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The Book of Wonder is one of Lord Dunsany’s many collections of fantasy short stories. While many of his collections were illustrated, this particular one is different—the illustrations were completed first. Dunsany then used the illustrations as inspirations for the stories around them. This collection features fourteen short stories, all of them whimsical, imaginative, and deeply strange. Dunsany writes stories that don’t always have a happy ending, and these are no exception—though they’re written in an almost fairytale or allegorical style, they each have a melancholy, vengeful, or even mad edge to them.
An inspiration to many for his style and prose, Lord Dunsany was a pioneer for fantasy fiction, inspiring such famous writers as H. P. Lovecraft, J. R. R. Tolkien, and Neil Gaiman to name a few. Over sixty years since its first publication, The Last Revolution is now once again available to readers. In a time before computers were a mainstay of our lives, Lord Dunsany tells the story which takes place in England about the revolution of self-reproducing machines. Known to have a profound distaste for the Industrial Revolution, The Last Revolution touches on a topic we know all too well today: What happens if the computers take over? “Good morning Pender. I hear you have made a Frankenstein.” This is the line that narrator Pender hears from an inventor, and is soon playing a robot in a game of chess. Pender’s mood changes when he realizes that the computer he’s facing has an intelligence far superior to his own. From the introduction of the robots, a tense atmosphere is noted as the robots fight for attention of their owners. Will these machines be able to coexist with their household counterparts, or will they rise as one and take the first steps against humanity? Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.
From “one of the greatest writers of this century,” a fantasy masterpiece about the aftermath of a marriage between a mortal prince and an elfin princess. —Arthur C. Clarke Before the fellowships and wardrobes and dire wolves . . . . . . there was the village of Erl and the Kingdom of Elfland. Considered formative to the development of the fairy tale and high fantasy subgenres, The King of Elfland's Daughter follows Alveric, who leaves home on a quest with a few basic instructions: locate the Princess Lirazel in Elfland, convince her to return to Erl and marry him, and together produce the first magical Lord of Erl. But what happens when a village gets exactly what it asked for? How does an elf learn to live as a human? Is love lost once, lost forever? The people of Erl are about to find out. Take a walk through the fields we know and see if you can spot the pale-blue peaks of the Elfland Mountains. Fans of J. R. R. Tolkien, C. S. Lewis, and Neil Gaiman will adore Lord Dunsany’s influential 1924 classic as much as those authors themselves did. “No amount of mere description can convey more than a fraction of Lord Dunsany's pervasive charm.” —H. P. Lovecraft “We find that he has but tranfigured with beauty the common sights of the world.” —William Butler Yeats “No one can understand modern fantasy without understanding its roots, and Lord Dunsany's work is immediately significant as well as enjoyable even today.” —Katharine Kerr “A fantasy novel in a class with the Tolkien books.”—L. Sprague de Camp
A Tale of London Thirteen at Table The City on Mallington Moor Why the Milkman Shudders When He Perceives the Dawn The Bad Old Woman in Black The Bird of the Difficult Eye The Long Porter's Tale The Loot of Loma The Secret of the Sea How Ali Came to the Black Country (audiobook) The Bureau d'Echange de Maux A Story of Land and Sea A Tale of the Equator A Narrow Escape The Watch-tower How Plash-Goo Came to the Land of None's Desire The Three Sailors' Gambit The Exiles Club The Three Infernal Jokes
This Is A New Release Of The Original 1915 Edition.
An old woman who spends her days scrubbing the floors might be an unlikely damsel in distress, but Lord Dunsany proves once again his mastery of the fantastical. The Charwoman's Shadow is a beautiful tale of a sorcerer's apprentice who discovers his master's nefarious usage of stolen shadows, and vows to save the charwoman from her slavery.
Time and the Gods is the second book by Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others.The book was first published in hardcover by William Heinemann in September, 1906, and has been reprinted a number of times since. It was issued by the Modern Library in an unauthorised combined edition with The Book of Wonder under the latter's title in 1918.
This collection of new essays and reprints of significant articles provides a comprehensive picture of Lord Dunsany's contribution to fantasy fiction and world literature. These essays make a case for the continued study of this neglected but hugely influential writer.
In his classic study Supernatural Horror in Literature, H. P. Lovecraft discusses the emergence of what he called spectral literature—literature that involves the gothic themes of the supernatural found in the past but also considers modern society and humanity. Beyond indicating how authors of such works derived pleasure from a sense of cosmic atmosphere, Lovecraft did not elaborate on what he meant by the term spectral as a form of haunted literature concerned with modernity. In Lord Dunsany, H. P. Lovecraft, and Ray Bradbury: Spectral Journeys, William F. Touponce examines what these three masters of weird fiction reveal about modernity and the condition of being modern in their tales. In this study, Touponce confirms that these three authors viewed storytelling as a kind of journey into the spectral. Furthermore, he explains how each identifies modernity with capitalism in various ways and shows a concern with surpassing the limits of realism, which they see as tied to the representation of bourgeois society. The collected writings of Lord Dunsany, H. P. Lovecraft, and Ray Bradbury span the length of the tumultuous twentieth century with hundreds of stories. By comparing these authors, Touponce also traces the development of supernatural fiction since the early 1900s. Reading about how these works were tied to various stages of capitalism, one can see the connection between supernatural literature and society. This study will appeal to fans of the three authors discussed here, as well as to scholars and others interested in the connection between literature and society, criticism of supernatural fiction, the nature of storytelling, and the meaning and experience of modernity.