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Beginning with the death of an unknown American citizen in Stockholm, Persson slowly unravels the complex web of international espionage, greed, sheer incompetence, and work by a poorly constructed Swedish intelligence force that in this fiction lead to the murder of the Swedish prime minister Olaf Palme.
A young man falls to his death from a window in a student dorm in Stockholm, his loose shoe striking and killing the little dog being taken for his evening walk by an old man. It seems to be a mundane suicide—at least that’s what the police choose to think. But the young man is American, not Swedish, and there are a couple of odd things about his room when they search it. . . . From these tiny beginnings, Leif GW Persson slowly begins to unravel a puzzle that gets larger and larger as it becomes more and more complex, until it sweeps us into a web of international espionage, backroom politics, greed, sheer incompetence, and the shoddy work of Sweden’s intelligence force that leads to the murder of the prime minister. The first novel in a dark and dazzling trilogy that has become the defining fictional account of the unsolved 1986 assassination of Swedish Prime Minister Olof Palme—an event that triggered the biggest criminal investigation in recorded history—Between Summer’s Longing and Winter’s End is a riveting insider’s combination of black satire, thriller, psychological drama, and police procedural by a writer universally acknowledged as Sweden’s leading criminologist.
For the first time in the history of the Little House books, this new edition features Garth Williams’ interior art in vibrant, full color, as well as a beautifully redesigned cover. The adventures of Laura Ingalls and her family continue as Pa, Ma, Laura, Mary, Carrie, and little Grace bravely face the hard winter of 1880-81 in their little house in the Dakota Territory. Blizzards cover the little town with snow, cutting off all supplies from the outside. Soon there is almost no food left, so young Almanzo Wilder and a friend make a dangerous trip across the prairie to find some wheat. Finally a joyous Christmas is celebrated in a very unusual way in this most exciting of all the Little House books.
It’s been a long, cold winter at Riverside Ranch, where Robbie has lived alone since his brothers moved away. Alone, that is, except for his three devious cats, four saddle horses, and the forty-eight mustangs that roam the ranch. Robbie is preparing for yet another snowfall when he gets the last call he expected—a plea to pick up Lance Taylor from the county jail. Lance wasn’t just his little brother’s best friend, he was a part of the family. Then, one night, after Lance asked Robbie for something Robbie couldn’t give, he ran away and never came back. Lance was sixteen and heartbroken when he left his middle-of-nowhere hometown. Six years later, he’s at rock bottom with nowhere else to go, and no one to turn to but Robbie, the man Lance has been inconveniently in love with for most of his life.

When Robbie offers Lance a place to stay, Lance expects a guest bedroom and awkward silences. Instead, he finds himself sharing Robbie’s one-room hayloft apartment and its single bed, while realizing that the old flame he carries for Robbie might not be so hopeless, after all. Long Winter is the first book in the Wild Ones series and has a happy-for-now ending. Robbie and Lance’s story continues in Signs of Spring. Praise for Long Winter "What a beautifully written story this is! There is an effortless elegance to Rachel Ember’s prose that I found myself sinking blissfully into, like a relaxing Sunday drive—or horseback ride, as it were. Robbie and Lucas are perfectly imperfect, their past complicated, and their desire a slow burn destined to ignite. They breathed from the page, and the setting was so real I felt like I could go to the ranch right now and see all of them. I will definitely be reading more from this author!" - L.C. Chase, author of Pickup Men "Long Winter is a gorgeously detailed, realistic contemporary drama full of angst and longing and set in the backdrop of a rural Nebraskan town in winter. A self-styled city boy, Lance, returns to his home town after the fallout from an abusive relationship with no one else to turn to other than his childhood crush, modern day cowboy/rancher, Robbie. Hot enough to warm your cold winter's night and threaded through with tender and sometimes painful childhood memories. Recommended for people who like realistic, character-driven stories with a heavy emotional current running throughout." - KP Maxwell, author of The Problem Client "An enchanting and heartwarming novel, with strong themes of family, love, and a long overdue second chance for two flawed but utterly lovable men. The setting was beautifully evocative, from the winter scenes, to life on the ranch, to the wild horses that watch over it all. I sank totally into the read and can’t wait for the next book from this author!" - Stella Shaw, author of Dante

Poetry. Literary Nonfiction. In WINTER: EFFULGENCES AND DEVOTIONS, Sarah Vap documents the obstacles to writing a single poem over a twelve-year period. Her account becomes a confrontation with the insidious, radiating, pliant character of late capitalism. She encounters it as a rootless system, an airborne contagion, a toxin in the walls of our homes. Pursuing her distractions across the years, Vap makes certain commitments: to remember the wars that her country is waging, which are meant to be invisible to her; to mourn the deaths of whales by sonar; to hear though she is deaf; to be present for the loss of winter, as she knows it, from earth; and to herself, a profane and multifarious creature who possibly has a soul. Reeling from the nonstop "competition" that sustains the anthropocene's profiteers, Vap offers an unapologetic case study of encroachment, susceptibility, tenderness, porousness and endurance.
