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This unique collection has been designed and formatted to the highest digital standards. The edition incorporates an active table of contents, interactive footnotes and all other information relevant to the content which makes the reading experience meticulously organized and enjoyable. A General History of the Pirates contains biographies of early 18th century pirates, which was influential in shaping popular conceptions of pirates. It is the prime source for the biographies of many well-known pirates and the author sticks close to the available sources. The History of the Pirates is a sequel to A General History of the Pyrates and it is considered one of Defoe's most remarkable neglected works. In this volume Defoe records the exploits of pirates who lived a few decades earlier. The book has been hugely influential in shaping popular notions of piracy. The King of Pirates is supposed to be an account of the pirate Henry Avery, known by contemporaries as "The Arch Pirate" and "The King of Pirates", and widely believed stories of Avery's pirate republic. Avery's account is presented in two long letters written by himself, one in Madagascar, and the other during the escape. The Pirate Gow is an account of John Gow, a notorious pirate whose short career was immortalized by Defoe. Gow had a successful career as a pirate around the Iberian Peninsula, but he was captured and hanged in London. Gow also served as the model for Captain Cleveland in Sir Walter Scott's novel The Pirate. Daniel Defoe (1660-1731), was an English writer, journalist, and spy, most famous for his novel Robinson Crusoe. Defoe is noted for being one of the earliest proponents of the novel, and he is considered one of the founders of the English novel.
Come along on a great pirate adventure with hand-picked literary classics and true stories about the legendary outlaws: History of the Robberies and Murders of the Most Notorious Pirates (Captain Charles Johnson) The Book of Buried Treasure The Pirates' Own Book Treasure Island (R. L. Stevenson) Captain Blood (Rafael Sabatini) Sea Hawk (Sabatini) Blackbeard: Buccaneer (R. D. Paine) Pieces of Eight (Le Gallienne) Captain Singleton (Defoe) Gold-Bug (Edgar Allan Poe) Hearts of Three (Jack London) The Dark Frigate (C. B. Hawes) Isle of Pirate's Doom (Robert E. Howard) Swords of Red Brotherhood (Howard) Queen of Black Coast (Howard) Black Vulmea (Howard) Afloat and Ashore (James F. Cooper) Homeward Bound (Cooper) Red Rover (Cooper) Facing the Flag (Jules Verne) Pirate Gow (Daniel Defoe) The King of Pirates (Defoe) The Pirate (Walter Scott) Rose of Paradise (Howard Pyle) Captain Sharkey (Arthur Conan Doyle) The Pirate (Frederick Marryat) Three Cutters (Marryat) Madman and the Pirate (R. M. Ballantyne) The Offshore Pirate (F. Scott Fitzgerald) Martin Conisby's Vengeance (J. Farnol) Coral Island (Ballantyne) Pirate of Panama (W. M. Raine) Under the Waves (Ballantyne) Pirate City (Ballantyne) Gascoyne (Ballantyne) Captain Boldheart (Dickens) The Ways of the Buccaneers (J. Masefield) Master Key (L. Frank Baum) Black Bartlemy's Treasure (J. Farnol) A Man to His Mate (J. Allan Dunn) Tales of the Fish Patrol (Jack London) Barbarossa—King of the Corsairs (E. H. Currey) Robinson Crusoe (Defoe) Jim Davis (J. Masefield) Peter Pan and Wendy (J. M. Barrie) Mysterious Island (Jules Verne) Count of Monte Cristo (Dumas) Ghost Pirates (W. H. Hodgson) The Pagan Madonna (H. MacGrath) A Pirate of the Caribbees (H. Collingwood) The Pirate Island (H. Collingwood) The Devil's Admiral (F. F. Moore) The Pirate of the Mediterranean (W. H. G. Kingston) The Black Buccaneer (Stephen W. Meader) The Third Officer (P. Westerman) Narrative of the Capture of the Ship Derby ...
