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A critical appraisal of John Steinbeck
It's been two months since Travis's family moved to a development so new that it seems totally unreal. His parents are working harder now, to pay for it all, and Travis is left to fend for himself. There's one place, though, where Travis can still connect with his old life: the Salinas library. Travis and his family used to go there together every Saturday, but now he bikes to it alone, re-reading his favorite books. It's only natural that Travis likes the work of author John Steinbeck—after all, Salinas is Steinbeck's hometown. But that can't explain why Travis is suddenly seeing Steinbeck's characters spring to life. There's the homeless man in the alley behind the library, the line of figures at the top of a nearby ridge, the boy who writes by night in an attic bedroom. Travis has met them all before—as a reader. But why are they here now? And how? As Travis struggles to solve this mystery, budget cuts threaten his library. And so, he embarks on a journey through Steinbeck's beautiful California landscape, looking for a way to save his safe haven. It's only then that he begins to sort out fact from fiction, discovering the many ways a story can come alive—and stumbling into a story Steinbeck might have started, and Travis needs to complete. Here is a mystery that delves deeply into the ways that books take us, one at a time, out into the vast world.
"Steinbeck falsified his trip. I am delighted that you went deep into this." -- Paul Theroux, Author of "Deep South" and "The Tao of Travel""No book gave me more of a kick this year than Bill Steigerwald's investigative travelogue 'Dogging Steinbeck.'" -- Nick Gillespie, editor-in-chief of Reason.com"... a wry, wistful, but never angry tale about a great literary deception that lasted way too long." -- Pittsburgh Post-Gazette"... an idol-slaying travelogue of truth.' -- Shawn Macomber, The Weekly StandardFirst journalist Bill Steigerwald took John Steinbeck's classic "Travels With Charley" and used it as a map for his own cross-country road trip in search of America. Then he proved Steinbeck's iconic nonfiction book was a 50-year-old literary fraud. A true story about the triumph of truth.Bill Steigerwald had a brilliant plan for showing how much America has changed in the last half century -- or so he thought. He'd simply retrace the 10,000-mile route John Steinbeck took around the USA in 1960 for his beloved bestseller "Travels With Charley." Then he'd compare the America he saw with the country Steinbeck described in his classic road book. But when the intrepid ex-newspaperman from Pittsburgh started researching Steinbeck's trip he uncovered a shocking literary scoop. Steinbeck's iconic nonfiction book was a fraud. "Travels With Charley" was not just full of fiction. It was a deceptive and dishonest account of the great novelist's actual road trip. Steigerwald made his own road trip exactly 50 years after Steinbeck did. Chasing and fact-checking Steinbeck's ghost for 11,276 miles and 43 days, meeting hundreds of ordinary Americans, often sleeping in the back of his car in Wal-Mart parking lots, he drove from Maine to California to Texas. Despite the Great Recession and national headlines dripping with gloom and doom, Steigerwald discovered an America along the Steinbeck Highway that was big, empty, rich, safe, clean, prosperous and friendly. He didn't just reaffirm his faith in America to withstand the long train of abuse from Washington and Wall Street, however. He also exposed the half-century-old myths of "Travels With Charley," ruffled the PhDs of the country's top Steinbeck scholars and forced "Charley's" publisher to finally tell the truth. Steigerwald is a well-traveled journalist and veteran libertarian columnist. With the spirit of a teenage driver, a dogged pursuit of the facts and a refreshing point of view about America proudly located in the heart of Flyover Country not Manhattan, he spins the story of his ride with Steinbeck's ghost into a provocative, news-making and entertaining American road book.('Travels With Charley' timeline and more at www.truthaboutcharley.comMore Praise & Critiques"I still believe John Steinbeck is one of America's greatest writers and I still love 'Travels With Charley, ' be it fact or fiction or, as Bill Steigerwald doggedly proved, both. While I disagree with a number of Steigerwald's conclusions, I don't dispute his facts. He greatly broadened my understanding of Steinbeck the man and the author, particularly during his last years. And, whether Steigerwald intended it or not, in tracking down the original draft of 'Travels With Charley' he made a significant contribution to Steinbeck's legacy. "Dogging Steinbeck" is a good honest book."-- Curt Gentry, Author of "Helter Skelter: The True Story of the Manson Murders" (with Vincent Bugliosi)I wanted ... first to express my personal admiration for the job you did. Second to tell you that you became a kind of a journalistic hero in my travel-story about Steinbeck, because you did such fantastic detailed research on the subject, and you did it alone, in sometimes-difficult circumstances.- Geert Mak, Dutch journalist/historian and author of "In America: Travels With John Steinbeck"
When Ben's girlfriend, Marly, dies, he feels his life is over. What could possibly matter now when Marly is gone? So when Valentine's Day approaches, it makes sense that this day that was once so meaningful to Ben leaves him feeling bitter and hollow. But then Marly shows up--or at least her ghost does--along with three others spirits. Now Ben must take a painful journey through Valentine's Days past, present, and future, and what he discovers will change him forever.
Over 25 short story masterpieces from writers such as Louis de Bernières and Ian Rankin - modern literary tales to chill the blood. This spine-chilling new anthology of 20th and 21st century tales by big name writers is in the best traditions of literary ghost stories. It is just a little over a hundred years ago that the most famous literary ghost story, The Turn of the Screw by Henry James, was published and in the intervening years a great many other distinguished writers have tried their hand at this popular genre - some basing their fictional tales on real supernatural experiences of their own.
