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"By the law of averages, I should not be around for the writing of this book, nor the subsequent ones, but it has to be said that in this life, against all the odds, there are the survivors, which is obviously the category into which I fall." On Looking Back is the first in a series of books that reveal the compelling life story of Elizabeth Dumpleton. Each chapter takes the reader on a journey, beginning with Elizabeth’s younger years, where she fondly recounts her friendships and adventures, living with her five older brothers and their single mother in the East-End. She then experiences the early death of her mother and is forced to endure a life fraught with unhappiness and danger, as she is ripped from her brothers with a sudden evacuation to the country during the war. Elizabeth lays bare her emotions, recalling each memory honestly and unashamedly. One moment the reader could be chuckling along with an amusing anecdote, before sinking into sadness as she battles the twists and turns of a war-torn life. Full of compassion, On Looking Back is an emotional read from start to finish. Fans of biographies and memoirs will find this book difficult to put down once they pick it up.
When life is funny, make some jokes about it. Billy Plimpton has a big dream: to become a famous comedian when he grows up. He already knows a lot of jokes, but thinks he has one big problem standing in his way: his stutter. At first, Billy thinks the best way to deal with this is to . . . never say a word. That way, the kids in his new school won’t hear him stammer. But soon he finds out this is NOT the best way to deal with things. (For one thing, it’s very hard to tell a joke without getting a word out.) As Billy makes his way toward the spotlight, a lot of funny things (and some less funny things) happen to him. In the end, the whole school will know -- If you think you can hold Billy Plimpton back, be warned: The joke will soon be on you!
In Look Back and Laugh, John Schmidtke laughs about the crazy things that happened in his family. The wonderful thing is that the longer ago it was and the worse it got, the funnier it gets. Is your life like that? We're talking about the silly stuff that usually ruins your day. The mistakes, misstatements, accidents, misfortunes, problems. Don't let them ruin your life! If bad things happened, it isn't because you're unlucky. It's because you're normal! Your past, the downs as well as the ups, can be a real blessing. It all depends on how you look at them. Laughter is the key. Whatever happened (ridiculous, riotous or ruinous) happened. If you can laugh at it, you can live with it. There is humor in everything. All you have to do is find it. Laughter is good medicine too. When you think back on even a bad event with laughter, it will bring a smile instead of tears or anger. It'll help you-and everyone around you-because happiness is catchy. Go ahead, friend. Buy this read! Find out why John says, "If life is taking you to the Funny Farm, you might as well laugh along the way!"
A tragicomic story of bad dates, bad news, bad performances, and one girl's determination to find the funny in high school from the author of Denton Little's Deathdate. Winnie Friedman has been waiting for the world to catch on to what she already knows: she's hilarious. It might be a long wait, though. After bombing a stand-up set at her own bat mitzvah, Winnie has kept her jokes to herself. Well, to herself and her dad, a former comedian and her inspiration. Then, on the second day of tenth grade, the funniest guy in school actually laughs at a comment she makes in the lunch line and asks her to join the improv troupe. Maybe he's even . . . flirting? Just when Winnie's ready to say yes to comedy again, her father reveals that he's been diagnosed with ALS. That is . . . not funny. Her dad's still making jokes, though, which feels like a good thing. And Winnie's prepared to be his straight man if that's what he wants. But is it what he needs? Caught up in a spiral of epically bad dates, bad news, and bad performances, Winnie's struggling to see the humor in it all. But finding a way to laugh is exactly what will see her through. **A Junior Library Guild Selection**
Short Stories of Our Time Tantra Bensko - california, usa White Arms Papa's Song Mama Carly Berg - texas, usa Bringing Back Beulah Fat Pat The Last Supper Shattered Risen The Horse Head Earrings Turquoise Dreams Ute Carson - texas, usa The Old Should Be Explorers Tony Concannon - massachusetts, usa The Book Rudy Ch. Garcia - colorado, usa Class Epiphany Margaret Karmazin - pennsylvania, usa He'll Do James D. Reed - ohio, usa Just One More Thing (To Go Wrong) W. Jack Savage - california, usa Veterans at the Post Office Tom Sheehan - massachusetts, usa Lover, not Yet Lover The Storekeeper The Rig Runner Bhadauria Manish Singh - gujarat, india The Lunatic Hollis Whitlock - british columbia, canada The Search for Eternal Life Samuel K. Wilkes - alabama, usa Leaving the Nest Abigail Wyatt - england, uk The Long March Home Al Claro de Luna
"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter—especially the passionate burst of laughter—has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned against it, offering special injunctions to ladies to avoid jollity that was too boisterous. Returning laughter to the history of the passions, Parvulescu anchors it at the point where the history of the grimacing face meets the history of noise. In the civilizing process that leads to laughter's “falling into disrepute,” as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. The result is an overview of the twentieth century as seen through the laughs that burst at some of its most convoluted junctures.
A vocal group without peer, The Browns were central artists in the changing sound of country and American popular music at mid-century. They were part of major changes in the entertainment business and American culture, participated in the folk music movement in the ‘60’s, and saw the steady birth of rock ‘n’ roll up close as they worked with Presley and others. Illustrated with many never-before-published photographs, Looking Back to See is a remarkable story told here for the first time.