Postmodern Pirates offers a comprehensive analysis of Disney’s Pirates of the Caribbean series and the pirate motif through the lens of postmodern theories. Susanne Zhanial shows how the postmodern elements determine the movies’ aesthetics, narratives, and character portrayals, but also places the movies within Hollywood’s contemporary blockbuster machinery. The book then offers a diachronic analysis of the pirate motif in British literature and Hollywood movies. It aims to explain our ongoing fascination with the maritime outlaw, focuses on how a text’s cultural background influences the pirate’s portrayal, and pays special attention to the aspect of gender. Through the intertextual references in Pirates of the Caribbean, the motif’s development is always tied to Disney’s postmodern movie series.
Piracy and smuggling are as great a problem today as they were several hundreds of years ago. The studies in Elusive Pirates, Pervasive Smugglers, for the first time, carefully describe and critically analyze piracy and smuggling in the Greater China Seas region from the sixteenth century to the present. Because piracy and smuggling involve complex historical processes that are still evolving, to fully understand contemporary problems it is important to place them in larger historical and comparative perspectives. The essays in this book add significantly to the scholarship on East and Southeast Asian history, and in particular to the maritime history of the region we call the Greater China Seas. This is the first book to analyze the whole region from Japan to Southeast Asia as a single, integrated historical and geographical area. This book takes a radical departure from the standard terracentered histories to place the seas at the center rather than at the margins of our inquiries. By focusing on the water we are better able to stitch together the diverse histories of Japan, China, and Southeast Asia. The contributors to this anthology show that, although often dismissed as historically unimportant, pirates and smugglers have in fact played significant roles in the development of the modern world. Elusive Pirates, Pervasive Smugglers should appeal to undergraduate and graduate students in history and Asian studies, as well as to general readers interested in pirates and maritime history.
A retelling of Robert Louis Stevenson’s Treasure Island, Pussy, King of the Pirates is a dizzyingly imaginative foray through world history, literature, and language itself.
Twenty-five-year-old Jack Sparrow is a clean-cut merchant seaman pursuing a legitimate career as a first mate for the East India Trading Company. He sometimes thinks back to his boyhood pirating days, but he doesn't miss Teague's scrutiny or the constant threat of the noose. Besides, he doesn't have much choice—he broke the Code when he freed a friend who had been accused of rogue piracy, and he can no longer show his face in Shipwreck Cove. When Jack's ship is attacked by pirates and his captain dies in the altercation, he suddenly finds himself in command.
This Is A Story Of Seas Piracy On The High In The East, Its Affect On Trade Conajee Angria Of Maharashtra, The East India Company Etc. First Published In 1907 This Is A Reprint Dated 1992. Without Dustjacket In Very Good Condition.
NEW YORK TIMES BESTSELLER • “An engaging romp guaranteed to please . . . perfectly written in the style of Sir Arthur Conan Doyle.”—USA Today In England’s young silent-film industry, the megalomaniacal Randolph Fflytte is king. But rumors of criminal activities swirl around his popular movie studio. At the request of Scotland Yard, Mary Russell travels undercover to the set of Fflytte’s latest cinematic extravaganza, Pirate King. Based on Gilbert and Sullivan’s The Pirates of Penzance, the project will either set the standard for moviemaking for a generation . . . or sink a boatload of careers. As the company starts rehearsals in Lisbon, the thirteen blond-haired, blue-eyed actresses whom Mary is chaperoning meet the swarm of real buccaneers Fflytte has recruited to provide authenticity. But when the crew embarks for Morocco and the actual filming, Russell senses ominous currents of trouble: a derelict boat, a film crew with many secrets, decks awash with budding romance—and now the pirates are ignoring Fflytte and answering only to their outlaw leader. Where can Sherlock Holmes be? As movie make-believe becomes true terror, Russell and Holmes themselves may experience a final fadeout. Features Laurie R. King’s short story Beekeepers for Beginners and an excerpt from Garment of Shadows.