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Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.
As heard on NPR's "Science Friday," discover the book recommended by Malcolm Gladwell, Susan Cain, Daniel Pink, and Adam Grant: an "accessible, informative, and hilarious" introduction to the weird and wonderful world of artificial intelligence (Ryan North). "You look like a thing and I love you" is one of the best pickup lines ever . . . according to an artificial intelligence trained by scientist Janelle Shane, creator of the popular blog AI Weirdness. She creates silly AIs that learn how to name paint colors, create the best recipes, and even flirt (badly) with humans—all to understand the technology that governs so much of our daily lives. We rely on AI every day for recommendations, for translations, and to put cat ears on our selfie videos. We also trust AI with matters of life and death, on the road and in our hospitals. But how smart is AI really... and how does it solve problems, understand humans, and even drive self-driving cars? Shane delivers the answers to every AI question you've ever asked, and some you definitely haven't. Like, how can a computer design the perfect sandwich? What does robot-generated Harry Potter fan-fiction look like? And is the world's best Halloween costume really "Vampire Hog Bride"? In this smart, often hilarious introduction to the most interesting science of our time, Shane shows how these programs learn, fail, and adapt—and how they reflect the best and worst of humanity. You Look Like a Thing and I Love You is the perfect book for anyone curious about what the robots in our lives are thinking. "I can't think of a better way to learn about artificial intelligence, and I've never had so much fun along the way." —Adam Grant, New York Times bestselling author of Originals
Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.
"Dion Graham's confident, enthusiastic narration powerfully depicts a young African-American boy who is beginning to identify who he is in the world. Quincy Tyler Bernstine adds a dynamic array of female voices. No detail is overlooked in this production.... Realistic sound effects link the audio to the pictures and reflect the story's urban setting."-AudioFile
Eli Bell is the only son of a police chief inspector and a forensic scientist. He's grown up wonky in a world that only deals with the straight and narrow -- and his new boyfriend isn't helping. Rob Hawkes is six feet of muscle, tattoos, and arrest warrants. A career criminal and a former guest of Her Majesty's Prison Service, he'd rather hit Eli's parents than sit down to dinner with them. One wrong move, and Rob could destroy Eli -- and his family -- without a second thought. But this isn't what it looks like. Rob's not in control here -- and Eli's the one to blame.
“A high-speed story that will draw teens in and keep them turning pages until they reach the unpredictable and thrilling ending. A must for YA collections.” (School Library Journal) A 2022 NAACP Image Award for Outstanding Literary Work nominee and a 2022 Edgar Award nominee, this timely, gripping teen novel is about a boy who must take up the search for his sister when she goes missing from a neighborhood where Black girls’ disappearances are too often overlooked, from debut author Pamela Harris. Perfect for fans of Jason Reynolds and Tiffany D. Jackson. When you look like us—brown skin, brown eyes, black braids or fades—everyone else thinks you’re trouble. No one even blinks twice over a missing Black girl from public housing because she must’ve brought whatever happened to her upon herself. I, Jay Murphy, can admit that, for a minute, I thought my sister Nicole just got caught up with her boyfriend—a drug dealer—and his friends. But she’s been gone too long. Nic, where are you? If I hadn’t hung up on her that night, she would be at our house, spending time with Grandma. If I was a better brother, she’d be finishing senior year instead of being another name on a missing persons list. It’s time to step up, to do what the Newport News police department won’t. Bring her home. Also a 2022 ALA Notable Book for a Global Society Award winner!
Divided into five chapters and illustrated by kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms. this is the recipe of life said my mother as she held me in her arms as i wept think of those flowers you plant in the garden each year they will teach you that people too must wilt fall root rise in order to bloom
DO YOU WANT TO BE SEEN AS SOMEONE WHO CAN MAKE IT TO THE VERY TOP? IS DRESSING FOR WORK STRESSFUL? COULD WHAT YOU WEAR BE HOLDING YOU BACK? Like it or not, how you present yourself plays a hugely important role in your career success. In Look Like the Leader You Are, Personal Brand Stylist and Style Coach, Lizzie Edwards, enables you to create an effortless and stylish work wardrobe by sharing her proven 7 Rs process. This updated second edition of Lizzie's bestselling book features practical style, wardrobe and shopping tips and activities, designed with ambitious working women in mind. You will learn how to dress for success and: - FIND YOUR OWN SIGNATURE STYLE - MAKE YOUR MORNINGS STRESS-FREE - SHOP SMARTLY TO SUIT YOUR GOALS, STYLE & BUDGET - FEEL MORE CONFIDENT - LOOK LIKE THE LEADER YOU ARE! The ultimate practical work style manual. Every working woman needs this book in her life Alice Olins, Founder, e Step Up Club Lizzie's technique is accessible, her advice empowering and her dedication to advancing other women is inspiring Lara Holliday, Founder & CEO, Tide Risers
In spare, understated prose heightened by a keen lyricism, a debut author will take your breath away. A new state, a new city, a new high school. Mike’s father has already found a new evangelical church for the family to attend, even if Mike and his plainspoken little sister, Toby, don’t want to go. Dad wants Mike to ditch art for sports, to toughen up, but there’s something uneasy behind his demands. Then Mike meets Sean, the new kid, and “hey” becomes games of basketball, partnering on a French project, hanging out after school. A night at the beach. The fierce colors of sunrise. But Mike’s father is always watching. And so is Victor from school, cell phone in hand. In guarded, Carveresque prose that propels you forward with a sense of stomach-dropping inevitability, Rafi Mittlefehldt tells a wrenching tale of first love and loss that exposes the undercurrents of a tidy suburban world. Heartbreaking and ultimately life-affirming, It Looks Like This is a novel of love and family and forgiveness—not just of others, but of yourself.
After ten years of talking about having children, two years of trying (and failing) to conceive, and one shot of donor sperm for her partner, Amie Miller was about to become a mother. Or something like that. Over the next nine months, as her partner became the biological mom-to-be, Miller became . . . what? Mommy’s little helper? A faux dad? As a midwestern, station wagon–driving, stay-at-home mom—and as a nonbiological lesbian mother—Miller both defines and defies the norm. Like new parents everywhere, she wrestled with the anxieties and challenges of first-time parenthood but experienced pregnancy and birth only vicariously. Part love story, part comedy, part quest, Miller’s candid and often humorous memoir is a much-needed cultural roadmap for becoming a parent, even when the usual categories do not fit.