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This text illuminates the oral traditions of the Philippines and the convergence of capitalism and the indigenous spirit world. The author examines the social relations, cultural meanings and political struggles surrounding the rise of sugar haciendas on Negros during the late Spanish colonial period, and their subsequent transformation under the aegis of the American colonial state. Drawing on oral history, interviews and a wide array of sources culled from archives in Spain, the United States, the United Kingdom and the Philippines, the author reconstructs the emergence of a sugar-planter class and its strategic maneuvers to attain hegemony. The book portrays local actors taking an active role in shaping the external forces that impinge on their lives. It examines hacienda life from the indigenous perspective of magic and spirit beliefs, reinterpreting several critical phases of Philippine history in the process. By analyzing mythic tales as bearers of historical consciousness, the author explores the complex interactions between local culture, global interventions, and capitalist market forces.
The Historical Dictionary of the Philippines, Third Edition contains a chronology, an introductory essay, an extensive bibliography, and several hundred cross-referenced dictionary entries.
Isabelo’s Archive reenacts El Folk-Lore Filipino (1889), Isabelo de los Reyes’s eccentric but groundbreaking attempt to build an “archive” of popular knowledge in the Philippines. Inspired by Isabelo’s ghostly project, this collection mixes essays, vignettes, extracts, and notes on Philippine history and culture... Blending the literary and the academic, wondrously diverse in its range, it has many gems to offer the reader.
This book focuses on the written heritage of Muslims in the Philippines, the historical constitution of chancelleries within the Islamic sultanates, and the production of official letters to conduct local and international diplomacy. The standard narrative on Muslims in the Philippines is one that centres political and armed struggles within the region. However, two important aspects remain unattended: the cultural and intellectual production of the sultanates, and the Moro involvement in Southeast Asian Islamic civilization. This book connects the development and personality of the Philippine sultanates into the regional context of local communities that adopted an international faith. Political alliances and religious missions altered different ethnolinguistic groups and furnished them with the Word, the Qur’anic message, and the Arabic script. Indeed, customary orality and Adab shaped a way of being and acting modelled after what was called the Bichara. Particularly, the book studies the Moro Letter as cultural craft with political meaning, and Jawi heritage in the Philippines. A general catalogue of Jawi manuscripts from the National Archives of the Philippines is provided as appendix.
Philippines is a country in Southeast Asia with a rich history and culture influenced by both East and West. Dive right in the most popular tales of mystery, wonder, imagine from the Pearl of the Orient. From the origins of the Philippine mythology to the recent urban legends this book has can induce wonder and raise more questions than answers. This book is a part of the 5 book series that chronicles the fringes of world history, the Library of Most Controversial Files.
Named one of BBC History Magazine's "Books of the Year" in 2010 In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines and in propelling the work of Roman Catholic missionaries in neighboring territories. Manila's religious institutions resounded with sumptuous vocal and instrumental performances, while an annual calendar of festivities brought together many musical traditions of the indigenous and immigrant populations in complex forms of artistic interaction and opposition. Multiple styles and genres coexisted according to strict regulations enforced by state and ecclesiastical authorities, and Irving uses the metaphors of European counterpoint and enharmony to critique musical practices within the colonial milieu. He argues that the introduction and institutionalization of counterpoint acted as a powerful agent of colonialism throughout the Philippine Archipelago, and that contrapuntal structures were reflected in the social and cultural reorganization of Filipino communities under Spanish rule. He also contends that the active appropriation of music and dance by the indigenous population constituted a significant contribution to the process of hispanization. Sustained "enharmonic engagement" between Filipinos and Spaniards led to the synthesis of hybrid, syncretic genres and the emergence of performance styles that could contest and subvert hegemony. Throwing new light on a virtually unknown area of music history, this book contributes to current understanding of the globalization of music, and repositions the Philippines at the frontiers of research into early modern intercultural exchange.
The first comprehensive study of Spanish writings on East and Southeast Asia from the Spanish colonial period, They Need Nothing draws attention to many essential but understudied Spanish-language texts from this era. Robert Richmond Ellis provides an engaging, interdisciplinary examination of how these writings depict Asia and Asians as both similar to and different from Europe and Europeans, and details how East and Southeast Asians reacted to the Spanish presence in Asia. They Need Nothing highlights texts related to Japan, China, Cambodia, and the Philippines, beginning with Francis Xavier's observations of Japan in the mid-sixteenth century and ending with José Rizal's responses to the legacy of Spanish colonialism in the late nineteenth century. Ellis provides a groundbreaking expansion of the geographical and cultural contours of Hispanism that bridges the fields of European, Latin American, and Asian Studies.