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Frederick Luis Aldama and graphic artists from Mapache Studios give shape to ugly truths in the most honest way, creating new perceptions, thoughts, and feelings about life in the borderlands of the Américas. Each bilingual prose-art fictional snapshot offers an unsentimentally complex glimpse into what it means to exist at the margins of society today.
Xbox videogamer cholo cyberpunks. Infants who read before they talk. Vatos locos, romancing abuelos, border crossers and border smugglers, drug kingpins, Latina motorbike riders, philosophically musing tweens, and so much more. The stories in this dynamic bilingual prose-art collection touch on the universals of romance, family, migration and expulsion, and everyday life in all its zany configurations. Each glimpse into lives at every stage—from newborns and children to teens, young adults, and the elderly—further submerges readers in psychological ups and downs. In a world filled with racism, police brutality, poverty, and tensions between haves and have-nots, these flashes of fictional insight bring gleaming clarity to life lived where all sorts of borders meet and shift. Frederick Luis Aldama and graphic artists from Mapache Studios give shape to ugly truths in the most honest way, creating new perceptions, thoughts, and feelings about life in the borderlands of the Américas. Each bilingual prose-art fictional snapshot offers an unsentimentally complex glimpse into what it means to exist at the margins of society today. These unflinching and often brutal fictions crisscross spiritual, emotional, and physical borders as they give voice to all those whom society chooses not to see.
The fourteen short stories in To Cut a Long Story Short show Jeffrey Archer's great skills with a wide variety of character, of subject and of setting, but all with that trademark twist in the tale. Every reader will have their own favourites: the choices run from love at first sight across the train tracks to the cleverest of confidence tricks, from the quirks of the legal profession – and those who are able to manipulate both sides of the Bar – to the creative financial talents of a member of Her Majesty's diplomatic service – but for a good cause. The last story, The Grass is Always Greener, is possibly the best piece Archer has written, and will haunt you for the rest of your life.
'A brutal and thrilling page-turner' THE SUN 'Gleefully gory and witty, with a terrific sense of place' SUNDAY MIRROR 'Compelling' HEAT *THREE BRAND NEW SHORT STORIES FROM THE WINNER OF THE CWA BEST CRIME NOVEL OF 2019 AWARD* ________________ In The Killing Field, Poe and Tilly are having breakfast, wondering how to spend the rest of their holiday, when their presence is requested at a Cumbrian airfield. An airfield that, during the 2001 foot and mouth crisis, was known as the killing field . . . In Why Don't Sheep Shrink?, a global pandemic forces Poe and Tilly to self-isolate together. Things don't go well. They're bickering and on the verge of falling out until Poe finds an old case file: a locked room mystery he's been mulling over for years. Step forward, Tilly Bradshaw . . . Dead Man's Fingers sees Poe, Tilly and Edgar, Poe's English springer spaniel, enjoying a picnic at a nature reserve. When Edgar chases a rabbit, and Poe and Tilly chase after him, they stumble upon a twenty-year-old mystery, a mystery that couldn't be solved until now . . . ________________ Praise for M. W. Craven: 'Jaw-droppingly shocking and intense' Women & Home 'Pacy, gory and clever, this is our new fave troubled cop/eccentric buddy duo' Crime Monthly 'An intriguing, fast-moving mystery' The Times 'Superb' Daily Mail 'This series really is something special' Morning Star 'Atmospherically moody' Peterborough Telegraph 'Dark, sharp and compelling' Peter James 'Thrilling' Mick Herron 'Fantastic' Martina Cole 'Brilliantly inventive' William Shaw 'Gripping. Taut. Twisty' Imran Mahmood 'Mind-blowing' A.A. Dhand 'Twisted and terrifying, fresh and funny' Chris Whitaker 'Dazzling' Holly Watt 'Intelligent. Sophisticated. Intriguing' Mari Hannah
In the tradition of Ruth Rendell, Lynda La Plante, Frances Fyfield, and Barbara Vine, Cut Short is a gripping psychological thriller that introduces Detective Inspector Geraldine Steel, a woman whose past is threatening to collide with her future. D.I. Geraldine Steel relocates to the quiet rural town of Woolsmarsh, thinking she’s found a restful place where she can battle her demons in private. But when she finds herself pitted against a twisted killer preying on young local women in the park, she quickly discovers how wrong she is ... When an unwitting bystander comes forward as a witness, she quickly becomes the murderer’s next obsession. And Geraldine Steel is locked in a race against time, determined to find the killer before yet another victim is discovered. But can she save the lives of the town’s young women—or will Geraldine herself become the killer’s ultimate trophy?
