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The My Tween Lifestyle Collection by Marlene Wallach helps you look and feel your very best, inside and out!
Describes top trends and designers of the past fifty years, including their social and cultural contexts
Any woman can look and feel lovely, regardless of her age, bank balance, or pant size, and Looking Good . . . Every Day defines a simple yet sophisticated standard for women to determine exactly which clothes and accessories will showcase their unique beauty. The “points of connection” method explains that the more characteristics that exist in common between a woman and her outfit, the more lovely she will look. It shifts emphasis from hiding her perceived figure challenges and focuses on spotlighting her personal assets. By choosing wardrobe additions in this way, everything in her closet will work together. She has more outfits from fewer garments, allowing her to buy higher-quality garments without increasing her budget. Photography of real women—ranging from 22 to 80 years old and from size 4 to 24—illustrates the universal impact “points of connection” make in their appearance.
From journalist, fashionista, and clothing resale expert Elizabeth L. Cline, “the Michael Pollan of fashion,”* comes the definitive guide to building an ethical, sustainable wardrobe you'll love. Clothing is one of the most personal expressions of who we are. In her landmark investigation Overdressed: The Shockingly High Cost of Cheap Fashion, Elizabeth L. Cline first revealed fast fashion’s hidden toll on the environment, garment workers, and even our own satisfaction with our clothes. The Conscious Closet shows exactly what we can do about it. Whether your goal is to build an effortless capsule wardrobe, keep up with trends without harming the environment, buy better quality, seek out ethical brands, or all of the above, The Conscious Closet is packed with the vital tools you need. Elizabeth delves into fresh research on fashion’s impacts and shows how we can leverage our everyday fashion choices to change the world through style. Inspired by her own revelatory journey getting off the fast-fashion treadmill, Elizabeth shares exactly how to build a more ethical wardrobe, starting with a mindful closet clean-out and donating, swapping, or selling the clothes you don't love to make way for the closet of your dreams. The Conscious Closet is not just a style guide. It is a call to action to transform one of the most polluting industries on earth—fashion—into a force for good. Readers will learn where our clothes are made and how they’re made, before connecting to a global and impassioned community of stylish fashion revolutionaries. In The Conscious Closet, Elizabeth shows us how we can start to truly love and understand our clothes again—without sacrificing the environment, our morals, or our style in the process. *Michelle Goldberg, Newsweek/The Daily Beast
Roller derby is now the fastest growing sport in the world. The revival of this fast-paced female-dominated sport has seen over 1,000 leagues established internationally since it began in 2001. Roller derby is a tough, sexy and stylish contact sport that is taking the world by storm. How many other sports can you name that feature players decked out in fishnet tights and miniskirts, gold hotpants and warpaint, as well as a showcase of tattoos? Flat Track Fashion is the very first book that features stunning fashion photographs documenting the visual feast of feisty fashions from leagues all over the world and captures the spirit and style of the roller derby revival. Complete with foreword by veteran skater Virginia 'Cheap Trixie' Evans of the Texas Rollergirls, this book includes everything from the history and origin of the sport to uniforms and logos, personal styles and fashions from leagues around the world, protective gear and skates to menswear, referees, make up and tattoos. Flat Track Fashion is an exceptional publication, perfectly timed to capture the revival of the world's hottest sport.
Since 2004, New York magazine has been celebrating New York City style in a feature called ?The Look Book?: a centerfold'with its subject shot at random anywhere and everywhere across Gotham'along with an interview about the subject's personal style. The New York Look Book collects more than 200 of the best Look Book features, and a special ?Where to Find It? section offers readers not only store listings, but also an insider's guide to New York's distinctive neighborhoods.
There are many new looks in fashion; here, at last, is a new look at fashion which focuses on the perplexing relationship between women, fashion and femininity: It brings together fashion and semiotics, psychoanalysis and style, interweaving the vocabulary of fashion literature with that of cultural studies and feminist theory. Helmut Newton's flashing model is contrasted with Deborah Tuberville's models of passive resistence, Jean Paul Gaultier's Dervish Bra with Elsa Schiaparelli's Shoe Hat, the cultural terrorism of punk in the 1970s with the postmodern bedlam of fashion in the 1980s. Analysing fashion at a level of representation, concerned more with images and ideas than with cut and fit, the authors make a series of sorties into fashion photography, design and cultural history, with centre around women, their bodies, and the pleasures and pains of fashion. An examination of attitudes to fashion in the early Women's Liberation Movement is followed by an analysis of how femininity has been appropriated and re-appropriated by women in the urban styles and subcultures of the 1970s and 1980s.
It’s haute couleur: The phenomenon of adult coloring books meets the world of fashion in The Look, a compelling fantasy tour showing scenes of chic, trendy life on the streets of the world’s style capitals. The clothes, the hair, the accessories (including French bulldogs and graphic skateboards), the poses, the attitude, the look—here is page after page of extraordinarily detailed and lifelike line drawings of stunning women and men, young and old, wearing beautiful, stylish outfits, each image like a fashion shoot, each waiting to be colored. A ripped T-shirt and jeans in Antwerp. Animal prints and fedoras in Milan. Bold pattern-mixing on Fifth Avenue in New York City. Window-shopping in the Sixth, strolling along Shanghai’s Bund. Coloring lets the reader play designer, experimenting with colors, orchestrating different contrasts and shades. It’s the perfect impulse book and gift for everyone who reads Vogue, follows The Sartorialist, watches Project Runway, and lives for fashion—and wants all the pleasurable, meditative benefits of coloring, too.
One hundred eighty color photographs wih accompanying text describe the fashion look of the Princess of Wales.
Pastiche, Fashion and Galanterie in Chardin’s Genre Subjects seeks to understand how Chardin’s genre subjects were composed and constructed to communicate certain things to the elites of Paris in the 1730s and 1740s. The book argues against the conventional view of Chardin as the transparent imitator of bourgeois life and values so ingrained in art history since the nineteenth century. Instead, it makes the case that these pictures were crafted to demonstrate the artist’s wit (esprit) and taste, traits linked to conventions of seventeenth-century galanterie. Early eighteenth-century Moderns like Jean-Siméon Chardin (1699–1779) embraced an aesthetic grounded upon a notion of beauty that could not be put into words—the je ne sais quoi. Despite its vagueness, this model of beauty was drawn from the present, departed from standards of formal beauty, and could only be known through the critical exercise of taste. Though selecting subjects from the present appears to be a simple matter, it was complicated by the fact that the modernizers expressed themselves through the vehicles of older, established forms. In Chardin’s case, he usually adapted the forms of seventeenth-century Dutch and Flemish genre painting in his genre subjects. This gambit required an audience familiar enough with the conventions of Lowlands art to grasp the play involved in a knowing imitation, or pastiche. Chardin’s first group of enthusiasts accordingly were collectors who bought works of living French artists as well as Dutch and Flemish masters from the previous century, notably aristocratic connoisseurs like the chevalier Antoine de la Roque and Count Carl-Gustaf Tessin. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.