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In an increasingly app-focused world, you would be hard-pressed to find a user who hasn’t encountered the massively popular photo-sharing app Instagram. With over 150 million active monthly users, Instagram’s wild success is well known, but unlike other stories of tech triumph, few know the details behind the achievements of Instagram cofounders Kevin Systrom and Mike Krieger. With their experience from other companies, including Google and Microsoft, this pair gave new life to amateur photography the world over. Read how two young, driven techies became the CEOs of the most popular photography app in the world today.
Instagram is at the heart of global digital culture, having made selfies, filters and square frames an inescapable part of everyday life since it was launched in 2010. In the first book-length examination of Instagram, Tama Leaver, Tim Highfield and Crystal Abidin trace how this quintessential mobile photography app has developed as a platform and a culture. They consider aspects such as the new visual social media aesthetics, the rise of Influencers and new visual economies, and the complex politics of the platform as well as examining how Instagram's users change their use of the platform over time and respond to evolving features. The book highlights the different ways Instagram is used by subcultural groups around the world, and how museums, restaurants and public spaces are striving to be 'Insta-worthy'. Far from just capturing milestones and moments, the authors argue that Instagram has altered the ways people communicate and share, while also creating new approaches to marketing, advertising, politics and the design of spaces and venues. Rich with grounded examples from across the world, from birth pictures to selfies at funerals, Instagram is essential reading for students and scholars of media and communication.
A visual feast of more than 600 images, this comprehensive compendium presents the latest developments and innovations in the creative and rewarding pursuit of on-location drawing and painting. Urban Sketchers (urbansketchers.org), a community of artists founded in 2007 by Seattle journalist and illustrator Gabriel Campanario, promotes the artistic, storytelling, and educational value of on-location drawing and painting. This movement brings together an international group of people who see--and show--the world one drawing or painting at a time. The goal is simple: sketch what you see, in- or outdoors, and share it, either in person or online. You don't need to be an artist, expert, or someone who draws all the time to participate. The remarkable work and inspiring words of this vibrant community were first documented in The Art of Urban Sketching by Gabriel Campanario, which remains influential among artists who are inspired to draw and paint the places where they live and visit. This book, The World of Urban Sketching, written by noted artist and Urban Sketcher correspondent Stephanie Bower, presents a spectacular, all-new collection from an impressive international roster of artists and illustrators. New Artwork. Meet and discover the stunning and informative work of both established and emerging urban sketchers. New Techniques. Consider new creative options in color and linework, including digital approaches, through step-by-step demonstrations. New Stories. Get invaluable insights into creating artwork on location through artists' first-hand accounts, observations, and tips. Expand your urban sketching skills and find new inspiration as you document your travels, or your own city, town, or backyard, through on-location drawing and painting.
Whether it's Kim Kardashian uploading picture after picture to Instagram or your roommate posting a mid-vacation shot to Facebook, selfies receive mixed reactions. But are selfies more than, as many critics lament, a symptom of a self-absorbed generation? Millennial Alicia Eler's The Selfie Generation is the first book to delve fully into this ubiquitous and much-maligned part of social media, including why people take them in the first place and the ways they can change how we see ourselves. Eler argues that selfies are just one facet of how we can use digital media to create a personal brand in the modern age. More than just a picture, they are an important part of how we live today. Eler examines all aspects of selfies, online social networks, and the generation that has grown up with them. She looks at how the boundaries between people’s physical and digital lives have blurred with social media; she explores questions of privacy, consent, ownership, and authenticity; and she points out important issues of sexism and double standards wherein women are encouraged to take them but then become subject to criticism and judgment. Alicia discusses the selfie as a paradox—both an image with potential for self-empowerment, yet also a symbol of complacency within surveillance culture The Selfie Generation explores just how much social media has changed the ways that people connect, communicate, and present themselves to the world.
