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No Stuffy has ever gone into the Darkness and returned.... Clark can’t wait to go away to camp this year. For the first time ever, he has actual friends to hang out with. Catherine-Lucille and D. A. will both be at Camp I Can with Clark, and C. L. has already promised to induct him into her exclusive camp club—the one for campers who know everything there is to know about the world of Monsters and how Stuffies protect kids from them. And now that he knows (or suspects . . . very strongly) that his grandma-made Stuffy, Foon, heroically saved his own father from a horrible fate, Clark is obviously bringing Foon to camp along with him. But once Clark gets to camp, he and his friends discover things are off. There are strange, gooey findings in some of the bunks, the adults are acting weird, and, worst of all, their Stuffies and dolls go missing right at the moment they need them the most—when they go on the intersession camping trip and end up trapped in a creepy old cabin. What Clark and his friends don’t know, and what the mighty Foon soon discovers, is that the Monsters have launched a revenge campaign against Foon—a campaign that entails sucking the very life out of Clark. Now it’s up to Foon to enter the World of Darkness and take on the Monster in charge in order to stop the plot and save Clark’s life. In the long tradition of Stuffies vs. Monsters, this one’s a battle for the ages—one that will certainly go down in Stuffy history.
The intrigue of The Raven Boys and the "supernatural or not" question of The Unbecoming of Mara Dyer coalesce in this young adult mystery, where nothing is quite as it seems, no one is quite who you think, and everything can change on a dime. Every story needs a hero. Every story needs a villain. Every story needs a secret. Wink is the odd, mysterious neighbor girl, wild red hair and freckles. Poppy is the blond bully and the beautiful, manipulative high school queen bee. Midnight is the sweet, uncertain boy caught between them. Wink. Poppy. Midnight. Two girls. One boy. Three voices that burst onto the page in short, sharp, bewitching chapters, and spiral swiftly and inexorably toward something terrible or tricky or tremendous. What really happened? Someone knows. Someone is lying. For fans of Holly Black, We Were Liars, and The Virgin Suicides, this mysterious tale full of intrigue, dread, beauty, and a whiff of something strange will leave you utterly entranced.
Guts, the Black Swordsman, goes from the frying pan to the fire as he must enter the mating chamber in the horrifying lair of trolls to rescue his love, Casca, and the Lady Farnese from the loathsome attentions of the hideous beasts. But while even an army of trolls cannot stand against Guts's boundless fury, the mightiest of warriors is no match for a demon lord. And so when Slan of the Godhand manifests from the entrails of slain trolls and takes Guts into her deadly embrace, Guts discovers he may not only be fighting for his life, but for his very soul!
Find comfort in dark times and grow your trust and faith in God with this inspiring and insightful guide from Lakewood Church pastor and #1 New York Times bestselling author Joel Osteen. All of us will go through dark times that we don't understand: a difficulty with a friend, an unfair situation at work, a financial setback, an unexpected illness, a divorce, or the loss of a loved one. Those types of experiences are part of the human journey. But when we find ourselves in such a place, it's important that we keep a positive perspective. Joel Osteen writes that if we stay in faith and keep a good attitude when we go through challenges, we will not only grow, but we will see how all things work together for our good. Through practical applications and scriptural insight, Blessed in the Darkness focuses on how to draw closer to God and trust Him when life doesn't make sense. If we will go through the dark place in the valley trusting, believing, and knowing that God is still in control, we will come to the table that is already prepared for us, where our cup runs over.
Welcome, little one. You have been chosen to join us, in the dark and in the light, in love and in cloth, in safety and in danger. You join us. Everyone thinks that Clark is too old to still play with stuffed animals. He's almost eleven! Bullies target him at school while his mother tries increasingly un-subtle ways to wean him off his toys and introduce more "normal" interests. But Clark can't shake the feeling that his stuffed friends are important, even necessary. Sometimes they move around in the night and sometimes in the morning they look a little worse for wear, as if they've engaged in battle. And it turns out . . . he's right. Clark's dad is under attack by a nefarious, shadowy monster called a King Derker, and only Clark's stuffies are able to fight him off. The problem is, no one believes Clark, and when his mom tries to rid the house of stuffed animals to try to get him to grow up, she's actually putting Clark's dad and the entire household in mortal peril. Now it's up to Clark's grandma-made sock animal, Foon, to save the day. Luckily, being handmade by a loved one gives Foon extra battle points, but he's still a brand-new stuffy. Does he have what it takes to rid Clark's house of all its monsters? Told through both Clark's and Foon's points of view, Stuffed confirms every kid's dream: that stuffed animals do have a life and a purpose, and that sometimes the most unconventional friendships are also the most valuable.
Hearing a young man's scream in the night, high school senior Lorelei discovers that her stern but loving adoptive father is actually a vampire and that he has raised his daughters to seduce and lure men into their world of shadows.
Zarathustra was Nietzsche's masterpiece, the first comprehensive statement of his mature philosophy, and the introduction of his influential and well-known (and misunderstood) ideas including the "overman" or "superman" and the "will to power." It is also the source of Nietzsche's famous (and much misconstrued) statement that "God is dead." Though this is essentially a work of philosophy, it is also a masterpiece of literature, a cross between prose and poetry. A considerable part and parcel of Nietzsche's genius is his ability to make his language dance, and this is what becomes extraordinarily difficult to translate. It has been almost 40 years since Hollingdale's version for Penguin and almost 50 since Kaufmann's. However, anyone who appreciates the German original knows that these translations are merely adequate. While earlier translators have smoothed out the rough edges, cut corners and sometimes omitted troublesome passages outright, this one honors and respects the original as no other. Kaufmann and others are guilty of the deplorable tendency to "improve" on the original. Much is lost by this means, to say nothing of the interior rhythms, the grace notes, the not always graceful but omnipresent and striking puns and wordplays. And in not a few instances the current translation improves on Kaufmann's use of English or otherwise clarifies what Nietzsche is really saying
Anne McFarland is dead, and her best friend, Sharon McKay, stands accused even though no body has been found. Nevertheless, the prosecution is almost certain of victory, and Sharon must prove that her friend committed suicide--and unravel the vengeful scheme of an obsessed teenager.
In the imagination of a young inner-city boy, police sirens sound like howling wolves, streetlights look like stars, and shots fired by neighborhood gangs sound like those stars cracking the darkness. But when his older brother joins a gang, he can no longer pretend. With the help of his mother, he comes up with a plan to save his brother and unite his neighbors in a stand for peace. The realistic yet uplifting words of best-selling author Barbara M. Joosse combine with powerful illustrations by award-winning artist R. Gregory Christie in this hope-filled story. One young boy's courage can make a difference.
Mindy McGinnis, award-winning author of The Female of the Species and A Madness So Discreet, returns with a new dark and twisted psychological thriller—perfect for fans of Gone Girl and Fight Club. Sasha Stone knows her place—first-chair clarinet, top of her class, and at the side of her Oxford-wearing boyfriend. She’s worked her entire life to ensure her path to Oberlin Conservatory as a star musician is perfectly paved. But suddenly there’s a fork in the road in the shape of Isaac Harver. Her body shifts toward him when he walks by, and her skin misses his touch even though she’s never known it. Why does he act like he knows her so well—too well—when she doesn’t know him at all? Sasha discovers that her by-the-book life began by ending the chapter of another: the twin sister she absorbed in the womb. But that doesn’t explain the gaps of missing time in her practice schedule, or the memories she has of things she certainly never did with Isaac. Armed with the knowledge that her heart might not be hers alone, Sasha must decide what she’s willing to do—and who she’s willing to hurt—to take it back.