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The subjects and historical periods that British action-adventure writer H. Rider Haggard tackled in his vast body of work ranged considerably, but one element remains a constant thread that unites his entire oeuvre: heart-racing adventure that will keep you on the edge of your seat. If you're looking for an engaging and entertaining read, try Haggard's Long Odds.
The tale of Allan Quatermain's second wife, Stella, is also a classic fantasy African adventure, complete with magic and ghosts, plus Haggard's trademark gripping narrative style. A fantastic adventure by one of the greatest adventure writers ever!
In 'ALLAN QUATERMAIN Complete Series: 18 Adventure Books in One Volume', Henry Rider Haggard showcases his mastery of adventure literature through the thrilling escapades of the legendary hunter and explorer, Allan Quatermain. Set against the backdrop of Africa's untamed wilderness, Haggard's vivid descriptions and fast-paced narrative transport the readers to a world filled with danger, excitement, and treasure hunts. The series delves into themes of colonialism, masculinity, and the clash of civilizations, making it a significant contribution to the adventure genre. Henry Rider Haggard's own experiences in Africa and his fascination with exploration and archaeology undoubtedly influenced the creation of the character Allan Quatermain. Haggard's background as a British writer during the Victorian era also adds depth to his portrayal of the challenges faced by his protagonist in the rugged African terrain. I highly recommend 'ALLAN QUATERMAIN Complete Series' to readers who enjoy action-packed adventures, rich descriptions of exotic locales, and a protagonist who embodies the ethos of a courageous and rugged explorer.
Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.
One of the greatest adventure story writers of all time, H. Rider Haggard was a prolific novelist, whose exciting tales have entertained readers for over a hundred years. This comprehensive eBook offers readers the collected works, with the usual Delphi bonus texts. (Version 3) Allan Quatermain Series Ayesha Series The Umslopogaas Series The Rise and Fall of the Zulu Nation Series The Novels Dawn (1884) The Witch’s Head (1884) King Solomon’s Mines (1885) She (1886) Jess (1887) Allan Quatermain (1887) Mr Meeson’s Will (1888) Maiwa’s Revenge (1888) Colonel Quaritch, V.C. (1889) Cleopatra (1889) Allan’s Wife (1889) Beatrice (1890) The World’s Desire (1890) Eric Brighteyes (1890) Nada the Lily (1892) Montezuma’s Daughter (1893) The People of the Mist (1893) Joan Haste (1895) Heart of the World (1895) The Wizard (1896) Dr Therne (1898) Swallow (1899) Elissa (1900) Black Heart and White Heart (1900) Lysbeth (1901) Pearl-Maiden (1903) Stella Fregelius (1904) The Brethren (1904) Ayesha: The Return of She (1905) The Way of the Spirit (1906) Benita (1906) Fair Margaret (1907) The Ghost Kings (1908) The Yellow God (1908) The Lady of Blossholme (1909) Morning Star (1910) Queen Sheba’s Ring (1910) Red Eve (1911) Marie (1912) Child of Storm (1913) The Wanderer’s Necklace (1914) The Holy Flower (1915) The Ivory Child (1916) Finished (1917) Love Eternal (1918) Moon of Israel (1918) When the World Shook (1919) The Ancient Allan (1920) She and Allan (1921) The Virgin of the Sun (1922) Wisdom’s Daughter (1923) Heu-Heu (1924) Queen of the Dawn (1925) The Treasure of the Lake (1926) Allan and the Ice Gods (1927) Mary of Marion Isle (1929) Belshazzar (1930) The Shorter Fiction Allan the Hunter (1890) Allan’s Wife and Other Tales (1899) The Mahatma and the Hare (1911) Smith and the Pharaohs and Other Tales (1913) The Non-Fiction Cetywayo and His White Neighbors (1882) The Last Boer War (1899) A Winter Pilgrimage (1901) The Autobiography The Days of My Life (1926)
In this remarkable collection of essays, acclaimed writer Brian Doyle offers “resurrections, restorations, reconsiderations, appreciations, enthusiasms, headlong solos, laughing prayers, imaginary meetings with most unusual and most interesting men.” Geographically and chronologically diverse—Plutarch of Greece; William Blake of England; Robert Louis Stevenson of Scotland; James Joyce and Van Morrison of Ireland; and others—Doyle sees them as men of “immense spiritual substance, prayerful fury, enormous grace,” men concerned with “the moral grapple” and “the sinuous crucial puzzle of love.” In telling the stories of these talented, troubled, and extraordinary men, Doyle discerns clues about how to be a good man, headlong in the pursuit of love and capable of greatness.
Across Ethiopia and beyond, Sherlock Holmes encounters both the hideous and the divine, ripping asunder the fragile veil separating us from worlds unknown-all while in the company of the renowned Allan Quatermain. The last of Allan Quatermain's true African adventures to appear, The Treasure of the Lake, was published nearly a century ago in 1926. Those who lusted to vicariously accompany Quatermain on new perilous treks into the vast reaches of the "Dark Continent" (as they had done to King Solomon's Mines) had no choice but to remain disappointed. UNTIL NOW! Recently found amongst some obscure papers at Brown University, this new manuscript chronicles a complex and inspired quest headed by Quatermain deep into the earthquake- and volcano-ripped Danakil Desert of Ethiopia in 1872 accompanied by his devoted aide-de-camp Hans and a host of the nineteenth century's most prodigious luminaries, including astronomer Maria Mitchell, volcanologist Axel Lindenbrock, and Gunnery Sergeants Daniel Dravot and Peachy Carnehan. Along the way, this ragtag troop is brutally attacked in the desert by its trophy-hunting denizens, and then they discover a 2,000-year-old lost city. Yet Holmes' and Quatermain’s quest is not merely one of surviving in Ethiopia’s beautiful yet tortuous landscapes; they must confront horror and overcome it. As the tale unfolds, readers will be swallowed by a maelstrom of concepts, relentlessly pulled headlong, descending into a scholarly labyrinth of interwoven writings. In point of fact, Quatermain encounters no less than the very essence of the meaning of life, which he then discounts as a wizard's trick!