"For over a decade, Taylor Lorenz has been the authority on Internet culture, documenting its far-reaching effects on all corners of our lives. Her reporting is serious yet entertaining and illuminates deep truths about ourselves and the lives we create online. In her debut book, Extremely Online, she reveals how online influence came to upend the world, demolishing traditional barriers and creating whole new sectors of the economy. Lorenz shows this phenomenon to be one of the most disruptive changes in modern capitalism. By tracing how the Internet has changed what we want and how we go about getting it, Lorenz unearths how social platforms' power users radically altered our expectations of content, connection, purchasing, and power. Lorenz documents how moms who started blogging were among the first to monetize their personal brands online, how bored teens who began posting selfie videos reinvented fame as we know it, and how young creators on TikTok are leveraging opportunities to opt out of the traditional career pipeline. It's the real social history of the Internet. Emerging seemingly out of nowhere, these shifts in how we use the Internet seem easy to dismiss as fads. However, these social and economic transformations have resulted in a digital dynamic so unappreciated and insurgent that it ultimately created new approaches to work, entertainment, fame, and ambition in the 21st century. Extremely Online is the inside, untold story of what we have done to the Internet, and what it has done to us"--
The Eisner-nominated best anthology — and best deal — in comics continues! 128 full-color pages featuring entirely self-contained short stories from the best cartoonists around the globe. Now #8 features new work from E.S. Glenn, Walt Holcomb, Henry McCausland, Zuzu, Theo Elsworth, Veronika Muchitsch, Nick Thorburn, Tara Booth, Sami Alwani, Maggie Umber, and Noah Van Sciver.
Social media is a major part of modern life. Most of us can't imagine not using it, and it's unrealistic to assume that's even possible. We are obsessed with social media We share pictures of our food and inspect what everyone else is eating, compare calories and macros, and get involved in wacky and dangerous food challenges. We think we're in control but most of us have no idea how much of an impact it has. Did you realise that posting pics of your meal can actually make it taste better? That #cleaneating is giving you anxiety? That the influencers you follow are actually shaping government policy around food? Pixie Turner is here to arm you with everything you need to know to take back control – and make social media work for you.
As Now hits its landmark tenth issue, what better time to bring back the cover artist who launched the series? Painter and cartoonist Rebecca Morgan returns with one of her signature depictions of the underbelly of America. Meanwhile, the issue also features new work by a number of familiar names, such as Steven Weissman, Tim Lane, and Walt Holcombe. Young Frances creator Hartley Lin contributes his first piece to the magazine, as does Italian cartoonist Sylvia Rocchi and American cartoonist M.S. Harkness ― with a piece about competitive weightlifting during the Covid-19 pandemic! Along with other surprises, Now #10 includes one other special feature: a tribute to the late cartoonist Richard Sala (1954-2020), a cartoonist who built his long career contributing to various anthologies of the 1980s, including the legendary Raw magazine. We are pleased to present nine previously unpublished pages of comics by Sala, all created as an art student in the 1970s and presaging a prolific and brilliant oeuvre to come. Also: comics by Nick Thorburn, Jacob Weinstein, Joakim Drescher, and Julia Gfrörer.
Founded in 1997, Mujeres de Maiz (MdM) is an Indigenous Xicana–led spiritual artivist organization and movement by and for women and feminists of color. Chronicling its quarter-century-long herstory, this collection weaves together diverse stories with attention to their larger sociopolitical contexts. The book crosses conventional genre boundaries through the inclusion of poetry, visual art, testimonios, and essays. MdM’s political-ethical-spiritual commitments, cultural production, and everyday practices are informed by Indigenous and transnational feminist of color artistic, ceremonial, activist, and intellectual legacies. Contributors fuse stories of celebration, love, and spirit-work with an incisive critique of interlocking oppressions, both intimate and structural, encouraging movement toward “a world where many worlds fit.” The multidisciplinary, intergenerational, and critical-creative nature of the project coupled with the unique subject matter makes the book a must-have for high school and college students, activist-scholars, artists, community organizers, and others invested in social justice and liberation.
In The Urban Sketching Handbook: Drawing Expressive People, urban sketcher and workshop instructor Róisín Curé shows how to make your figures more than just anonymous bystanders by sharing the basics of drawing people on the go as well as how to successfully render poses, faces, and expressions. Following an essential section on proportion, you’ll find tips, tricks, and examples for surmounting the intimidating prospect of capturing ever-shifting subjects, plus techniques for portraying poses accurately and distilling details that convey personality and emotion, whether individually, in small groups, or in crowds. Bring figures and people to life on the page and tell an authentic visual story with The Urban Sketching Handbook: Drawing Expressive People. The Urban Sketching Handbook series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format—perfect to toss in your backpack or artist’s tote.