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If you or someone you know have been affected by the disease of addiction, this book is a must read. Based on documented real life events of the author - thisliterary workis both prolific and raw; intelligent and insightful; heartbreaking and hopeful. Never before have we beengiven an opportunity to delve into therealm of crack addictionwith such an up-close and personal view of the desperation and despair that comes with it. Riveting, fast-paced reading that ranks with the best in it's category.
A retrospective look at the work of the artist Brian Kershisnik through his first three prolific decades. The book will contain as many pictures as is reasonable to include as well as several essays that put his work into the larger context of his age. Kershisnik is a puzzling and puzzled explorer; both a part of, and separate from his contemporaries. He is an enthusiastic, and optimistic examiner of triumphs and tragedies. He exposes the common in the hero and the heroic in the quotidian. He aspires more to the fantastic and rich human warmth of Giotto rather than the cold and distant impressive brilliance of the otherworldly high renaissance. His work is made by his life and is meant to be lived with.
Lydi is a happy little girl who loves to explore. In "Looking for Something" it's the beginning of summer vacation and already bored, Lydi is off on a day long adventure looking for something. Along the way she meets some wonderful new friends. Together they have fun, make interesting discoveries, and eventually meet a grand old turtle who shares his wonderful story and more. Join Lydi and her amazing friends on their great adventure.
• Explores the lifestyle of indigenous peoples of the world who exist in complete harmony with the natural world and with each other. • Reveals a model of a society built on trust, patience, and joy rather than anxiety, hurry, and acquisition. • Shows how we can reconnect with the ancient intuitive awareness of the world's original people. Deep in the mountainous jungle of Malaysia the aboriginal Sng'oi exist on the edge of extinction, though their way of living may ultimately be the kind of existence that will allow us all to survive. The Sng'oi--pre-industrial, pre-agricultural, semi-nomadic--live without cars or cell phones, without clocks or schedules in a lush green place where worry and hurry, competition and suspicion are not known. Yet these indigenous people--as do many other aboriginal groups--possess an acute and uncanny sense of the energies, emotions, and intentions of their place and the living beings who populate it, and trustingly follow this intuition, using it to make decisions about their actions each day. Psychologist Robert Wolff lived with the Sng'oi, learned their language, shared their food, slept in their huts, and came to love and admire these people who respect silence, trust time to reveal and heal, and live entirely in the present with a sense of joy. Even more, he came to recognize the depth of our alienation from these basic qualities of life. Much more than a document of a disappearing people, Original Wisdom: Stories of an Ancient Way of Knowing holds a mirror to our own existence, allowing us to see how far we have wandered from the ways of the intuitive and trusting Sng'oi, and challenges us, in our fragmented world, to rediscover this humanity within ourselves.
Bored housewife and mentally unstable, Zsaset Jones is in need of some excitement in her life. A chance meeting lands Zsaset in the arms of a slick talking drug dealer named O.B, resulting in Zsaset leaving her controlling and abusive husband behind. After heading off to a whole new world to be with her new beau, Zsaset is on top of the world. However, it’s short lived when an unexpected guest blackmails O.B. Sex, drama and deceit are just the beginning. Only time will tell if Zsaset is really cut out for thug life.
“And while he was standing there thinking, a large van came past and in the twilight he saw, painted on the side, a great, big green Shamrock! And that wasn’t all. As it drove away he gazed after it, almost in disbelief, for there, painted on the back, was another great, big green Shamrock. And it was as if a bright light had suddenly been switched on inside his head and he realised what was wrong with him. He wasn’t ill - he was homesick! Homesick for his beloved Ireland . . .”