasta los desarrollados más recientemente, como los polímeros sintéticos o algunas aleaciones metálicas, etcétera, e incluso ciertas obras han sido configuradas por organismos vivos. Por todo ello, el profesional conservador-restaurador ha de recurrir habitualmente al asesoramiento de personal provenient.
Analyzes the evolution of contemporary art in Chile from 1973 to 2007. This edition reproduces more than 500 color images of works by 74 contemporary artists (selected by editor Mosquera) including names such as: Juan Downey, Carlos Arias, (Santiago, Chile, 1964); Juan Castillo, (Antofagasta, 1952); Eugenio Dittborn, (Santiago, Chile, 1943); Paz Errzuriz, (Santiago, Chile, 1944); Volupsa Jarpa, (Rancagua, 1971); Carlos Leppe, (Santiago, Chile, 1952); and Carolina Ruff, (Santiago, Chile, 1973), as well as younger generation artists. The artists are presented in alphabetical order with brief introductory texts. Each reproduced work is rigorously documented with a caption that, in addition to providing the technical data offers the reader a description of the work for better comprehension. Six essays by noted critics and art historians: Guillermo Machuca, Mar̕a Berr̕os, Justo Pastor Mellado, Catalina Mena, Nelly Richard y Adriana V̀lads (description provided by vendor).
This illustrated book on mounting prints and drawings covers the materials, working procedures, tools and equipment for safely mounting prints and drawings for display and storage. Stamping methods, cataloguing and studio organisation are also covered. This book, which will appeal to conservators, collection managers, curators and collectors, also contains a wealth of historical information. It is based on current practice at the British Museum.
A beautiful book on the famed Chinati Foundation in Marfa, Texas The Chinati Foundation, a world-famous destination for large-scale contemporary art, was founded by Donald Judd (1928-1994) to preserve and present a select number of permanent installations that were inextricably linked to the surrounding landscape in Marfa, Texas. This handsome publication, first published in 2010 and now available with a new chapter devoted to the permanent installation by Robert Irwin that was inaugurated in 2016 and a new foreword by Jenny Moore, director of the Chinati Foundation, describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati. The individual installations featured here include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Ingólfur Arnarsson, Carl Andre, Claes Oldenburg and Coosje Van Bruggen, and John Wesley, as well as by Judd himself. The book also features a complete catalogue of the collection and writings by Judd relating to Chinati and Marfa. Published in association with the Chinati Foundation/La Fundación Chinati