Best friends Lee Jones and Joan Lee have a lot more in common besides their names. On the eve of their class trip, they each learn their parents are getting divorced. Ugh. The class trip is a dud, so Lee and Joan steal away to talk. What follows is an afternoon nap in a lighthouse, walking up to find the Golden Gate Bridge gone--gone!--and meeting a young man named Sam Clemens, who is on the run from a mysterious stranger. Lee and Joan wonder: Where are they? What year is it? Why don't their cell phones work? How will they get back? Do they even want to? Will life ever be the same?
It's 1942. The novelist John Steinbeck needs character witnesses to sign his application to carry a gun in New York. He's received a threatening phone call and feels the need for self-protection. He's a relative newcomer to the Empire State - most of his close friends live back in California, so finding people to sign could be difficult for the controversial author. Feeling time is of the essence, he begins his search for character witnesses in the idyllic village of Palisades, where he makes his home. The Application is one of sixteen tales in Steinbeck: The Untold Stories examining the emotional and psychological toll extracted for writing the truth as Steinbeck saw it, in works such as Of Mice and Men and The Grapes of Wrath. From his days in Salinas and Los Gatos and Pacific Grove on California's Monterey Peninsula to his later years in New York, we meet the people who were important in his life as well as the dark specters of those who opposed him and what he was writing. The stories look at his friends and contemporaries and those who outlived him. Henry, for instance, a boyhood pal who decades later sees John again in a visit to Henry's Salinas service station under cover of darkness. Or Lily, an old high school classmate who invites him to an impromptu reunion that turns dangerous for John and the other participants gathered in a park. Artists, too, were important in his world. The young couple he gave money to so they could explore Mexico and "learn to paint out loud." The painter, a giant of a man, who on a summer night carried Steinbeck out of his home after an argument on labor issues. The famous film actress who accompanies him on a nervous drive, from Los Angeles up the Salinas Valley in the light of day. There were those who had little or no contact with him but were influenced and moved by his work. Beau, a charismatic chainsmoking cowboy who proudly felt he inspired the creation of a Steinbeck character. The terminally ill book collector Paul, who finds temporary escape from his worries and responsibilities by searching for Steinbeck first editions. The wanderer Bill who arrives in Monterey and is befriended by those who knew Steinbeck and instruct him in the legacy. Or the gentle woman who looks back seventy years recalling her famous marine biologist father's relationship with the writer - as well as with his own children. These and other stories are further brought to life by the gritty, character-driven illustrations of artist C. Kline. Images such as John's mother Olive gathering flowers while remembering a sad day in her youth. A young sailor off an aircraft carrier drinking with two American strangers in a Greek bar while a political coup is underway. A Big Sur trapper tearfully parting with a mountain lion named Flora. Or the writer explaining to a ghost he has no home and never did. These stories and characters provide pathos and humor to the portrait of a great writer dealing with his memories and fears. And - as Steinbeck once described it in a letter to a friend - the powerful desire to begin again and return to the ocean tide pools and star-gazing of his youth.
Meg Pickel's older brother, Orion, has disappeared. One night, she steals out to look for him, and makes two surprising discoveries: She stumbles upon a séance that she suspects involves Orion, and she meets the author Charles Dickens, also unable to sleep, and roaming the London streets. He is a customer of Meg's father, who owns a print shop, and a family friend. Mr. Dickens fears that the children of London aren't safe, and is trying to solve the mystery of so many disappearances. If he can, then perhaps he'll be able to write once again. With stunning black-and-white illustrations by Greg Ruth, here is a literary mystery that celebrates the power of books, and brings to life one of the world's best-loved authors.
Derek Stone realizes that to stop the undead Legion army from preying on those around him he must close the Rift, which allows the dead to enter the world of the living.
Winner of the 2021 Los Angeles Times Book Prize for Biography A Publishers Weekly Best Book of 2020 in Nonfiction A resonant biography of America’s most celebrated novelist of the Great Depression. The first full-length biography of the Nobel laureate to appear in a quarter century, Mad at the World illuminates what has made the work of John Steinbeck an enduring part of the literary canon: his capacity for empathy. Pulitzer Prize finalist William Souder explores Steinbeck’s long apprenticeship as a writer struggling through the depths of the Great Depression, and his rise to greatness with masterpieces such as The Red Pony, Of Mice and Men, and The Grapes of Wrath. Angered by the plight of the Dust Bowl migrants who were starving even as they toiled to harvest California’s limitless bounty, fascinated by the guileless decency of the downtrodden denizens of Cannery Row, and appalled by the country’s refusal to recognize the humanity common to all of its citizens, Steinbeck took a stand against social injustice—paradoxically given his inherent misanthropy—setting him apart from the writers of the so-called "lost generation." A man by turns quick-tempered, compassionate, and ultimately brilliant, Steinbeck could be a difficult person to like. Obsessed with privacy, he was mistrustful of people. Next to writing, his favorite things were drinking and womanizing and getting married, which he did three times. And while he claimed indifference about success, his mid-career books and movie deals made him a lot of money—which passed through his hands as quickly as it came in. And yet Steinbeck also took aim at the corrosiveness of power, the perils of income inequality, and the urgency of ecological collapse, all of which drive public debate to this day. Steinbeck remains our great social realist novelist, the writer who gave the dispossessed and the disenfranchised a voice in American life and letters. Eloquent, nuanced, and deeply researched, Mad at the World captures the full measure of the man and his work.