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Azalin, lord and master of the kingdom of Ravenloft, faces his greatest challenge when he journeys through time to slay an enemy two hundred years before his own birth.
This comprehensive three-volume set marks the publication of the proceedings of the Eighth International Congress of Egyptologists, held in Cairo in 2000, the largest Congress since the inaugural meeting in 1979. Organized thematically to reflect the breadth and depth of the material presented at this event, these papers provide a survey of current Egyptological research at the dawn of the twenty-first century. The proceedings include the eight Millennium Debates led by esteemed Egyptologists, addressing key issues in the field, as well as nearly every paper presented at the Congress. The 275 papers cover the whole spectrum of Egyptological research. Grouped under the themes of archaeology, history, religion, language, conservation, and museology, and written in English, French, and German, these contributions together form the most comprehensive picture of Egyptology today.
This book examines an elite Old Kingdom cemetery at the southern boundary of ancient Egypt, where the local community developed a unique visual expression of texts, images, and architecture in their tombs. Deborah Vischak argues that localized communities are an important source of identity in ancient Egypt.
An examination of the myriad lifetimes lived by ancient Egyptian artifacts Egypt has a particular longue durée, a continuity of preservation in deep time, not seen in other parts of the world. Over the centuries, ancient buildings have been adopted for purposes that differed from the original. Temple sites have been transformed into places of worship for new deities or turned into houses and tombs. Tombs, in turn, have been adapted to function as human dwellings already in the Late Antique Period. The Afterlives of Egyptian History expands on the traditional academic approach of studying the original function and sociopolitical circumstances of ancient Egyptian objects, texts, and sites to examine their secondary lives by exploring their reuse, modification, and reinterpretation. Written in honor of the Egyptologist, Edward Bleiberg, this volume brings together a group of luminous scholars from a wide range of fields, including Egyptian archaeology, philology, conservation, and art, to explore the historical circumstances, as well as political and economic situations, of people who have come into contact with ancient Egypt, both in antiquity and in more recent times. Contributor Affiliations: Yekaterina Barbash, Brooklyn Museum, Brooklyn, NY USA Lisa Bruno, Brooklyn Museum, Brooklyn, NY USA Simon Connor, F.R.S.–FNRS, Brussels, Belgium and University of Liege, Liege, Belgium Kathlyn (Kara) Cooney, UCLA, Los Angeles, CA USA Richard Fazzini, Brooklyn Museum, Brooklyn, NY USA Peter Lacovara, Ancient Egyptian Archaeology and Heritage Fund, Albany, NY USA Ronald J. Leprohon, University of Toronto, Canada Mary McKercher, Brooklyn Museum, Brooklyn, NY USA Edmund Meltzer, Pacifica Graduate Institute, Carpinteria, California USA Joachim Friedrich Quack, Heidelberg University, Tiffin, Ohio USA Paul Edmund Stanwick, independent scholar, New York, NY USA Emily Teeter, University of Chicago, Chicago, IL USA Kathy Zurek-Doule, Brooklyn Museum, Brooklyn, NY USA
THE APOCALYPSE DE-CLASSIFIED CASE FILE WAS GATHERED BY THE APOCALYPSE RESISTANCE COUNTERINTELLIGENCE RECOUNTING "THE COMING APOCALYPSE" RECOUNTING PERSONAL NARRATIVE ACCOUNTINGS RECOUNTING THE APOCALYPSE CODEX KNOWN ONLY BY THE APOCALYPSE RESISTANCE REWRITING THE APOCALYPSE CODEX WRITTEN OUT IN 66 APOCALYPSE SCROLLS DISPLAYED INSIDE THE APOCALYPSE MUSEUM WHERE THE 66 APOCALYPSE SCROLLS ARE RE-WRITTEN BY THE APOCALYPSE RESISTANCE RE-WRITING HISTORY STORIES ALREADY WRITTEN BEFORE THE APOCALYPSE CODEX IS WRITTEN INTO STONE.
First published in 1973 – and followed by Volume II in 1976 and Volume III in 1980 – this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world’s earliest civilizations. Volume I outlines the early and gradual evolution of Egyptian literary genres, including biographical and historical inscriptions carved on stone, the various classes of literary works written with pen on papyrus, and the mortuary literature that focuses on life after death. Introduced with a new foreword by Antonio Loprieno. Volume II shows the culmination of these literary genres within the single period known as the New Kingdom (1550-1080 B.C.). With a new foreword by Hans-W. Fischer-Elfert. Volume III spans the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. With a new foreword by Joseph G. Manning.
A wide-ranging anthology of essays that examine the uses, purposes and influence of religious language. It is said that words are like people: One can encounter them daily yet never come to know their true selves. This volume examines what words are—how they exist—in religious phenomena. Going beyond the common idea that language merely describes states of mind, beliefs, and intentions, the book looks at words in their performative and material specificity. The contributions in this volume examine and employ a number of linguistic and semiotic ideologies. They develop the insight that our implicit assumptions about language guide the way we understand and experience religious phenomena. They also explore the possibility that insights about the particular status of religious utterances may in turn influence the way we think about words in our language.
"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole. Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as the body being torn apart, as social isolation, the notion of the court of the dead, the dead body, the mummy, the soul and ancestral spirit of the dead, death as separation and transition, as homecoming, and as secret. Death and Salvation in Ancient Egypt also includes a fascinating discussion of rites that reflect beliefs about death through language and ritual.