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From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Justice Lonesome has enjoyed a life of bounty. Even so, she’s inherited the curse of the Lonesome. A poet’s soul. Which means she’s still searching for something. Searching for peace. Searching for the less…that’s more. And when the foundation of her life is pulled out from under her, grieving, she goes to the mountains to find her oasis. She hits Carnal, Colorado and decides to stay. Deke Hightower lost everything at the age of two. He lost it again at fifteen. His life has not been about bounty. It’s been about learning to live with less, because there’s no way to get more. Deke’s also watched all his friends go down to the women who gave them what they needed. He wants that for himself. But he knows that search isn’t going to be easy because he’s a rider. His home is the road. That’s the only place he can breathe. And the woman who takes her place at his side has to do it sitting on the back of his bike. When Deke meets Justice, he knows she’s not that woman. She’s cute. She’s sweet. And she’s into him, but she’s got it all and Deke knows he won’t fit into that. So he holds her at arm’s length. Establishes boundaries. And Justice will take it because she wants Deke any way he’ll let her have him. But when Justice finds herself a pawn in a dangerous game, Deke makes a decision. When he does, he has no idea he’s just opened himself up to bounty.
Need Help. In Presidio. Jake Clay Barlow, Texas Ranger, never turned his back on a friend, and he wasn't starting now. After receiving the cryptic message from Jake Coleman, his good friend, and fellow Texas Ranger, he immediately headed west. But the reason he now finds himself staked out in a dry river bed in West Texas was his thoughts of the girl he met in Austin. He had ignored his first rule. Always be alert. His mind, occupied with smiling lips, blonde hair, and blue eyes, failed to register the desperados until they had the drop on him. Now, the searing West Texas sun beats down on his exposed skin with the intensity of a blacksmith's furnace. Pain hammers every inch of his body, not only from the sun but from the hundreds of giant red ants that are devouring him one tiny bite at a time. What kind of trouble is Jake in? Is he still waiting in Presidio? Most importantly, will Clay survive the sun and the ants to help his friend?
Brian Behnken offers a sweeping examination of the interactions between Mexican-origin people and law enforcement—both legally codified police agencies and extralegal justice—across the U.S. Southwest (especially Arizona, California, New Mexico, and Texas) from the 1830s to the 1930s. Representing a broad, colonial regime, police agencies and extralegal groups policed and controlled Mexican-origin people to maintain state and racial power in the region, treating Mexicans and Mexican Americans as a "foreign" population that they deemed suspect and undesirable. White Americans justified these perceptions and the acts of violence that they spawned with racist assumptions about the criminality of Mexican-origin people, but Behnken details the many ways Mexicans and Mexican Americans responded to violence, including the formation of self-defense groups and advocacy organizations. Others became police officers, vowing to protect Mexican-origin people from within the ranks of law enforcement. Mexican Americans also pushed state and territorial governments to professionalize law enforcement to halt abuse. The long history of the border region between the United States and Mexico has been one marked by periodic violence, but Behnken shows us in unsparing detail how Mexicans and Mexican Americans refused to stand idly by in the face of relentless assault.
This is the second volume in Clinton Heylin's magisterial survey of the songs of Bob Dylan. The first volume - Revolution in the Air which is now available in paperback - charted the rise of Bob Dylan from his first jottings to the full expression of genius in songs such as 'Hard Rain Gonna Fall' and 'The Times They Are a Changin''. Still on the Road begins in 1974 with "Blood on the Tracks", the album filled with masterworks such as 'Tangled Up in Blue' and 'Simple Twist of Fate' that heralded a watershed in Dylan's creative journey, and continues to chart his never-ending fascination with music and the art of song up to 2006's "Modern Times". Praise for Revolution in the Air: 'Beg, steal, borrow ... a compelling history of Dylan's mercurial song writing.' Mojo, 5-star review 'Better than any biography could ever be, and a crucial Dylan book' Jonathan Letham 'Valuable resource' Observer 'A gripping new book by Dylan scholar Clinton Heylin so is so far in the deep end that its borderline insane . . [yet] has been devoured with a ravenous, insatiable appetite, and I have even made notes in the margin.' Mark Ellen, Word. 'Terrifically interesting for Dylan nuts' Sunday Herald 'Manna for completists' Metro 'True to form, Heylin digs deep-way deep-into the songs, mixing cold hard facts with illuminating anecdotes.' - Mark Smith, managing editor, Acoustic Guitar
In Lonesome Animals, Arthur Strawl, a tormented former lawman, is called out of retirement to hunt a serial killer with a sense of the macabre who has been leaving elaborately carved bodies of Native Americans across three counties. As the pursuit ensues, Strawl's own dark and violent history weaves itself into the hunt, shedding light on the remains of his broken family: one wife taken by the river, one by his own hand; an adopted Native American son who fancies himself a Catholic prophet; and a daughter, whose temerity and stoicism contrast against the romantic notions of how the west was won. In the vein of True Gritand Blood Meridian, Lonesome Animals is a western novel reinvented, a detective story inverted for the west. It contemplates the nature of story and heroism in the face of a collapsing ethos –not only of Native American culture, but also of the first wave of white men who, through the battle against the geography and its indigenous people, guaranteed their own destruction. But it is also about one man's urgent, elegiac search for justice amidst the craven acts committed on the edges of civilization.
A thrilling collection of twelve powerful and action-packed stories that celebrate the legendary Texas Rangers from Louis L’Amour, the world’s greatest Western storyteller, Rod Miller, and many more. Explore the proud heritage of the elite Texas Rangers in these exhilarating, white-knuckled stories. From historical tales of outlaws and rustlers to modern thrillers of tracking serial killers with the latest technology, Lone Star Law is an outstanding collection of stories about delivering justice the Texan way.
This book is a cultural history of the interplay between the Western genre and American gun rights and legal paradigms. From muskets in the hands of landed gentry opposing tyrannical government to hidden pistols kept to ward off potential attackers, the historical development of entwined legal and cultural discourses has sanctified the use of gun violence by private citizens and specified the conditions under which such violence may be legally justified. Gunslinging justice explores how the Western genre has imagined new justifications for gun violence which American law seems ever-eager to adopt.
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Reviews and rates the best recordings of country artists and groups, provides biographies of the artists, and charts the evolution of country music