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Presiding over her family and its legacy of masterpiece Civil War art, North Carolina society maven Jerene Jarvis Johnston takes increasingly haphazard steps to protect her grown children from their own heedlessness.
Two young veterans, one Negro, one white, are committed to opposite sides in the Civil Rights struggle in the South.
Every day, 250 children are suspended from school. Many are children of color, deprived of opportunities to experience learning at the same rate and quality as white children. Many families don't feel heard or respected in their child's schools. Don't Look Away: Embracing Anti-Bias Classrooms leads early childhood professionals to explore and address issues of bias, equity, low expectations, and family engagement to ensure culturally responsive experiences. Importantly, this book will challenge you to consider your perceptions and thought processes: Identify your own unconscious biases-we all have them! Recognize and minimize bias in the classroom, school, and community Connect with children and their families Help close the opportunity gap for children from marginalized communities This book offers strategies, tools, and information to help you create a culturally responsive and equitable learning environment.
Donna Cooner establishes herself as our own Jodi Picoult in this timely tale of sisters, loss, and redemption. Torrey Grey is famous. At least, on the internet. Thousands of people watch her popular videos on fashion and beauty. But when Torrey's sister is killed in an accident -- maybe because of Torrey and her videos -- Torrey's perfect world implodes. Now, strangers online are bashing Torrey. And at her new school, she doesn't know who to trust. Is queen bee Blair only being sweet because of Torrey's internet infamy? What about Raylene, who is decidedly unpopular, but seems accepts Torrey for who she is? And then there's Luis, with his brooding dark eyes, whose family runs the local funeral home. Torrey finds herself drawn to Luis, and his fascinating stories about El Dia de los Muertos, the Day of the Dead. As the Day of the Dead draws near, Torrey will have to really look at her own feelings about death, and life, and everything in between. Can she learn to mourn her sister out of the public eye?
Linwood Barclay is back with more unexpected twists and superb characters in a spine-tingling, mesmerizing thriller about a husband whose wife disappears, along with everything he thought he knew about their life together. David Harwood, a reporter in Promise Falls, New York, is stressed out. The newspaper he works for is outsourcing jobs to India, he can't get a solid lead on the corrupt for-profit prison moving to town, and his wife, Jan, is struggling with a bout of depression. As a much-needed break, David and Jan decide to take their four-year-old son, Ethan, to a local amusement park for a day of ice cream, rollercoasters, and carefree fun. But revelry is quickly replaced by panic when, within an hour of arriving at the park, Ethan goes missing. Though he is soon found, panic escalates to full-blown terror when Jan suddenly disappears. Confused and worried, David finds himself desperately searching for any clue that could lead him to his wife - even if it means unraveling a tangle of lies and deception that become more complicated at every turn.
Haunted by the terrible secret of their youth, brothers James and Kevin Bannon are bound by blood but divided by war. James marches for the Confederacy, Kevin for the Union. Drawing solace from the women they love, the brothers are swept up in a bloody whirlwind, hurtling toward one of the most unforgettable climaxes in contemporary historical fiction.
In Can't Look Away, Carola Lovering "delivers another winner...a propulsive page-turner about young love and second chances. You won’t be able to put this down." —Laura Dave, #1 New York Times bestselling author of The Last Thing He Told Me. "Fans of Gillian Flynn and Paula Hawkins will enjoy this one." —Publishers Weekly In 2013, twenty-three-year old Molly Diamond is a barista, dreaming of becoming a writer. One night at a concert in East Williamsburg, she locks eyes with the lead singer, Jake Danner, and can’t look away. Molly and Jake fall quickly and deeply in love, especially after he writes a hit song about her that puts his band on the map. Nearly a decade later, Molly has given up writing and is living in Flynn Cove, Connecticut with her young daughter and her husband Hunter—who is decidedly not Jake Danner. Their life looks picture-perfect, but Molly is lonely; she feels out of place with the other women in their wealthy suburb, and is struggling to conceive their second child. When Sabrina, a newcomer in town, walks into the yoga studio where Molly teaches and confesses her own fertility struggles, Molly believes she's finally found a friend. But Sabrina has her own reasons for moving to Flynn Cove and befriending Molly. And as Sabrina’s secrets are slowly unspooled, her connection to Molly becomes clearer––as do secrets of Molly's own, which she’s worked hard to keep buried. Meanwhile, a new version of Jake's hit song is on the radio, forcing Molly to confront her past and ask the ultimate questions: What happens when life turns out nothing like we thought it would, when we were young and dreaming big? Does growing up mean choosing with your head, rather than your heart? And do we ever truly get over our first love?
Why can't we look away? Whether we admit it or not, we're fascinated by evil. Dark fantasies, morbid curiosities, Schadenfreude: As conventional wisdom has it, these are the symptoms of our wicked side, and we succumb to them at our own peril. But we're still compelled to look whenever we pass a grisly accident on the highway, and there's no slaking our thirst for gory entertainments like horror movies and police procedurals. What makes these spectacles so irresistible? In Everyone Loves a Good Train Wreck, the scholar Eric G. Wilson sets out to discover the source of our attraction to the caustic, drawing on the findings of biologists, sociologists, psychologists, anthropologists, philosophers, theologians, and artists. A professor of English literature and a lifelong student of the macabre, Wilson believes there's something nourishing in darkness. "To repress death is to lose the feeling of life," he writes. "A closeness to death discloses our most fertile energies." His examples are legion, and startling in their diversity. Citing everything from elephant graveyards and Susan Sontag's On Photography to the Tiger Woods sex scandal and Steel Magnolias, Wilson finds heartening truths wherever he confronts death. In Everyone Loves a Good Train Wreck, the perverse is never far from the sublime. The result is a powerful and delightfully provocative defense of what it means to be human—for better and for worse.
William C. Davis, one of America's best Civil War historians, here offers a definitive portrait of the Confederacy unlike any that has come before. Drawing on decades of writing and research among an unprecedented number of archives, Look Away! tells the story of the Confederate States of America not simply as a military saga (although it is that), but rather as a full portrait of a society and incipient nation. The first history of the Confederacy in decades, the culmination of a great scholar's career, Look Away! combines politics, economics, and social history to set a new standard for its subject. Previous histories have focused on familiar commanders such as Robert E. Lee and Stonewall Jackson, but Davis's canvas is much broader. From firebrand politicians like Robert Barnwell Rhett and William L. Yancey, who pushed for secession long before the public supported it; to Dr. Samuel Cartwright, who persuaded many Southerners of the natural inferiority of their slaves; to the women of Richmond, who rioted over bread shortages in 1863, Davis presents a rich new face of the Confederate nation. He recounts familiar stories of battles won and lost, but also little-known economic stories of a desperate government that socialized the salt industry, home-front stories of the rangers and marauders who preyed on their fellow Confederates, and an account of the steady breakdown of law, culminating in near anarchy in some states. Never has the Confederacy been so vividly brought to life as a full society, riven with political and economic conflicts beneath its more loudly publicized military battles. Davis's astonishingly thorough primary research has ranged across the 800-odd newspapers that were in operation during the war, but also across the personal papers of over a hundred Southern leaders and ordinary citizens. He quotes from letters and diaries throughout the narrative, revealing the Confederacy through the words of the Confederates themselves. Like any society, especially in the early stages of nation-building and the devastating stages of warfare, the Confederacy was not one thing but many things to many people. One thing, however, was shared by all: the belief that the South offered a necessary evolution of American democracy. Look Away! offers a dramatic and definitive account of one of America's most searing episodes.
DIVExamines what happens to our paradigms of the American south if we understand the "south" hemispherically, to include Latin America and the Caribbean./div