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About the Book Looking for Picasso in All the Wrong Places by retired art dealer, Ivan “Googie” Parks Jr., is a memoir of how a Chicago cowboy became an art dealer! He shares his unique experiences of how his Chicagoland Cowboy upbringing prepared him to solve modern art’s oldest secret! For the first time ever, read the amazing story of a young horseman’s inadvertent discovery that paralleled the answers to Picasso’s unasked questions for the sources of the Master’s unknown mysterious models! Parks reveals Picasso’s own Communistic origins he claims to have discovered being used to compare to the murder scenes from Chicago connected events! He presents a collection of fifty-three photographs from his Cowboy life which he claims accidently helped him explain what the seemingly secret subjects Picasso selected for the unknown gifts for the 1968 “347 Suite Gravures” exhibit were developed from accrual events taken place as Picasso drew the subjects from newspaper accounts as they happened. A young Parks uses his early Chicago cowboy experiences to help illuminate the Equine characters populating the selected sequenced forty-eight serials constructed from Picasso’s artwork into Ivan’s arranged expose! He uses his uniquely devised new linking process for creating a devastating revelation in a new serialization technique which is formulated while finding out Picasso has borrowed serial events from Chicago’s historical past. His findings lead to the beginning of a better understanding of Picasso’s formerly mysterious Cubistic World as he struck a lucky deal to save his Rock n Roll Dude Ranch while selling art in the Merrill Chase Chicagoland Art Gallery chain! Ivan reveals the explicit reasons of how he helped remove the “Erotic Suite” from the “347 Series Gravures” Exhibit while discovering a surprise Chicago connection illustrating two Democratic Presidential Conventions of 1960 and 1968 silently selected by Picasso! You will marvel as he discusses the reasons explaining the heretofore unknown why Picasso gave the “Sculpture Puzzle”, the “Bizarre Etching Exhibit”, and the $100,000 “Commission Check” to the Art Institute of Chicago! Parks also divulges a curious set of parallel dimensions between the “Daley Plaza Sculpture”, the “Guernica Mural”, and a mock-up of a “St. Valentine’s Day Crime Scene Measurement Recreation” which has never been examined or explored publicly before! He also explores the timely similarities in the recreations from the April 4, 1968, murder scene used by Picasso for his own version of the day before and the day of the Memphis Motel “Balcony Crime Scene” about the murder of Dr. Martin L. King Jr. You will marvel at the intricate collection of evidence linking Picasso imagery to Capone Era Chicago Beer Wars events. He further connects other similar historical sneak attack and matching alibi models for the St. Valentine’s murders and aligns them with selected communist conflicts with fascist leaders matching Picasso Eras which Ivan implicates Picasso in stealing Chicago Connections for his seemingly unknown art subjects! You’ll decide if the evidence in Parks’s Crazy Chicago Cowboy Discovery Trail proves his findings or if Parks twisted Picasso’s imagery into his own new Secret Chicago Connections. Either way the events took place just before Picasso drew his seemingly unconnected version of the infamous imagery!
A Schneider Family Book Award Honor Book for Teens "Raw and unflinching . . . A must-read!" --Marieke Nijkamp, #1 New York Times-bestselling author of This Is Where It Ends "[It] cuts to the heart of our bogus ideas of beauty." –Scott Westerfeld, #1 New York Times-bestselling author of Uglies I am ugly. There's a mathematical equation to prove it. At only eight months old, identical twin sisters Ariel and Zan were diagnosed with Crouzon syndrome -- a rare condition where the bones in the head fuse prematurely. They were the first twins known to survive it. Growing up, Ariel and her sister endured numerous appearance-altering procedures. Surgeons would break the bones in their heads and faces to make room for their growing organs. While the physical aspect of their condition was painful, it was nothing compared to the emotional toll of navigating life with a facial disfigurement. Ariel explores beauty and identity in her young-adult memoir about resilience, sisterhood, and the strength it takes to put your life, and yourself, back together time and time again.
The highly anticipated debut novel from Kae Tempest--acclaimed poet, playwright, rapper, and recording artist--proves their talent to be boundless and unstoppable. Becky, Harry, and Leon are leaving London in a fourth-hand Ford with a suitcase full of stolen money, in a mess of tangled loyalties and impulses. But can they truly leave the city that's in their bones? Kae Tempest's novel reaches back through time--through tensely quiet dining rooms and crassly loud clubs--to the first time Becky and Harry meet. It sprawls through their lives and those they touch--of their families and friends and faces on the street--revealing intimacies and the moments that make them. And it captures the contemporary struggle of urban life, of young people seeking jobs or juggling jobs, harboring ambitions and making compromises. The Bricks that Built the Houses is an unexpected love story. It's about being young, but being part of something old. It's about how we become ourselves, and how we effect our futures. Rich in character and restless in perspective, driven by ethics and empathy, it asks--and seeks to answer--how best to live with and love one another. Kae Tempest, a major talent in the poetry and music worlds, sits poised to become a major novelist as well.