I've told my kids for years that God doesn't make mistakes," writes Mary Beth Chapman, wife of Grammy award winning recording artist Steven Curtis Chapman. "Would I believe it now, when my whole world as I knew it came to an end?" Covering her courtship and marriage to Steven Curtis Chapman, struggles for emotional balance, and living with grief, Mary Beth's story is our story--wondering where God is when the worst happens. In Choosing to SEE, she shows how she wrestles with God even as she has allowed him to write her story--both during times of happiness and those of tragedy. Readers will hear firsthand about the loss of her daughter, the struggle to heal, and the unexpected path God has placed her on. Even as difficult as life can be, Mary Beth Chapman Chooses to SEE. Includes a 16-page full color photo insert.
Before Father Patrick Bergquist moved to Alaska, he imagined himself spending his free evenings wrapped in a warm quilt, reading novel after novel during the long arctic winters. Those idealized expectations were met with the unavoidable reality of winter's harshness, a pervasive darkness that made it neither realistic nor helpful to merely wait out the winter and hope for spring." And yet, says Bergquist, this is what we as a Catholic Church are tempted to do in the enduring darkness of the sexual abuse crisis. We want to wrap ourselves in the secure blanket of tradition and memory, thinking that this crisis too will pass-or worse still, that it has already passed. Bergquist admits he is "but a simple parish priest, no saint and surely no scholar." But it is precisely his perspective as a parish priest that gives rise to his poetic and prophetic voice. He speaks from his heart, soul, and experience in a way few others have done. He names and validates the pain and fear, the hopes and dreams that so many of us share. The Long Dark Winter's Night is both realistic and helpful. Patrick Bergquist was ordained in 1990. He is a diocesan priest of the Missionary Diocese of Northern Alaska and has been pastor of St. Raphael Catholic parish in Fairbanks since 1998. "
By combining the ancient mysteries of Sappho with the contemporary wizardry of one of our most fearless and original poets, If Not, Winter provides a tantalizing window onto the genius of a woman whose lyric power spans millennia. Of the nine books of lyrics the ancient Greek poet Sappho is said to have composed, only one poem has survived complete. The rest are fragments. In this miraculous new translation, acclaimed poet and classicist Anne Carson presents all of Sappho’s fragments, in Greek and in English, as if on the ragged scraps of papyrus that preserve them, inviting a thrill of discovery and conjecture that can be described only as electric—or, to use Sappho’s words, as “thin fire . . . racing under skin.” "Sappho's verse has been elevated to new heights in [this] gorgeous translation." --The New York Times "Carson is in many ways [Sappho's] ideal translator....Her command of language is hones to a perfect edge and her approach to the text, respectful yet imaginative, results in verse that lets Sappho shine forth." --Los Angeles Times
Describes winter in a remote valley of inhabitants, the last valley in Montana without electricity.
It's been over six months since the eruption of the Yellowstone supervolcano. Alex and Darla have been staying with Alex’s relatives, trying to cope with the new reality of the primitive world so vividly portrayed in Ashfall, the first book in this series. It's also been six months of waiting for Alex's parents to return from Iowa. Alex and Darla decide they can wait no longer and must retrace their journey into Iowa to find and bring back Alex's parents to the tenuous safety of Illinois. But the landscape they cross is even more perilous than before, with life-and-death battles for food and power between the remaining communities. When the unthinkable happens, Alex must find new reserves of strength and determination to survive.