'Lays down a transformative path to peace' David Lammy MP 'A devastating and beautifully-drawn tribute to the young boys that the media turns into statistics of knife crime' Candice Carty-Williams 'I came away from this book enraged, enlightened and with a sense of urgency to do something' Annie Mac _________________________ Demetri wants to study criminology at university to understand why people around him carry knives. Jhemar is determined to advocate for his community following the murder of a loved one. Carl's exclusion leaves him vulnerable to the sinister school-to-prison pipeline, but he is resolute to defy expectations. Tony, the tireless manager of a community centre, is fighting not only for the lives of local young people, but to keep the centre's doors open. Drawing on the latest research and interviews with experts, this refreshingly nuanced and beautifully written book interweaves the stories of a cast of characters at the sharp end of the UK's serious youth violence epidemic, with chapters on subjects such as social media, gentrification and criminal justice. Showing how we are all connected to this tragedy, Cut Short is a gripping, urgent, sympathetic and often painful portrait of a society fracturing along lines of race, class and postcode. It is a blueprint for positive change, and a book we desperately need. _________________________ 'Compelling' The Sunday Times; 'Assured' Observer; 'Brilliantly written' Nikesh Shukla 'Makes you stop and think' Nick Robinson, BBC R4's Today programme 'This book strongly gives a voice to the voiceless . . . essential reading' Kenny Allstar 'Angry, impassioned, informed, accurate - the story behind the cutting short of public health and young lives' Danny Dorling 'Ciaran's work is informed by lived experience at the frontline of social change. It takes a sensitive and respectful look at the truths less often told' George the Poet
Gothic, mysterious, theatrical, fatally flawed, and dazzling, the life of Edgar Allan Poe, one of America’s greatest and most versatile writers, is the ideal subject for Peter Ackroyd. Poe wrote lyrical poetry and macabre psychological melodramas; invented the first fictional detective; and produced pioneering works of science fiction and fantasy. His innovative style, images, and themes had a tremendous impact on European romanticism, symbolism, and surrealism, and continue to influence writers today. In this essential addition to his canon of acclaimed biographies, Peter Ackroyd explores Poe’s literary accomplishments and legacy against the background of his erratic, dramatic, and sometimes sordid life. Ackroyd chronicles Poe’s difficult childhood, his bumpy academic and military careers, and his complex relationships with women, including his marriage to his thirteen-year-old cousin. He describes Poe’s much-written-about problems with gambling and alcohol with sympathy and insight, showing their connections to Poe’s childhood and the trials, as well as the triumphs, of his adult life. Ackroyd’s thoughtful, perceptive examinations of some of Poe’s most famous works shed new light on these classics and on the troubled and brilliant genius who created them.
In this autobiography Tony Hadley, lead singer of 80's band Spandau Ballet, reveals the highs and lows of his twenty year career in music. When the band split after a series of bitter rows, Hadley's professional life was in disarray. Personally he was beset by tragedy. Yet Hadley has emerged intact.