A Silent Tsunami is a unique combination of memoir and medicine – Rowan forensically examines the development of her mother's illness and explores dementia in a frank but illuminating, lyrical and moving way. 'By turns, warm, reflective, angry, but always moving... the perfect balance between scientific context and the mother-daughter narrative' Professor Craig Ritchie, University of St Andrews 'Anthea captures so eloquently the tug of war between a daughter and her mother "who is being erased"' Manni Coe, author of the bestselling brother. do. you. love. me. Anthea Rowan writes about her mother's struggles of living with Dementia, while interpreting the science that surrounds this devestating illness. Grounded in personal observation, she casts an unflinching eye on the realities of living with a mother who has forgotten her daughter and a determination that her children will not face the same. There is hope here, too. As a portratyal of the relationships we share with our mothers, an examinaion of their influences on us, as well as asking questions about how illness impacts lives, A Silent Tsunami is a powerful story of family, life, love and loss.
The Late Modernist Novel explores how the novel reinvented itself for a Modernist age, a world riven by war and capitalist expansion. Seo Hee Im argues that the Anglophone novel first had to disassociate itself from the modern nation-state and, by extension, national history, which had anchored the genre from its very inception. Existing studies of modernism show how the novel responded to the crisis in the national idea. Polyglot high modernists experimented with cosmopolitanism and multilingualism on the level of style, while the late modernists retreated to a literary nativism. This book explores a younger generation of writers that incorporated empirical structures as theme and form to expand the genre beyond the nation-state.
Just about every human being knows how to listen to music, but what does it take to make music? Is musicality something we are born with? Or a skill that anyone can develop at any time? If you don't start piano at the age of six, is there any hope? Is skill learning best left to children or can anyone reinvent him-or herself at any time? For anyone who has ever set out to play a musical instrument—or wished that they could—Guitar Zero is an inspiring and fascinating look at the pursuit of music, the mechanics of the mind, and the surprising rewards that come from following one’s dreams. Gary Marcus, whom Steven Pinker describes as “one of the deepest thinkers in cognitive science,” debunks the popular theory that there is an innate musical instinct while challenging the idea that talent is only a myth. From deliberate and efficient practicing techniques to finding the right music teacher, Marcus translates his own experience—as well as reflections from world-renowned musicians—into practical advice for anyone hoping to become musical or learn any new skill.
“A valuable resource for learning or renewing your art skills... With the book as a guide, my granddaughter and I enjoyed painting watercolors together. Cori Schaff makes the fundamentals fun.” -Carol Strickland, PHD, author of The Annotated Mona Lisa: A crash course in Art History from Prehistoric to Post-Modern The world is becoming more visual, inspired by technology that continually provides more ways to communicate visually. New opportunities call on us to improve our visual literacy. That means understanding what we see and being able to communicate it, the very skills this book is designed to help you acquire. Art for All Ages is unique in that it combines quality ”how-to” art instruction with self-discovery in three integrated parts: Recipes for Success The activity lessons in Art for All Ages are time-tested—selected from visual curriculum the author developed over 35-years teaching art in public schools, and privately to adults and multi-generational groups of all ages. Art history is an important component, seamlessly available within the lessons. Essential Ingredients Each Recipe for Success calls for its own Essential Ingredient, one or more art skills that you will use to complete the Recipe’s activity. Adults and adults along with children can dive into the book at any point to find inspiration, choose activities, and acquire skills in fun, “user-friendly” ways. Self-Discovery The author is passionate about nurturing the artists’ experience: an energized focus, feelings of reconnection, and centeredness that are, above all, therapeutic. Gems await you in the book’s Self-Discovery sections. Some chapters, like “Brain Facts & Your Innate Creativity,” unwrap key discoveries. Others are more inspirational, like “Mindfulness, Meditation & Art.” All explore inner benefits that this book invites you to experience. “Art for All Ages is a brilliant resource for anyone wanting to explore art making as a tool for meditation and personal growth—and so much more!” –Whitney Freya, Artist, Author of Rise Above, Free Your Mind One Brush Stroke at a Time Make a well-deserved appointment with yourself to explore your creative capabilities. Make art in the Art for All Ages way and enjoy re-igniting your artistic self.
FROM ROMANTIC NOVELIST ASSOCIATION AWARD FINALISTS CATHERINE CURZON AND ELEANOR HARKSTEAD As an unseen enemy draws near, a royal bodyguard must choose between duty and love. Risking his life to save a princess is all in a day's work for Sergeant Joe Wenlock, a Close Protection Officer detailed to protect the royal family. After months of recovery following his brush with death, Joe's ready to return to duties. But Alejandro Fuente-Sastre, as infuriating as he is fabulous, is the last royal Joe wants to be assigned to. Alejandro isn't quite the sort of the queen that the British royal family is used to, but when Joe learns that Her Majesty's step-grandson is also drag bombshell Palomo Picante, it makes his job a whole lot tougher. But is there more to Alejo than sulking and sequins? When Alejando's life is threatened by an unseen tormentor who progresses from internet trolling to arson and violence, Joe must keep his charge safe from harm. Living in close quarters with the man he shouldn't be falling for, Joe begins to discover his true self. But as Alejandro's enemy prowls ever nearer, Joe must make the impossible choice between duty and love.
Bernard Smith is widely recognised as one of Australia's leading intellectuals. Yet the recognition of his work has been partial, focused on art history and anthropology. Peter Beilharz argues that Smith's work also contains a social theory, or a way of thinking about Australian culture and identity in the world system. Smith enables us to think matters of place and cultural imperialism through the image of being not Australian so much as antipodean. Australian identities are constructed by the relationship between core and periphery, making them both European and Other at the same time. This 1997 work is a book-length analysis of Bernard Smith's work and is the result of careful and systematic research into Smith's published works and his private papers. It is both an introduction to Smith's thinking and an important interpretive argument about imperialism and the antipodes.