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Young Harlan Q. Stank gets a taste of life in the fast lane when he accompanies his preacher father on a road trip to Las Vegas to bury his grandfather and to fulfill the terms of the old man's will.
The first time fourteen-year-old Harlan Q met his grandfather, he was laid up on a porcelain prep table at the local funeral home with a grin on his face—like he was getting the last laugh. His will leaves a chunk of money and a Cadillac convertible. The catch? His body must be buried in Las Vegas. With little money, Harlan Q convinces his Bible-thumping father to load the corpse in the back of their station wagon and take the road-trip to honor his grandfather's wishes. Along the way they pick up Warrior, a Hollywood-bound, Zen-minded actor-in-training. He surprisingly helps Harlan begin to understand his thoughts and life—separate from the thinking of his father—during a covert stop at his late grandfather's bar, Long Gone Daddy's.
Volume II picks up in 1943-44, right where Volume I left off, with Hank’s courtship and marriage to first wife, Audrey (Sheppard) Guy Williams, his rise to fame at the Louisiana Hayride, 1948-49, and at the Grand Ole Opry, 1949-50, before success began closing in on him by December 1950. Hank was only 27 years old at the time, and no one knew that he had only two more years to live. Despite Hank’s growing alcoholism, marital and health problems, and eventual addiction to prescription drugs, his last two years were perhaps the most productive and successful of his career. “A special feature of Volume II is that Dr. Nail devotes an entire chapter to the art and craft of songwriting. Here, Nail provides what I believe is the most accurate and comprehensive analysis to date of the relative contributions of Hank and his publisher/song editor, Fred Rose, to Hank’s songs. Like Volume I, Volume II is a must-read for anyone seeking greater understanding and insight into the short but fabulous life and career of the legendary Hank Williams. I wholeheartedly recommend it.” – Ed Guy, noted Hank Williams expert
Righteous jive for all you weedheads, moochers, b-girls, gassers, bandrats, triggermen, grifters, snowbirds, and long-gone daddies. Much of the slang popularly associated with the hippie generation of the 1960s actually dates back to before World War II, hijacked in the main from jazz and blues street expressions, mostly relating to drugs, sex, and drinking. Why talk when you can beat your chops, why eat when you can line your flue, and why snore when you can call some hogs? You’re not drunk–you’re just plumb full of stagger juice, and your skin isn’t pasty, it’s just caf? sunburn. Need a black coffee? That’s a shot of java, nix on the moo juice. Containing thousands of examples of hipster slang drawn from pulp novels, classic noir and exploitation films, blues, country, and rock ’n’ roll lyrics, and other related sources from the 1920s to the 1960s, Straight from the Fridge, Dad is the perfect guide for all hep cats and kittens. Think of it as a sort of Thirty Days to a More Powerful Vocabulary for the beret-wearing, bongo-banging set. Solid, Jackson.
Hank Williams, the quintessential country music singer and songwriter, lived a life as lonesome, desolate, and filled with sorrow as his timeless songs. From Williams's dirt- poor beginnings as a sickly child to his emergence as a star of the Grand Ole Opry, Lovesick Blues is the definitive biography of the man and his music.
(Easy Guitar). Features 32 of his most famous hits arranged for easy guitar. Includes: Cold, Cold Heart * Hey, Good Lookin' * Honky Tonk Blues * Honky Tonkin' * I Saw the Light * I'm a Long Gone Daddy * I'm So Lonesome I Could Cry * Jambalaya (On the Bayou) * A Mansion on the Hill * My Son Calls Another Man Daddy * Ramblin' Man * There's a Tear in My Beer * Your Cheatin' Heart * more.
In Media-Made Dixie Jack Kirby shows how the American public’s perceptions of the South have been influenced, even controlled, by the mass communications media. In this newly updated edition, Kirby surveys major movies, radio and television shows, plays, popular histories, and music from the turn of the century through the 1980s. He documents a progression in the national image of the South from the cracker wasteland of Erskine Caldwell’s God’s Little Acre to the antebellum wonderland of Hollywood’s Shirley Temple-“Bojangles” Robinson musicals; from William Styron’s searching account of the Old South in Confessions of Nat Turner to the New South ingenuity of Jimmy Carter and Ted Turner; and from the regressive back-roads of television’s The Dukes of Hazzard to the complex reconciliation found in Alice Walker’s and Steven Spielberg’s The Color Purple.
This book focuses on 50 of the most important entertainers in the history of country music, from its beginnings in the folk music of early America through the 1970s. Divided into five distinct categories, it discusses the pioneers who brought mountain music to mass audiences; cowboys and radio stars who spread country music countrywide; honky-tonk and bluegrass musicians who differentiated country music during the 1940s; the major contributions that female artists made to the genre; and the modern country sound which dominated the genre from the late 1950s to the mid-1980s. Each entry includes a brief biography of the chosen artist with special emphasis on experiences which influenced their musical careers. Covered musicians include Fiddlin' John Carson, Riley Puckett, Gene Autry, Roy Rogers, Bob Wills, Bill Monroe, Hank Williams, Sr., Dale Evans, June Carter Cash, Loretta Lynn, Buck Owens, Roy Clark, Willie Nelson and Merle Haggard.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.