John Rubadeau’s long, white beard; homeless-guy wardrobe; and penchant for dirty jokes belied his lofty status as one of the most popular professors ever at the University of Michigan. He taught writing in Ann Arbor for more than 30 years. The cover of his course pack read: “Grammar: the difference between knowing your shit and knowing you’re shit.” "In A Beard Cut Short: The life and lessons of a legendary professor clipped by a slip of #MeToo," a former student tells the crazy, touching, inspiring, and often funny life story of an eccentric, influential professor. John caught dogs in Wisconsin, sold insurance in Indiana, raised pigs in Tennessee, counseled soldiers in Germany, and had his apartment bugged by the Romanian secret police. He lost a young wife and two baby boys. He was born poor and stayed that way most of his life. But, on his own terms, he met with extraordinary success. "A Beard Cut Short" also shares John’s key lessons on writing, teaching, and life – lessons that have inspired generations of students to watch out for comma splices and follow their dreams. The story is capped by an investigation of an unjust firing that’s a case study in how the misappropriation of #MeToo, a vital social movement, can hurt both the unfairly accused and the movement itself. John Rubadeau's (in)famous Grammar Review is included as a special bonus. Reviews: Rubadeau was an outspoken man of a previous era who taught so long the culture changed around him. As a result, the book is a captivating document on how the language of teaching (and language itself) has changed over the decades, and the ways in which a certain type of larger-than-life educator, once common, has mostly ceased to exist. — Kirkus Former Camera science writer and Colorado Book Award winner (“From Jars to the Stars”) Todd Neff examines the life of his mentor, former University of Michigan Professor John Rubadeau, before plunging in to investigate the unjust #MeToo claims that led to his firing in “A Beard Cut Short: The Life and Lessons of a Legendary Professor Clipped by a Slip of #MeToo.” Rubadeau was an old-school writing teacher who fearlessly created room for students to discuss and debate human differences in the classroom, refusing to coddle or protect them, an effort doomed to fail. “I am here to teach you about the intricacies and nuances of the English language not to coddle you or to support your conviction that you are the next Shakespeare,” Rubadeau informed his students. “If you will be devastated because you receive less than an A in this course, drop this class the first day.” Using his investigative skills to obtain confidential documents, Neff concludes that his mentor’s firing “came about through a poisonous brew of stubbornness, incompetence, misplaced zealotry, hypersensitivity, blinkered perspective, bad faith, personal friction, professional jealousy, and shoddy investigative work — all of which led to over-reaction and injustice.” — The Boulder Daily Camera
Comezón: It’s more than an itch. It’s a long-standing desire that will never be fulfilled. And, in this novel by award-winning author Denise Chávez, it is also a border town in New Mexico whose denizens’ longings are as powerful as they are, all too often, impossible. But in the feverish dance of life that seizes Comezón during its two annual fiestas, all things seem possible. As the townspeople revel in the freedom of the fiestas, their stories unfold in all manner of mystery, drama, and comic charm. In the middle of it all is Arnulfo P. Olivárez, master of ceremonies and befuddled patriarch of a less-than-tractable family. At the moment, he is calculating his chances of becoming mayor, as well as pondering the fate of his beautiful disabled daughter, Juliana. Arnulfo’s daughters (“the half and the whole,” he deems them) are the Fiesta Queen, Lucinda, a lovely, lost and wild girl, and Juliana, her half sister, wheelchair-bound but with soaring dreams of love for the local priest, El Padre Manolito. Their mother, the saintly Doña Emilia, attends to all her children, including Arnulfo, with grace. Lucinda’s unsuitable suitor, Ruley Terrazas, a tall, bumpy-skinned boy, is not to be trusted, nor is his father, Cuco “Matamosca” Terrazas, the local chief of police. And Rey Suárez, owner of the Mil Recuerdos Lounge, is haunted by his former incarnation as an immigration officer, an expert in spotting fake IDs. Between New Mexico and México, between Cinco de Mayo and the 16th of September, between the dreams and the realities of Comezón’s characters, something has to give. Each character is attempting to find love in this feverish fiesta called Life. And in the deft hands of Denise Chávez this tragicomic novel gives unerringly: pleasure, surprise, and the satisfaction of a tale well told.